'don't' to 'do not,' and it reads, 'It do not do to be hasty,' which is perfectly absurd.”
He turned it over in his mind and considered.
“Doesn't it jar on your ear?” she suggested.
“Can't say that it does,” he replied judicially.
“Why didn't you say, 'Can't say that it do'?” she queried.
“That sounds wrong,” he said slowly. “As for the other I can't make up my mind. I guess my ear ain't had the trainin' yours has.”
“There is no such word as 'ain't,'” she said, prettily emphatic.
Martin flushed again.
“And you say 'ben' for 'been,'” she continued; “'come' for 'came'; and the way you chop your endings is something dreadful.”
“How do you mean?” He leaned forward, feeling that he ought to get down on his knees before so marvellous a mind. “How do I chop?”
“You don't complete the endings. 'A-n-d' spells 'and.' You pronounce it 'an'.' 'I-n-g' spells 'ing.' Sometimes you pronounce it 'ing' and sometimes you leave off the 'g.' And then you slur by dropping initial letters and diphthongs. 'T-h-e-m' spells 'them.' You pronounce it-oh, well, it is not necessary to go over all of them. What you need is the grammar. I'll get one and show you how to begin.”
As she arose, there shot through his mind something that he had read in the etiquette books, and he stood up awkwardly, worrying as to whether he was doing the right thing, and fearing that she might take it as a sign that he was about to go.
“By the way, Mr. Eden,” she called back, as she was leaving the room. “What is booze? You used it several times, you know.”
“Oh, booze,” he laughed. “It's slang. It means whiskey an' beer – anything that will make you drunk.”
“And another thing,” she laughed back. “Don't use 'you' when you are impersonal. 'You' is very personal, and your use of it just now was not precisely what you meant.”
“I don't just see that.”
“Why, you said just now, to me, 'whiskey and beer – anything that will make you drunk' – make me drunk, don't you see?”
“Well, it would, wouldn't it?”
“Yes, of course,” she smiled. “But it would be nicer not to bring me into it. Substitute 'one' for 'you' and see how much better it sounds.”
When she returned with the grammar, she drew a chair near his – he wondered if he should have helped her with the chair – and sat down beside him. She turned the pages of the grammar, and their heads were inclined toward each other. He could hardly follow her outlining of the work he must do, so amazed was he by her delightful propinquity. But when she began to lay down the importance of conjugation, he forgot all about her. He had never heard of conjugation, and was fascinated by the glimpse he was catching into the tie-ribs of language. He leaned closer to the page, and her hair touched his cheek. He had fainted but once in his life, and he thought he was going to faint again. He could scarcely breathe, and his heart was pounding the blood up into his throat and suffocating him. Never had she seemed so accessible as now. For the moment the great gulf that separated them was bridged. But there was no diminution in the loftiness of his feeling for her. She had not descended to him. It was he who had been caught up into the clouds and carried to her. His reverence for her, in that moment, was of the same order as religious awe and fervor. It seemed to him that he had intruded upon the holy of holies, and slowly and carefully he moved his head aside from the contact which thrilled him like an electric shock and of which she had not been aware.
Chapter VIII
Several weeks went by, during which Martin Eden studied his grammar, reviewed the books on etiquette, and read voraciously the books that caught his fancy. Of his own class he saw nothing. The girls of the Lotus Club wondered what had become of him and worried Jim with questions, and some of the fellows who put on the glove at Riley's were glad that Martin came no more. He made another discovery of treasure-trove in the library. As the grammar had shown him the tie-ribs of language, so that book showed him the tie-ribs of poetry, and he began to learn metre and construction and form, beneath the beauty he loved finding the why and wherefore of that beauty. Another modern book he found treated poetry as a representative art, treated it exhaustively, with copious illustrations from the best in literature. Never had he read fiction with so keen zest as he studied these books. And his fresh mind, untaxed for twenty years and impelled by maturity of desire, gripped hold of what he read with a virility unusual to the student mind.
When he looked back now from his vantage-ground, the old world he had known, the world of land and sea and ships, of sailor-men and harpy-women, seemed a very small world; and yet it blended in with this new world and expanded. His mind made for unity, and he was surprised when at first he began to see points of contact between the two worlds. And he was ennobled, as well, by the loftiness of thought and beauty he found in the books. This led him to believe more firmly than ever that up above him, in society like Ruth and her family, all men and women thought these thoughts and lived them. Down below where he lived was the ignoble, and he wanted to purge himself of the ignoble that had soiled all his days, and to rise to that sublimated realm where dwelt the upper classes. All his childhood and youth had been troubled by a vague unrest; he had never known what he wanted, but he had wanted something that he had hunted vainly for until he met Ruth. And now his unrest had become sharp and painful, and he knew at last, clearly and definitely, that it was beauty, and intellect, and love that he must have.
During those several weeks he saw Ruth half a dozen times, and each time was an added inspiration. She helped him with his English, corrected his pronunciation, and started him on arithmetic. But their intercourse was not all devoted to elementary study. He had seen too much of life, and his mind was too matured, to be wholly content with fractions, cube root, parsing, and analysis; and there were times when their conversation turned on other themes – the last poetry he had read, the latest poet she had studied. And when she read aloud to him her favorite passages, he ascended to the topmost heaven of delight. Never, in all the women he had heard speak, had he heard a voice like hers. The least sound of it was a stimulus to his love, and he thrilled and throbbed with every word she uttered. It was the quality of it, the repose, and the musical modulation – the soft, rich, indefinable product of culture and a gentle soul. As he listened to her, there rang in the ears of his memory the harsh cries of barbarian women and of hags, and, in lesser degrees of harshness, the strident voices of working women and of the girls of his own class. Then the chemistry of vision would begin to work, and they would troop in review across his mind, each, by contrast, multiplying Ruth's glories. Then, too, his bliss was heightened by the knowledge that her mind was comprehending what she read and was quivering with appreciation of the beauty of the written thought. She read to him much from “The Princess,” and often he saw her eyes swimming with tears, so finely was her aesthetic nature strung. At such moments her own emotions elevated him till he was as a god, and, as he gazed at her and listened, he seemed gazing on the face of life and reading its deepest secrets. And then, becoming aware of the heights of exquisite sensibility he attained, he decided that this was love and that love was the greatest thing in the world. And in review would pass along the corridors of memory all previous thrills and burnings he had known, – the drunkenness of wine, the caresses of women, the rough play and give and take of physical contests, – and they seemed trivial and mean compared with this sublime ardor he now enjoyed.
The situation was obscured to Ruth. She had never had any experiences of the heart. Her only experiences in such matters were of the books, where the facts of ordinary day were translated by fancy into a fairy realm of unreality; and she little
