A Tatter of Scarlet: Adventurous Episodes of the Commune in the Midi 1871. Crockett Samuel Rutherford

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troubles between the operatives and the "masters," or rather the representatives of the masters of whom his father was the chief.

      The great Compagnie d'Armes de Guerre Aramoise was not distinguished for generosity. The men were well lodged but poorly paid. In these war times they had been over-driven. So many hundreds of rifles to turn out daily – field artillery, too, and a new department to be set up for the manufacture of mitrailleuses.

      Outside, Dennis Deventer said little about the politics of the works, nothing at all to his son Hugh.

      We of the lycée knew that France was already fairly evenly divided between true Republicans and those others who looked upon Gambetta's republic as a step to a monarchy or even the restoration of the Napoleons. The sons of functionaries mostly held the latter opinion. The scions of the aristocratic families of the neighbourhood, the old Whites of the Midi, prayed for the Bourbon flag and the coming of Henry V to his own again.

      So when we heard the ripple of musketry fire and the sullen boom of the artillery, Deventer and I supposed that a mutiny of sorts had broken out at the works, or that news had come from Paris of some sudden change of government.

      We were not far from the mark. There had been news from Paris and a mutiny had broken out. At any rate, they were fighting over in Aramon, and we must find out what it was all about.

      For the moment this was impossible for us. The cliff was too sheer on the side of our recreation ground. There were over many eyes upon us. We must wait for the night, and in the meantime Deventer could only sniff the battle from afar, and hold in the desire to set off and help his father.

      "The Dad doesn't want me," he said. "Of course, I know that. He would most likely tan me well for breaking bounds, but I can't bear being cooped up here doing silly mathematics when over yonder – But listen to them!"

      A patter of what might have been heavy rain on a tin roof came faintly to our ears. A little white cloud hung over the statue in the market square, and presently flung down devilish fingers earthward. We did not then know the signs of the explosion of shrapnel.

      By this time the school was crowding about us, as curious as ourselves. The bell clanged for classes to resume, but no one moved. The pion screamed impotently in the rear. None took any notice, and the windows above were black with the gowns of the professors.

      Some thought that the noise was only the letting off of blasts in the Pierre de Montagne quarries, but it was pointed out that such explosions took place only at eight, one, and four, the hours when the men would be out of the quarries at their meals. Besides, the crackle of small fire was unaccounted for, and each moment it became more lively.

      Practice at the Chassepot factories? Very likely – but at human targets.

      Finally the college authorities caused discipline to prevail, and Deventer and I watched alone by the parapet. We had both passed our bachot, and were an honour to the college. So the strictness of rule and line was relaxed in our case.

      Our hearts beat, and in the instancy of our watch we would not have turned our heads if the proviseur himself had been at our side.

      Presently we could see soldiers marching, the flash of bayonets, and groups of a dozen, as if pushed beyond their patience, turning and firing with rapid irregularity. All this in flashes of vision, mostly at the bridge-end, or at the intersection of two streets. Through the northern gate a kind of uncertain retreat began to dribble – the red breeches of the linesmen, the canter of the artillery horses attacking the hill, with stragglers here and there looking about for their regiments.

      Neither Deventer nor I knew enough to explain these things.

      "There are no Germans nearer than Toul or Besançon," he said, with a puzzled anxiety.

      The field guns answered him smartly. From all the houses about the northern gate a storm of rifle fire broke out. The soldiers on foot hastened their retreat. The artillerymen, better led or of firmer courage, faced about, and with one volley pitted the façades of the houses from which the attack had come. They withdrew regularly, covering the retreat of the infantry, and spat out their little devils' claws of shrapnel over every group which showed itself outside the wall. Slowly the soldiers passed out of sight. The artillery bucketed over the knolls of the Montagne of Aramon among the evergreen odoriferous plants and the faint traces of the last snow wreaths.

      There was nothing left for us to see now except the town of Aramon, its green and white houses sleeping in the sun, the tall chimney of the Small Arms Factory, now smokeless – and the broad Rhône sweeping grave and placid between them and us.

      Nevertheless we waited alone on the recreation ground, our heads a little dizzy. The swooning hum of the class-rooms awoke behind us, but we heeded not at all.

      We saw the tricolour of the Republic come down with a run from the tall flagstaff on Fort St. André, and presently, irregularly tugged, rising a few feet at a time, a red flag fluttered out, probably an improvised table-cover or bedspread. It flapped out bravely in the brisk breeze off the water.

      We had had our first glimpse of "The Tatter of Scarlet."

      CHAPTER II

      KITH AND KIN

      I don't think I troubled much about my father when I resolved to run away from the Lycée St. André. He had, as I thought, never troubled much about me.

      Afterwards I found that I had been mistaken, but perhaps not more than most. For it is the rarest thing in the world to find a son entering upon life, able to do justice to his father's ideas and motives.

      Yet it was for my sake that he had given up the society of his fellow savants and had exiled himself to Aramon le Vieux, with only his books for company. At Nice, Mentone, or Cap Martin, the author of "The History and Growth of Italian Art" could have lived a great part of the year among kindred spirits, but because of me and St. André, he had shut himself up with his books and collections in the Villa Gobelet on the piney southern slopes of the long convent ridge, the summit of which was crowned by the immense acreage of rambling white masonry which constituted our lycée.

      My father, Gordon Cawdor, mixed freely enough with the engineers in New Aramon. But I knew very well that he endured rather than enjoyed their society.

      They talked of springs and hoppers, of pauls and recoil tampons, and my father sat with his gentle wise head nodding as if taking in each point. But he never spoke to them of his own work, and, excepting Deventer's father, there was not one who knew more about Italian art than a dim memory of a bad lithograph of Da Vinci's "Last Supper" could recall to him.

      Dennis Deventer, a tall dark grey man with the most mobile eyebrows I ever saw in my life, lives much in my early memories of my father's house. He seems now to have been always there, though of course he could really have come but seldom – a massive, slow-moving, swiftly scrutinising man, who bent shaggy eyebrows upon his son and myself, and in whose presence it was not good to make the easily forged excuses which served so well for my scholarly father.

      Hugh said that it was because he listened all day to excuses and explanations over at the Arms Factory, without believing any one of them.

      He had succeeded a manager who had been driven from Aramon because he was afraid of his men. But now the men, though they hated him as the representative of the Company, freely acknowledged his courage and austere justice.

      His house was the largest in New Aramon, and he had within it three daughters all verging on, or just overlapping early womanhood, besides a comfortable wife who purred

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