Cultural Awareness. Barry Tomalin

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      Barry Tomalin, Susan Stempleski

      Cultural Awareness

      Great Clarendon Street, Oxford OX2 6DP

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      © Oxford University Press 1993

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      Database right Oxford University Press (maker)

      First published 1993

      2012 2011 2010

      20 19 18 17 16

      All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press (with the sole exception of photocopying carried out under the conditions stated in the paragraph headed ‘Photocopying’), or as expressly permitted by law, or under terms agreed with the appropriate reprographics rights organization. Enquiries concerning reproduction outside the scope of the above should be sent to the ELT Rights Department, Oxford University Press, at the address above

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      The Publisher grants permission for the photocopying of those pages marked ‘photocopiable’ according to the following conditions. Individual purchasers may make copies for their own use or for use by classes that they teach. School purchasers may make copies for use by staff and students, but this permission does not extend to additional schools or branches Under no circumstances may any part of this book be photocopied for resale

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      ISBN: 978 0 19437194 0

      Typeset by Wyvern Typesetting, Bristol

      Printed in China

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      Acknowledgements

      The publisher and author would like to thank the following for their kind permission to use articles, extracts, or adaptations from copyright material. There might be instances where we have been unable to trace or contact the copyright holder before our printing deadline. We apologize for this and if notified the publisher will be pleased to rectify any errors or omissions at the earliest opportunity.

      Illustrations by OUP Technical Graphics Dept.

      Studio Photography by Mark Mason

      The publishers would like to thank the following for their kind permission to reproduce photographs:

      James Davis Travel Photography

      Mary Evans Picture Library

      National Trust Photographic Library

      Rex Features Ltd

      The Wordsworth Trust

      New York Convention and Visitors’ Bureau

      Oxford and County Newspapers

      OUP (Empire State building/Digital Vision)

      The authors and series editor

      Barry Tomalin is a writer, trainer, and broadcaster on educational matters, specializing in the use of educational technology, including video. He trained at International House in the UK, and has been a teacher trainer in Algeria, West Africa, and Paris. Since 1977 he has worked at BBC English in the BBC World Service and has lectured all over the world, training teachers in language teaching methodology, especially in the use of video. He is the author of numerous books and articles, including the self-study video course Follow Me, Video in Action (with Susan Stempleski), and Video in the English Class. His interest in the teaching of cultural awareness arises from his research into video and from working with different national groups in Europe, Latin America, the United States, and the Far East. He is married with one son.

      Susan Stempleski has been involved in EFL/ESL since 1966. She has been a Fulbright lecturer in Bolivia, and a United States-Spain Joint Committee lecturer in Spain. As an Academic Specialist for the United States Information Agency, she has conducted teacher training and development programmes in Turkey, Burundi, Chile, Czechoslovakia, Ecuador, Greece, and South Africa. She is based in New York City, where, in addition to teaching at the Hunter College International English Language Institute of the City University of New York and at Teachers College, Columbia University, she is a freelance consultant and writer. Her numerous publications include Video in Action (with Barry Tomalin) and Hello, America.

      Alan Maley worked for The British Council from 1962 to 1988, serving as English Language Officer in Yugoslavia, Ghana, Italy, France, and China, and as Regional Representative for The British Council in South India (Madras). From 1988 to 1993 he was Director-General of the Bell Educational Trust, Cambridge. From 1993 to 1998 he was Senior Fellow in the Department of English Language and Literature of the National University of Singapore. He is currently a freelance consultant and Director of the Graduate English Programme at Assumption University, Bangkok. He has written Literature, in this series, Beyond Words, Sounds Interesting, Sounds Intriguing, Words, Variations on a Theme, and Drama Techniques in Language Learning (all with Alan Duff), The Mind’s Eye (with Françoise Grellet and Alan Duff), Learning to Listen and Poem into Poem (with Sandra Moulding), and The English Teacher’s Voice. He is also Series Editor for the Oxford Supplementary Skills series.

      Foreword

      In Classical-Humanist models of language education, culture (which usually meant high culture with a capital C) traditionally occupied a prominent position. More recent models have tended to stress the behavioural aspects of culture, and in particular its role in communication (and communication breakdown). Indeed, the concept of ‘culture’ has become something of a fashionable cliché in language-teaching circles in recent years.

      This book strips away the layers of obfuscation which clichés invariably generate. It reminds us of why ‘culture’ is a valuable component of foreign-language programmes, and shows us how we might go about incorporating it into our teaching.

      The title is not without significance. It remains doubtful whether culture, high or low, can really be taught, though generations of learners have been taught about culture.

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