Portrait of a Lady. Генри Джеймс

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the conversation at a low temperature. The poor girl liked to be thought clever, but she hated to be thought bookish; she used to read in secret and, though her memory was excellent, to abstain from showy reference. She had a great desire for knowledge, but she really preferred almost any source of information to the printed page; she had an immense curiosity about life and was constantly staring and wondering. She carried within herself a great fund of life, and her deepest enjoyment was to feel the continuity between the movements of her own soul and the agitations of the world. For this reason she was fond of seeing great crowds and large stretches of country, of reading about revolutions and wars, of looking at historical pictures – a class of efforts as to which she had often committed the conscious solecism of forgiving them much bad painting for the sake of the subject. While the Civil War went on she was still a very young girl; but she passed months of this long period in a state of almost passionate excitement, in which she felt herself at times (to her extreme confusion) stirred almost indiscriminately by the valour of either army. Of course the circumspection of suspicious swains had never gone the length of making her a social proscript; for the number of those whose hearts, as they approached her, beat only just fast enough to remind them they had heads as well, had kept her unacquainted with the supreme disciplines of her sex and age. She had had everything a girl could have: kindness, admiration, bonbons, bouquets, the sense of exclusion from none of the privileges of the world she lived in, abundant opportunity for dancing, plenty of new dresses, the London Spectator, the latest publications, the music of Gounod, the poetry of Browning, the prose of George Eliot.

      These things now, as memory played over them, resolved themselves into a multitude of scenes and figures. Forgotten things came back to her; many others, which she had lately thought of great moment, dropped out of sight. The result was kaleidoscopic, but the movement of the instrument was checked at last by the servant's coming in with the name of a gentleman. The name of the gentleman was Caspar Goodwood; he was a straight young man from Boston, who had known Miss Archer for the last twelvemonth and who, thinking her the most beautiful young woman of her time, had pronounced the time, according to the rule I have hinted at, a foolish period of history. He sometimes wrote to her and had within a week or two written from New York. She had thought it very possible he would come in – had indeed all the rainy day been vaguely expecting him. Now that she learned he was there, nevertheless, she felt no eagerness to receive him. He was the finest young man she had ever seen, was indeed quite a splendid young man; he inspired her with a sentiment of high, of rare respect. She had never felt equally moved to it by any other person. He was supposed by the world in general to wish to marry her, but this of course was between themselves. It at least may be affirmed that he had travelled from New York to Albany expressly to see her; having learned in the former city, where he was spending a few days and where he had hoped to find her, that she was still at the State capital. Isabel delayed for some minutes to go to him; she moved about the room with a new sense of complications. But at last she presented herself and found him standing near the lamp. He was tall, strong and somewhat stiff; he was also lean and brown. He was not romantically, he was much rather obscurely, handsome; but his physiognomy had an air of requesting your attention, which it rewarded according to the charm you found in blue eyes of remarkable fixedness, the eyes of a complexion other than his own, and a jaw of the somewhat angular mould which is supposed to bespeak resolution. Isabel said to herself that it bespoke resolution to-night; in spite of which, in half an hour, Caspar Goodwood, who had arrived hopeful as well as resolute, took his way back to his lodging with the feeling of a man defeated. He was not, it may be added, a man weakly to accept defeat.

      Chapter V

      Ralph Touchett was a philosopher, but nevertheless he knocked at his mother's door (at a quarter to seven) with a good deal of eagerness. Even philosophers have their preferences, and it must be admitted that of his progenitors his father ministered most to his sense of the sweetness of filial dependence. His father, as he had often said to himself, was the more motherly; his mother, on the other hand, was paternal, and even, according to the slang of the day, gubernatorial. She was nevertheless very fond of her only child and had always insisted on his spending three months of the year with her. Ralph rendered perfect justice to her affection and knew that in her thoughts and her thoroughly arranged and servanted life his turn always came after the other nearest subjects of her solicitude, the various punctualities of performance of the workers of her will. He found her completely dressed for dinner, but she embraced her boy with her gloved hands and made him sit on the sofa beside her. She enquired scrupulously about her husband's health and about the young man's own, and, receiving no very brilliant account of either, remarked that she was more than ever convinced of her wisdom in not exposing herself to the English climate. In this case she also might have given way. Ralph smiled at the idea of his mother's giving way, but made no point of reminding her that his own infirmity was not the result of the English climate, from which he absented himself for a considerable part of each year.

      He had been a very small boy when his father, Daniel Tracy Touchett, a native of Rutland, in the State of Vermont, came to England as subordinate partner in a banking-house where some ten years later he gained preponderant control. Daniel Touchett saw before him a life-long residence in his adopted country, of which, from the first, he took a simple, sane and accommodating view. But, as he said to himself, he had no intention of disamericanising, nor had he a desire to teach his only son any such subtle art. It had been for himself so very soluble a problem to live in England assimilated yet unconverted that it seemed to him equally simple his lawful heir should after his death carry on the grey old bank in the white American light. He was at pains to intensify this light, however, by sending the boy home for his education. Ralph spent several terms at an American school and took a degree at an American university, after which, as he struck his father on his return as even redundantly native, he was placed for some three years in residence at Oxford. Oxford swallowed up Harvard, and Ralph became at last English enough. His outward conformity to the manners that surrounded him was none the less the mask of a mind that greatly enjoyed its independence, on which nothing long imposed itself, and which, naturally inclined to adventure and irony, indulged in a boundless liberty of appreciation. He began with being a young man of promise; at Oxford he distinguished himself, to his father's ineffable satisfaction, and the people about him said it was a thousand pities so clever a fellow should be shut out from a career. He might have had a career by returning to his own country (though this point is shrouded in uncertainty) and even if Mr. Touchett had been willing to part with him (which was not the case) it would have gone hard with him to put a watery waste permanently between himself and the old man whom he regarded as his best friend. Ralph was not only fond of his father, he admired him – he enjoyed the opportunity of observing him. Daniel Touchett, to his perception, was a man of genius, and though he himself had no aptitude for the banking mystery he made a point of learning enough of it to measure the great figure his father had played. It was not this, however, he mainly relished; it was the fine ivory surface, polished as by the English air, that the old man had opposed to possibilities of penetration. Daniel Touchett had been neither at Harvard nor at Oxford, and it was his own fault if he had placed in his son's hands the key to modern criticism. Ralph, whose head was full of ideas which his father had never guessed, had a high esteem for the latter's originality. Americans, rightly or wrongly, are commended for the ease with which they adapt themselves to foreign conditions; but Mr. Touchett had made of the very limits of his pliancy half the ground of his general success. He had retained in their freshness most of his marks of primary pressure; his tone, as his son always noted with pleasure, was that of the more luxuriant parts of New England. At the end of his life he had become, on his own ground, as mellow as he was rich; he combined consummate shrewdness with the disposition superficially to fraternise, and his “social position,” on which he had never wasted a care, had the firm perfection of an unthumbed fruit. It was perhaps his want of imagination and of what is called the historic consciousness; but to many of the impressions usually made by English life upon the cultivated stranger his sense was completely closed. There were certain differences he had never perceived, certain habits he had never formed, certain obscurities he had never sounded. As regards these latter, on the day he had sounded them his son would have thought less well of him.

      Ralph, on leaving Oxford, had spent a couple of years in travelling; after which

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