squalid, dangerous regions which hung at one end of respectable little Sendennis like dirty lace upon a demure petticoat. In the early days of my acquaintance with those regions I must confess that I entered them with a certain degree of fear and trembling; but after a while that feeling soon wore off, when I found that no one wanted to do me any harm. Indeed, the dwellers in those parts were generally too much occupied in drinking themselves drunk and sleeping themselves sober to note an unremarkable lad like me. As for their holiday time, they passed it so largely in quarrelling savagely, and occasionally murderously, amongst themselves that they had scant leisure to pay any heed to me. For the rest, these Sendennis slums were not conspicuously evil. You will find just the same places in any seaport town, great or little, in the kingdom. But there was one spot in Sendennis which I do not think that it would be easy to match in any other town, although, perhaps to say this may be but a flash of provincial pride on my part.
A good way from the town, and yet before the river fairly widens into an estuary, there stood a certain hostel, or inn, which it was my joy and my sorrow to haunt. It stood by the water’s edge in a kind of little garden of its own; a dreary place, where a few sickly plants tried to hold their own against neglect and the splashings of rinsed glasses. There was a wooden terrace at the back of this place – the back overlooked the river, while the front was on the by-road – and here the habitual revellers, the haunters, whose scored crosses lent the creaking shutters an unnatural whiteness over their weather-beaten surface, dark with age and dirt, loved to linger of a summer evening, and ply the noggin and fill the pipe.
There was an old fiddler, a kind of Orpheus of the slums, who would sometimes creep in there and take his post in a corner and begin to play, happy if the mad lads threw him halfpence, or thrust a half-drained tankard under his tearful old nose: happy, too, if they did not – as they often did – toss the cannikin at him out of mere lightness of heart and drunkenness of wit. He used to play the quaintest old tunes, odd border-side ballad airs, that seemed to go apace with blithe country weddings and decent pastoral merry-makings of all kinds, and to be strangely out of suits with that brotherhood of rakehells, smugglers, and desperadoes who gambled and drank, and swore and quarrelled, while the poor old fellow worked his catgut.
Lord, Lord, how the memory of it all comes back upon me while I write! I have but to close my eyes, and my fancy brings me back to that alehouse by the river, to a summer’s eve with its golden shafts falling on the dingy woodwork and lending it a pathetic glory, upon the shining space of dwindled water in the middle of its banks of glistening mud, and there in the corner the pinched old rogue in his ragged bodygear scraping away at ‘Barbara Allen,’ or ‘When first I saw thy face,’ or ‘The Bailiff’s Daughter of Islington,’ while the leering rascals in the pilot coats and the flap-eared caps huddled together over their filthy tables, and swigged their strong drink and thumbed their greasy cards and swore horribly in all the lingoes of Babel.
One such summer evening surges up before me with a crimson smear across its sunlight. There was a Low Country fellow there, waist deep in schnapps, and a Finlander sucking strong beer like a hog. Meinheer and the Finn came to words and blows, and I, who was sitting astride of the railing staring, heard a shrill scream from the old man and a rattle as he dropped his fiddle, and then a flash and a red rain of blood on the table as my Finn fell with a knife in him, the Hollander’s knife, smartly pegged in between the left breast and the shoulder. I declare that, even in my excitement at that first sight of blood drawn in feud, my boyish thought was half divided between the drunken quarrel and the poor old fiddler, all hunched together on the ground and sobbing dry-eyed in a kind of ecstasy of fear and horror. I heard afterwards that he had a son knifed to his death in a seaman’s brawl, and never got over it. As for the Finn, they took him home and kept it dark, and he recovered, and may be living yet for all I know to the contrary, and a perfect pattern to the folk in Finland.
That inn had a name, stranger I have never heard; and a sign, stranger I have never seen; though I have wandered far and seen more than old Ulysses in the school-book ever dreamt of. It was called the Skull and Spectacles; and if its name was at once horrible and laughable, its sign was more devilish still. For instead of any painted board, swinging pleasantly on fair days and creaking lustily on foul, there stood out over the inn door a kind of bracket, and on that bracket stood a human skull, so parched and darkened by wind and weather that it looked more fearful than even a caput mortuum has a right to look.
On the nose of this grisly reminder of our mortality some wag – or so I suppose, but perhaps he was a cynic – had stuck a great pair of glassless barnacles or goggles. It was a loathly conceit, and yet it added vastly to the favour of the inn in the minds of those wildings that haunted it. Must I add that it did so in mine too, who should have known better? If it had not been for the fascination of that sign, perhaps I might have kept better company, and never done what I did do, and never written this history.
When first I happened upon the Skull and Spectacles it attracted me at once. Its situation, in the middle of that wilderness of mouldering wharves, decaying gardens, and tumble-down cottages, was in itself an invitation to the eye. Then the devilish mockery of its sign was an allurement. It looked like some fantastical tavern in a dream, and not a thing of real timber.
The oddness of the place tickled my adventurous palate, the loathsomeness of the sign gripped me hardly by the heart and made my blood run icily for an instant. Who does not recall to mind moments and places when he seems to have stepped out of the real living world into some grey, uncanny land of dreams, where the very air is thick and haunted with some quality of unknown fear and unknown oppression? So it seemed to me when I first saw the Skull and Spectacles with its death’s-head smirking welcome and the river mud oozing about its timbers. But the place piqued me while it frightened me, and I pulled my courage together like a coat, buttoned it metaphorically about me, and entered.
Like many another enterprise upon which we enter with a beating heart, the preface was infinitely more alarming than the succeeding matter. There was no one in the bar-parlour when I entered save a sailor, who was sleeping a drunken, stertorous sleep in a corner. From the private parlour beyond, when I entered, a man came out, a burly seafaring man, who asked me shortly, but not uncivilly, what I wanted. I called for a jug of ale. He brought it to me without a word, together with a hunch of bread, set them before me, and left me alone again, going into his snuggery at the back, and drawing the door after him jealously.
I sat there for some little time, sipping my ale and munching my bread – and indeed the ale was excellent; I have never tasted better – and looking at the grimy wall, greasy with the rubbings of many heads and shoulders, scrawled all over with sums, whose addition seemed to have mightily perplexed the taproom arithmeticians, and defiled with inscriptions of a foul, loose-witted, waterside lubricity that made me blush and feel qualmish. But I found a furtive enjoyment in the odd place, and the snoring sailor, and the low plashing of the estuary against the decaying timbers, and the silence of solitude all around.
Presently the door was pushed open; but before anyone could come in I was made to jump from my seat in a kind of terror, for a voice sang out sharply just above my head and startled me prodigiously.
‘Kiss me – kiss me – kiss me – kiss me!’ the strange voice screamed out. ‘Kiss me on the lips and eyes and throat! kiss me on the breast! kiss me – kiss me – kiss me!’
I turned up my eyes and noted above my head what I had not seen before – a cage swinging from the rafters, and in it a small green parrot, with fiery eyes that glowed like blazing rubies.
It went rattling on at an amazing rate, adjuring its hearers to kiss it on all parts of the body with a verbal frankness that was appalling, and with a distinctness which even pricked the misty senses of the slumberer, who peevishly turned in his sleep and stuttered out a curse at me to keep still.
As the human voice called me back from my contemplation of that infernal old bird my lowered eyes looked on the doorway. The door was wide open, and a girl stood framed in the gap, gazing at me. Lord, how the blood
