me after I had accepted the bribe to pose as a doctor, and certify that death had been due to natural causes.
Outside in the bright sunlight of the Piazza, I obtained a full view of her. Her rather shabby black was evidently of good material, but her face struck me as distinctly strange. The expression in her dark luminous eyes was fixed, as though she were fascinated and utterly unconscious of all about her. She walked mechanically, without interest, and utterly heedless of where she went. Her companion’s hand was upon her arm as she crossed to the Via Calzajoli, and I wondered if she were blind.
I had never before seen such a blank, hopeless expression in a woman’s eyes.
The man, on the contrary, was shrewd and alert. His close-set eyes shot shrewd glances from beneath black bushy eyebrows with a keen, penetrating gaze, as though nothing escaped him. He seemed to be trying to hurry her, in fear of being recognized. He had not noticed me, hence in the bustle of the busy street I managed to get up close behind them, when of a sudden, I heard her exclaim:
“Not so fast! Really I can’t walk so fast!”
She spoke in English!
Her companion, uncouth and heedless, still had his hand upon her arm, hurrying her along without slackening his pace. She seemed like a girl in a dream. Truly, she was very handsome, a strange tragic figure amid all the hubbub of Florence, the old-world city of noise and of narrow streets, where Counts and contadini rub shoulders, and the tradesmen are ever on the look out to profit – if only a few soldi – upon the innocent foreigner.
Firenze la Bella – or Florence as the average Englishman knows it – is surely a city of strange people and of strange moods. By the discordant clanging of its church bells the laughter-loving Florentines are moved to gaiety, or to piety, and by the daily articles in the local journals, the Nazione or the Fieramosca, they can be incited to riot or violence. The Tuscans, fine aristocratic nobles with ten centuries of lineage behind them, and splendid peasants with all their glorious traditions of feudal servitude under the “nobile,” are, after all, like children, with a simplicity that is astounding, combined with a cunning that is amazing.
Along the Via Calzajoli I followed the pair in breathless eagerness. At that hour of the morning the central thoroughfare is always crowded by business men, cooks out shopping, and open-mouthed forestieri– the foreigners who come, guide-book in hand, to gaze at and admire the thousand wonderful monuments of the ancient city of Medici. The girl’s face certainly resembled very closely that of the dead girl Gabrielle Engledue. The countenance I had seen at Stretton Street was white and lifeless, while that of the girl was fresh and rosy. Nevertheless, that blank expression upon her face, and the fact that her companion had linked his arm in hers, both pointed to the fact that either her vision was dim, or her great dark eyes were actually sightless. The man was fairly well dressed, but the girl was very shabby. Her rusty black, her cheap stockings, her down-at-heel shoes, and her faded hat combined to present a picture of poverty. Indeed, the very fact of the neglect of her dress was increasing evidence that her vision was dim, for surely she would not go forth with the rent in the elbow of her blouse. Did she know that it was torn?
Just as we were passing the ancient church of Or San Michele, with its wonderful armorial bearings by Luca della Robbia, an old man with long white hair and beard, whom I took to be one of the mangy painters who copy the masterpieces in the Uffizi or the Pitti, passed by, and raising his hat, wished the pair: “Buon giorno!”
The girl’s companion returned the salute with a slight expression of annoyance, perhaps at being recognized, but the girl took no notice, and did not acknowledge him.
The man uttered some words in the girl’s ear, and then hurried her on more quickly, at the same time glancing furtively around. It was quite plain that he had no wish to be seen there, hence my curiosity became increased.
Every moment I, however, feared that he might realize I was following them; but I did not mean that they should escape me.
In the Piazza della Signorina they halted opposite that great old prison-like building, the Palazzo Vecchio, where several people were awaiting an omnibus, and as they stood there the girl, who bore such a striking resemblance to the dead niece of the millionaire, stared straight before her, taking no notice of anything about her, a strange, statuesque, pathetic figure, inert and entirely guided by the ferret-eyed man at her side.
I was compelled to draw back and watch them from a distance, hoping that I might be successful in following them to their destination. It certainly was strange that the girl who was so much like Gabrielle Engledue should be there in Florence, within a mile or two of De Gex’s villa!
As I watched, yet another person – a well-dressed woman of about forty – recognizing the girl’s companion, smiled as she passed, while he, on his part, raised his hat. The woman who had passed struck me as being either English or American, for there are many English-speaking residents in Florence. For a second I debated within myself, and then a moment later I followed her until she turned a corner in the Via di Porta Rossa. Then I hurried, and overtaking her politely raised my hat.
“I trust you will pardon me, Madame,” I exclaimed in English, as she started and looked at me askance. “I presume you are either English or American?”
“I am American,” she replied with a pronounced drawl.
“Please forgive my inquisitiveness, but I seek your aid in a little matter which is of greatest consequence to me,” I went on. “A moment ago, as you crossed the Piazza, you encountered an Italian gentleman and a girl. Could you tell me the gentleman’s name?”
“What, the person I bowed to a moment ago?” she exclaimed. “Oh! that’s Doctor Moroni.”
Moroni! I recollected the name. He was one of the mourners!
“And the girl?” I asked.
“Ah! I do not know. I saw her out with an old woman the other day. But I have no idea who she is.”
“Is Doctor Moroni a doctor of medicine?” I inquired.
“Yes. The people at the pension of the Lung Arno where I live, always call him in. I was ill six months ago, and he attended me. He lives in the Via Cavezzo, near the Porta Romona – number six, I believe.”
“I am sure I am extremely obliged to you,” I replied very gratefully. “I have a very strong reason for asking these questions – reasons which concern the young lady,” I added.
The American woman smiled, and then, reiterating my thanks, I raised my hat and left her.
At least I had discovered the identity of the girl’s companion. He was a doctor, hence it was most probable that she was under his charge. Nevertheless, it was strange that he should take her to the Duomo and pray at her side. Doctors do not usually act in that manner with their patients.
When I returned to the Piazza the pair were nowhere to be seen, therefore I strolled to the nearest café, and sat down with a cigarette to think out the remarkable affair.
One or two features of the problem now became more than ever puzzling. First, in view of the fact that I had seen Gabrielle Engledue lying dead and had, for a bribe of five thousand pounds, signed a death certificate purporting to be from Doctor Gordon Garfield, of Queen Anne Street, Cavendish Square, it seemed beyond credence that the girl who had died and been cremated should be led about the streets of Florence by this Italian, Doctor Moroni. Oswald De Gex’s denials were, in themselves, only thin, and yet they were all very clever and carefully prepared. The story of how his wife had left his little son in Westbourne Grove to be discovered by the police
