care is to catch the varying, elusive personalities which dwell back of the luminous brain windows of the dog, the horse, the deer, or wrap themselves in reserve behind the inscrutable eyes of all the cats, or sit aloof in the gaze of the hawk and the eagle. The animal story at its highest point of development is a psychological romance constructed on a framework of natural science.
The real psychology of the animals, so far as we are able to grope our way toward it by deduction and induction combined, is a very different thing from the psychology of certain stories of animals which paved the way for the present vogue. Of these, such books as “Beautiful Joe” and “Black Beauty” are deservedly conspicuous examples. It is no detraction from the merit of these books, which have done great service in awakening a sympathetic understanding of the animals and sharpening our sense of kinship with all that breathe, to say that their psychology is human. Their animal characters think and feel as human beings would think and feel under like conditions. This marks the stage which these works occupy in the development of the animal story.
The next stage must be regarded as, in literature, a climax indeed, but not the climax in this genre. I refer to the “Mowgli” stories of Mr. Kipling. In these tales the animals are frankly humanised. Their individualisation is distinctly human, as are also their mental and emotional processes, and their highly elaborate powers of expression. Their notions are complex; whereas the motives of real animals, so far as we have hitherto been able to judge them, seem to be essentially simple, in the sense that the motive dominant at a given moment quite obliterates, for the time, all secondary motives. Their reasoning powers and their constructive imagination are far beyond anything which present knowledge justifies us in ascribing to the inarticulate kindreds. To say this is in no way to depreciate such work, but merely to classify it. There are stories being written now which, for interest and artistic value, are not to be mentioned in the same breath with the “Mowgli” tales, but which nevertheless occupy a more advanced stage in the evolution of this genre.
It seems to me fairly safe to say that this evolution is not likely to go beyond the point to which it has been carried to-day. In such a story, for instance, as that of “Krag, the Kootenay Ram,” by Mr. Ernest Seton, the interest centres about the personality, individuality, mentality, of an animal, as well as its purely physical characteristics. The field of animal psychology so admirably opened is an inexhaustible world of wonder. Sympathetic exploration may advance its boundaries to a degree of which we hardly dare to dream; but such expansion cannot be called evolution. There would seem to be no further evolution possible, unless based upon a hypothesis that animals have souls. As souls are apt to elude exact observation, to forecast any such development would seem to be at best merely fanciful.
The animal story, as we now have it, is a potent emancipator. It frees us for a little from the world of shop-worn utilities, and from the mean tenement of self of which we do well to grow weary. It helps us to return to nature, without requiring that we at the same time return to barbarism. It leads us back to the old kinship of earth, without asking us to relinquish by way of toll any part of the wisdom of the ages, any fine essential of the “large result of time.” The clear and candid life to which it re-initiates us, far behind though it lies in the long upward march of being, holds for us this quality. It has ever the more significance, it has ever the richer gift of refreshment and renewal, the more humane the heart and spiritual the understanding which we bring to the intimacy of it.
The Moonlight Trails
I
There was no wind. The young fir-trees stood up straight and tall and stiffly pointed from the noiseless white levels of the snow. The blue-white moon of midwinter, sharply glittering like an icicle, hung high in a heaven clear as tempered steel.
The young fir-trees were a second growth, on lands once well cleared, but afterward reclaimed by the forest. They rose in serried phalanxes, with here and there a solitary sentinel of spruce, and here and there a little huddling group of yellow birches. The snow-spaces between formed sparkling alleys, and long, mysterious vistas, expanding frequently into amphitheatres of breathless stillness and flooding radiance. There was no trace of that most ghostly and elusive winter haze which represents the fine breathing of the forest. Rather the air seemed like diamonds held in solution, fluent as by miracle, and not without strange peril to be jarred by sound or motion.
Yet presently the exaggerated tension of the stillness was broken, and no disaster followed. Two small, white, furry shapes came leaping, one behind the other, down a corridor of radiance, as lightly as if a wind were lifting and drifting them. It was as if some of the gentler spirits of the winter and the wild had seized the magic hour for an incarnation. Leaping at gay leisure, their little bodies would lengthen out to a span of nearly three feet, then round themselves together so that the soft pads of their hinder paws would touch the snow within a couple of inches of the prints from which their fore paws were even then starting to rise. The trail thus drawn down the white aisle consisted of an orderly succession of close triplicate bunches of footprints, like no other trail of the wild folk. From time to time the two harmonious shapes would halt, sit up on their hindquarters, erect their long, attentive ears, glance about warily with their bulging eyes which, in this position, could see behind as well as in front of their narrow heads, wrinkle those cleft nostrils which were cunning to differentiate every scent upon the sharp air, and then browse hastily but with a cheerful relish at the spicy shoots of the young yellow birch. Feeding, however, was plainly not their chief purpose. Always within a few moments they would resume their leaping progress through the white glitter and the hard, black shadows.
Very soon their path led them out into a wide glade, fenced all about with the serried and formal ranks of the young firs. It seemed as if the blue-white moon stared down into this space with a glassiness of brilliance even more deluding and magical than elsewhere. The snow here was crossed by a tangle of the fine triplicate tracks. Doubling upon themselves in all directions and with obvious irresponsibility, they were evidently the trails of play rather than of business or of flight. Their pattern was the pattern of mirth; and some half dozen wild white rabbits were gaily weaving at it when the two newcomers joined them. Long ears twinkling, round eyes softly shining, they leaped lightly hither and thither, pausing every now and then to touch each other with their sensitive noses, or to pound on the snow with their strong hind legs in mock challenge. It seemed to be the play of care-free children, almost a kind of confused dance, a spontaneous expression of the joy of life. Nevertheless, for all the mirth of it, there was never a moment when two or more of the company were not to be seen sitting erect, with watchful ears and eyes, close in the shadow of the young fir-trees. For the night that was so favourable to the wild rabbits was favourable also to the fox, the wildcat, and the weasel. And death stalks joy forever among the kindred of the wild.
From time to time one or another of the leaping players would take himself off through the fir-trees, while others continued to arrive along the moonlight trails. This went on till the moon had swung perhaps an hour’s distance on her shining course; then, suddenly it stopped; and just for a fleeting fraction of a breath all the players were motionless, with ears one way. From one or another of the watchers there had come some signal, swift, but to the rabbits instantly clear. No onlooker not of the cleft-nose, long-ear clan could have told in what the signal consisted, or what was its full significance. But whatever it was, in a moment the players were gone, vanishing to the east and west and south, all at once, as if blown off by a mighty breath. Only toward the north side of the open there went not one.
Nevertheless, the moon, peering down with sharp scrutiny into the unshadowed northern fringes of the open, failed to spy out any lurking shape of fox, wildcat, or weasel. Whatever the form in which fate had approached, it chose not to unmask its menace. Thereafter, for an hour or more, the sparkling glade with its woven devices was empty. Then, throughout the rest of the night, an occasional rabbit would go bounding across it hastily, on affairs intent, and paying no heed to its significant hieroglyphs. And once, just before moon-set, came a large red fox and sniffed about the tangled trails with an interest not untinged with scorn.
II
