Love. Jp. A. Calosse

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canvas, 70.3 × 48.3 cm.

      Manchester City Art Galleries, Manchester.

      Ode to Cassandra

      Darling, come with me and behold

      Whether the rose I saw unfold

      For the new sun her crimson gown,

      Has not this evening to lament

      The loss of all her red raiment,

      And colour lovely as your own.

      Eros Delivering Psyche

      Edward Burne-Jones, 1867.

      Gouache, 80 × 91.4 cm.

      Hammersmith and Fulham Archives and Local History Centre, London.

      Ah! Darling, see how soon, alas!

      She loosed her treasures on the grass

      Letting them fall on every side!

      Nature is well named step-mother

      When such a flower unloved by her

      Lasts but from morn till even-tide!

      Psyche Revived by Cupid’s Kiss

      Antonio Canova, 1787–1793.

      Marble, 155 × 168 × 101 cm.

      Musée du Louvre, Paris.

      Therefore, if you believe me, Dear,

      The while your life may still appear

      Clad in the greenest for its dress,

      Gather, O gather all your Youth:

      For Age, who showed the rose no ruth

      Even so will dim your loveliness.

Pierre de Ronsard (1524–1585)Ronsard & la Pléiade

      Galatea

      Gustave Moreau, 1880.

      Oil on wood panel, 85 × 67 cm.

      Musée d’Orsay, Paris.

      Ofttimes I have this strange and penetrating dream:

      An unknown woman whom I love and who loves me,

      And who, though never changing, ever seems to be

      Another —

      In whose eyes I see a well known gleam.

      She understands. My heart that doth transparent seem

      For her alone, alas, ceases also to be

      For her, alone, a problem; and her tears fall free

      Upon my pallid brow, refreshing as a stream.

      Pygmalion and the Image: The Hand Refrains

      Edward Burne-Jones, 1875–1878.

      Oil on canvas, 99.1 × 76.2 cm.

      Museum and Art Gallery, Birmingham.

      Brunette, or blonde, or Titian-haired? I do not know!

      Her name? ‘Twas sweet I weel recall when spoken low,

      As sweet as those beloved ones by Life exiled.

      Her glance is that of statues – looks that vaguely thrill —

      And her voice – calm, faintly sounding, gravely mild

      It hath the echo of dear voices long since still.

Paul Verlaine (1844–1896)

      Pygmalion and the Image: The Soul Attains

      Edward Burne-Jones, 1875–1878.

      Oil on canvas, 99.1 × 76.2 cm.

      Museums and Art Gallery, Birmingham.

      Oh, rapturous martyrdom! ravishing pain!

      Oh, infinite anguish and bliss!

      With her horrible talons she wounded me,

      While she thrilled my soul with a kiss.

      Конец ознакомительного фрагмента.

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