and he muttered a quickly-suppressed oath. But already she had guessed, even before Lady Eglinton's strident voice had set her every nerve a-tingling.
"Mlle. de Saint Romans!" said milady, with a shrill laugh, "a thousand pardons! I had a message from Mme. de Pompadour for M. le Comte de Stainville, and thought to find him alone. A thousand pardons, I beg – the intrusion was involuntary – and the message unimportant – I'll deliver it when Monsieur is less pleasantly engaged."
Lydie at that moment could not have stirred one limb, if her very life had depended on a movement from her. The feeling of unreality had gone. It was no longer that. It was a grim, hideous, awful reality. That beautiful woman there was reality, and real, too, were the glowing eyes that flashed defiance at milady, the lips parted for that last kiss which the flunkey's voice had interrupted, the stray black curls which had escaped from the trammels of the elaborate coiffure and lay matted on the damp forehead.
And those roses, too, which had adorned her corsage, now lying broken and trampled on the floor, the candles burning dimly in their sockets, and Gaston's look of wrath, quickly followed by one of fear – all – all that was real!
Real to the awful shame of it all – milady's sneer of triumph, the oath which had risen to Gaston's lips, the wooden figure of the lacquey standing impassive at the door!
Instinctively Lydie's hand flew to her lips; oh, that she could have wiped out the last, lingering memory of that kiss. She, the proud and reserved vestal, a Diana chaste and cold, with lips now for ever polluted by contact with those of a liar. A liar, a traitor, a sycophant! She lashed her haughty spirit into fury, the better to feel the utter degradation of her own abasement.
She did not speak. What could she say! One look at Gaston's face and she understood that her humiliation was complete; his eyes did not even seek her pardon, they expressed neither sorrow nor shame, only impotent wrath and fear of baffled ambition. Not before all these people would she betray herself, before that beautiful rival, or that vulgar intrigante, not before Gaston or his lacquey, and beyond that mechanical movement of hand to lips, beyond one short flash of unutterable pride and contempt, she remained silent and rigid, whilst her quick eyes took in a complete mental vision of that never to-be-forgotten picture – the dimly-lighted boudoir, the defiant figure of Irène de Saint Romans, the crushed roses on the floor.
Then with a heart-broken sigh unheard by the other actors in this moving tableaux, and covering her face with her hands, she began to walk rapidly down the corridor.
CHAPTER IX
THE WINNING HAND
But Lydie d'Aumont had not gone five paces before she heard a quick, sharp call, followed by the rustle of silk on the marble floor.
The next moment she felt a firm, hot grip on her wrist, and her left hand was forcibly drawn away from her face, whilst an eager voice spoke quick, vehement words, the purport of which failed at first to reach her brain.
"You shall not go, Mlle. d'Aumont," were the first coherent words which she seemed to understand – "you cannot – it is not just, not fair until you have heard!"
"There is nothing which I need hear," interrupted Lydie coldly, the moment she realized that it was Irène de Saint Romans who was addressing her; "and I pray you to let me go."
"Nay! but you shall hear, you must!" rejoined the other without releasing her grasp on the young girl's wrist. Her hand was hot, and her fingers had the strength of intense excitement. Lydie could not free herself, strive how she might.
"Do you not see that this is most unfair?" continued Irène with great volubility. "Am I to be snubbed like some kitchen wench caught kissing behind doorways? Look at milady Eglinton and her ill-natured sneer. I'll not tolerate it, nor your looks of proud contempt! I'll not – I'll not! Gaston! Gaston!" she now exclaimed, turning to de Stainville, who was standing, silent and sullen, whilst he saw his wife gradually lashing herself into wrathful agitation at his own indifference and Lydie's cold disdain. "If you have a spark of courage left in you, tell that malicious intrigante and this scornful minx that if I were to spend the whole evening in the boudoir en tête-à-tête with you, aye! and behind closed doors if I chose who shall have a word to say, when I am in the company of my own husband?"
"Your husband!"
The ejaculation came from Lady Eglinton's astonished lips. Lydie had not stirred. She did not seem to have heard, and certainly Irène's triumphant announcement left her as cold, as impassive as before. What did it matter, after all, what special form Gaston's lies to her had assumed? Nothing that he or Irène said or did could add to his baseness and infamy.
"Aye, my husband, milady!" continued the other more calmly, as she finally released Lydie's wrist and cast it, laughing, from her. "I am called Mme. la Comtesse de Stainville, and will be called so in the future openly. Now you may rejoin your guests, Mlle. d'Aumont; my reputation stands as far beyond reproach as did your own before you spent a mysterious half hour with my husband behind the curtains of an alcove."
She turned to de Stainville, who, in spite of his wife's provocative attitude, had remained silent, cursing the evil fate which had played him this trick, cursing the three women who were both the cause and the witnesses of his discomfiture.
"Your arm, Gaston!" she said peremptorily; "and you, Benedict, call your master's coach and my chair. Mlle. d'Aumont, your servant. If I have been the means of dissipating a happy illusion, you may curse me now, but you will bless me to-morrow. Gaston has been false to you – he is not over true to me – but he is my husband, and as such I must claim him. For the sake of his schemes, of his ambitions, I kept our marriage a secret so that he might rise to higher places than I had the power to give him. When your disdainful looks classed me with a flirty kitchen-wench I rebelled at last. I trust that you are proud enough not to vent your disappointment on Gaston; but if you do, 'tis no matter; I'll find means of consoling him."
She made the young girl a low and sweeping curtesy in the most approved style demanded by the elabourate etiquette of the time. There was a gleam of mocking triumph in her eyes, which she did not attempt to conceal, and which suddenly stung Lydie's pride to the quick.
It is strange indeed that often at a moment when a woman's whole happiness is destroyed with one blow, when a gigantic cataclysm revolutionises with one fell swoop her entire mode of thought, dispels all her dreams and shatters her illusions, it is always the tiny final pin-prick which causes her the most acute pain and influences the whole of her subsequent conduct.
It was Irène's mocking curtsey which roused Lydie from her mental torpor, because it brought her – as it were – in actual physical contact with all that she would have to endure openly in the future, as apart from the hidden misery of her heart.
Gaston's shamed face was no longer the only image which seared her eyes and brain. The world, her own social world, seemed all at once to reawaken before her. That world would sneer even as Irène de Stainville sneered; it would laugh at and enjoy her own discomfiture. She – Lydie d'Aumont – the proud and influential daughter of the Prime Minister of France, whom flatterers and sycophants approached mentally on bended knees, for whom suitors hardly dared even to sigh, she had been tricked and fooled like any silly country mouse whose vanity had led to her own abasement.
Half an hour ago in the fullness of her newly-found happiness she had flaunted her pride and her love before those who hated and envied her. To-morrow – nay, within an hour – this humiliating scene would be the talk of Paris and Versailles. Lydie's burning ears seemed even now to hear the Pompadour retailing it with many embellishments, which would bring a coarse laugh to the lips of the King and an ill-natured jest to those of her admirers; she could hear the jabbering crowd, could feel the looks of compassion or
