Pollock. Donald Wigal

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one scene our Pollock and Krasner play off each other barefoot as a reminiscing Pollock goes around pointing out patches of colour on the floor, identifying several by year and by painting. On the day of shooting that scene we also showed our handsome de Kooning, a real Italian art dealer playing (Leo) Castelli, as well as look-alikes playing (Clement) Greenberg, and our vivacious (Peggy) Guggenheim[91].

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      Примечания

      1

      to his father LeRoy, February, 1932

      2

      Gabor. Page 49

      3

      Solomon. Page 178. Letter to his friend, Louis Bunce.

      4

      Walsh. Paragraph 8

      5

      Walsh. Paragraph 13

      6

      interview for a Sag Harbor radio station in the Fall of 1950; Cf. O’Connor (77) Pages 79–81

      7

      Salomon. Page 19

      8

      Updike. Page 55

      9

      Stevens. Page 392

      10

      × 228.6 cm, Collection Samuel and Ronnie Heyman.

      11

      Harrison (46). Page 8

      12

      Solomon. Page 18

      13

      telegram to Time Magazine

      14

      Potter. Page 23

      15

      interview for a Sag Harbor radio station in the Fall of 1950; Cf. O’Connor (77) Pages 79–81

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Примечания

1

to his father LeRoy, February, 1932

2

Gabor. Page 49

3

Solomon. Page 178. Letter to his friend, Louis Bunce.

4

Walsh. Paragraph 8

5

Walsh. Paragraph 13

6

interview for a Sag Harbor radio station in the Fall of 1950; Cf. O’Connor (77) Pages 79–81

7

Salomon. Page 19

8

Updike. Page 55

9

Stevens. Page 392

10

× 228.6 cm, Collection Samuel and Ronnie Heyman.

11

Harrison (46). Page 8

12

Solomon. Page 18

13

telegram to Time Magazine

14

Potter. Page 23

15

interview for a Sag Harbor radio station in the Fall of 1950; Cf. O’Connor (77) Pages 79–81

16

To avoid confusion about New York geographic areas – the state, the city, the borough – this book refers to the borough as Manhattan.

17

New York Times. February 18, 2005. Page E37

18

Cf. Mark Cooper. Baseball Games: Home Versions of the National Pastime. 1860s to 1960s. (Schiffer, 1995.). Phone conversation with the author, March 11, 2005.

19

Naifeh. Page 29

20

Naifeh. Page 584.

21

Adams. Study for “Poker Night.” Pages 38–39. Painting reproduced in Adam’s biography of Benton. Page 333

22

interview for a Sag Harbor radio station in the Fall of 1950; Cf. O’Connor (77) Pages 79–81

23

Naifeh. Page 796

24

to Selden Rodman, 1956

25

Stephen Little. Isms. (Universe, 2004) Page 117.

26

Walsh. Paragraph 24–25

27

Dearborn. Page 219

28

Harrison. Page 9. Letter: January 31, 1930.

29

to his father LeRoy, February, 1932

30

Adams. Page 7

31

Adams. Page 9

32

Rex Irvin. The New Yorker Magazine. January 20, 1945.

33

Adams. Pages 76–77

34

www.angelfire.com/art2/pollock

35

interview for a Sag Harbor radio station in the Fall of 1950; Cf. O’Connor (77) Pages 79–81

36

Stevens. Pages 208 and 652, note 208

37

Klaster. Pages 209, 652 note 209

38

The New York Times. “With Charity in Mind.” Page E35. Photo of work included.

39

Walsh. Paragraph 32, 34

40

For a description of the injunction (US

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<p>91</p>

Time Magazine. August 26, 2002. Obituaries