altar, decked with the most lavish magnificence, supports the shrine. Those who are profoundly touched with its sanctity, may approach, and walking round, look through the crevices of the tomb, which, it is observed, exude a balsamic odour. But supposing a traveller ever so heretical, I would advise him by no means to neglect this pilgrimage; since every part of the recess he visits is decorated with exquisite sculptures. Sansovino and other renowned artists have vied with each other in carving the alto relievos of the arcade, which, for design and execution, would do honour to the sculptors of antiquity.
Having observed these objects with less exactness than they merited, I hastened to the inn, luckily hard by, and one of the best I am acquainted with. Here I soon fell asleep in defiance of sunshine. It is true my slumbers were not a little agitated. The saint had been deaf to my prayer, and I still found myself a frail, infatuated mortal.
At five I got up; we dined, and afterwards scarcely knowing, nor much caring, what became of us, we strolled to the great hall of the town; an enormous edifice, larger considerably than that of Westminster, but free from stalls, or shops, or nests of litigation. The roof, one spacious vault of brown timber, casts a solemn gloom, which was still increased by the lateness of the hour, and not diminished by the wan light, admitted through the windows of pale blue glass. The size and shape of this colossal chamber, the arching of the roof, with enormous rafters stretching across it, and, above all, the watery gleams that glanced through the dull casements, possessed my fancy with ideas of Noah’s ark, and almost persuaded me I beheld that extraordinary vessel. The representation one sees of it in many an old Dutch Bible, seems to be formed upon this very model, and for several moments I indulged the chimera of imagining myself confined within its precincts. Could I but choose my companions, I should have no great objection to encounter a deluge, and to float away a few months upon the waves!
We remained till night walking to and fro in the ark; it was then full time to retire, as the guardian of the place was by no means formed to divine our diluvian ideas.
LETTER IX
Church of St. Justina. – Tombs of remote antiquity. – Ridiculous attitudes of rheumatic devotees. – Turini’s music. – Another excursion to Fiesso. – Journey to the Euganean hills. – Newly discovered ruins. – High Mass in the great Church of Saint Anthony. – A thunder-storm. – Palladio’s Theatre at Vicenza. – Verona. – An aërial chamber. – Striking prospect from it. – The Amphitheatre. – Its interior. – Leave Verona. – Country between that town and Mantua. – German soldiers. – Remains of the palace of the Gonzagas. – Paintings of Julio Romano. – A ruined garden. – Subterranean apartments.
Immediately after breakfast we went to St. Justina’s. Both extremities of the cross aisles are terminated by altar-tombs of very remote antiquity, adorned with uncouth sculptures of the evangelists, supported by wreathed columns of alabaster, round which, to my no small astonishment, four or five gawky fellows were waddling on their knees, persuaded, it seems, that this strange devotion would cure the rheumatism, or any other aches with which they were afflicted. You can have no conception of the ridiculous attitudes into which they threw themselves; nor the difficulty with which they squeezed along, between the middle column of the tomb and those which surround it. No criminal in the pillory ever exhibited a more rueful appearance, no swine ever scrubbed itself more fervently than these infatuated lubbers.
I left them hard at work, taking more exercise than had been their lot for many a day; and, mounting into the organ gallery, listened to Turini’s7 music with infinite satisfaction. The loud harmonious tones of the instrument filled the whole edifice; and, being repeated by the echoes of its lofty domes and arches, produced a wonderful effect. Turini, aware of this circumstance, adapts his compositions with great intelligence to the place. Nothing can be more original than his style. Deprived of sight by an unhappy accident, in the flower of his days, he gave up his entire soul to music, and can scarcely be said to exist, but from its mediums.
When we came out of St. Justina’s, the azure of the sky and the softness of the air inclined us to think of some excursion. Where could I wish to go, but to the place in which I had been so delighted? Besides, it was proper to make the Cornaro another visit, and proper to see the Pisani palace, which happily I had before neglected. All these proprieties considered, Madame de R. accompanied me to Fiesso.
The sun was just sunk when we arrived. The whole ether in a glow, and the fragrance of the arched citron alleys delightful. Beneath them I walked in the cool, till the Galuzzi began once more her enchanting melody. She sang till the fineness of the weather tempted us to quit the palace for the banks of the Brenta. A profound calm reigned upon the woods and the waters, and moonlight added serenity to a scene naturally peaceful.
We supped late: before the Galuzzi had repeated the airs which had most affected me, morning began to dawn.
THE want of sound repose, after my return home, had thrown me into a feverish and impatient mood. I had scarcely snatched some slight refreshment, before I flew to the great organ at St. Justina’s; but tried this time to compose myself, in vain.
Madame de Rosenberg, finding my endeavours unsuccessful, proposed, by way of diverting my attention, that we should set out immediately for one of the Euganean hills, about six or seven miles from Padua, at the foot of which some antique baths had been very lately discovered. I consented without hesitation, little concerned whither I went, or what happened to me, provided the scene was often shifted. The lanes and inclosures we passed, in our road to the hills, appeared in all the gaiety that verdure, flowers, and sunshine could give them. But my pleasures were overcast, and I beheld every object, however cheerful, through a dusky medium.
Deeply engaged in conversation, distance made no impression, and I found myself entering the meadow, over which the ruins are scattered, whilst I imagined myself several miles distant. No scene could be more smiling than this which here presented itself, or answer, in a fuller degree, the ideas I had always formed of Italy.
Leaving our carriage at the entrance of the meadow, we traversed its surface, and shortly perceived among the grass, an oblong basin, incrusted with pure white marble. Most of the slabs are large and perfect, apparently brought from Greece, and still retaining their polished smoothness. The pipes to convey the waters are still perfectly discernible; in short, the whole ground-plan may be easily traced. Near the principal bath, we remarked the platforms of several circular apartments, paved with mosaic, in a neat simple taste, far from inelegant. Weeds have not yet sprung up amongst the crevices; and the freshness of the ruin everywhere shows that it has not long been exposed.
Theodoric is the prince to whom these structures are attributed; and Cassiodorus, the prime chronicler of the country, is quoted to maintain the supposition. My spirit was too much engaged to make any learned parade, or to dispute upon a subject, which I abandon, with all its importance, to calmer and less impatient minds.
Having taken a cursory view of the ruins, we ascended the hill just above them, and surveyed a prospect of the same nature, though in a more lovely and expanded style than that which I beheld from Mosolente. Padua crowns the landscape, with its towers and cupolas rising from a continued grove; and, from the drawings I have seen, I should conjecture that Damascus presents somewhat of a similar appearance.
Taking our eyes off this extensive prospect, we brought them home to the fragments beneath our feet. The walls exhibit the opus reticulatum, so common in the environs of Naples. A sort of terrace, with the remaining bases of columns which encircle the hill, leads me to imagine here were formerly arcades and porticos, constructed for enjoying the view; for on the summit I could trace no vestiges of any considerable edifice, and am therefore inclined to conclude, that nothing more than a colonnade surrounded the hill, leading perhaps to some slight fane, or pavilion, for the recreation of the bathers below.
A
A nephew of Bertoni, the celebrated composer.
