The Two Twilights. Henry A. Beers

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the mossy paths

      And hark! the voice of hounds – the royal horn,

      Which, muffled in the ferny coverts deep,

      Utters the three sweet notes that sound recall;

      As, riding two by two between the oaks,

      Come on the paladins and ladies all.

      The court will rest from chase in this smooth glade

      That slopes to meet yon little rushy stream,

      Where in the shallows nod the arrow-heads,

      And the blue flower-de-luce's banners gleam.

      The gamekeepers are coupling of the hounds;

      The pages hang bright scarfs upon the boughs;

      The new-slain quarry lies upon the turf

      Whereon but now he with the herd did browse.

      The silk pavilion shines among the trees;

      The mighty pasties and the flagons strong

      Give cheer to the dear heart of many a knight,

      And many a dame whose beauty lives in song.

      Meanwhile a staging improvised and rude

      Rises, whereon the masquers and the mimes

      Play for their sport a pleasant interlude,

      Fantastic, gallant, pointing at the times.

      Their green-room is the wide midsummer wood;

      Down some far-winding gallery the deer —

      The dappled dead-head of that sylvan show —

      Starts as the distant ranting strikes his ear.

      They use no traverses nor painted screen

      To help along their naked, out-door wit:

      (Only the forest lends its leafy scene)

      Yet wonderfully well they please the pit.

      The plaudits echo through the wide parquet

      Where the fair audience upon the grass,

      Each knight beside his lady-love, is set,

      While overhead the merry winds do pass.

      The little river murmurs in its reeds,

      And somewhere in the verdurous solitude

      The wood-thrush drops a cool contralto note,

      An orchestra well-tuned unto their mood.

      As runs the play so runs the afternoon;

      The curtain and the sun fall side by side;

      The epilogue is spoke, the twilight come;

      Then homeward through the darkening glades they ride.

      THE OLD CITY

      Ancient city, down thy street

      Minstrels make their music sweet;

      Sound of bells is on the air,

      Fountains sing in every square,

      Where, from dawn to shut of day,

      Maidens walk and children play;

      And at night, when all are gone,

      The waters in the dark sing on,

      Till the moonrise and the breeze

      Whiten the horse-chestnut trees.

      Cool thou liest, leisured, slow,

      On the plains of long ago,

      All unvexed of fretful trades

      Through thy rich and dim arcades,

      Overlooking lands below

      Terraced to thy green plateau.

      Dear old city, it is long

      Since I heard thy minstrels' song,

      Since I heard thy church-bells deep,

      Since I watched thy fountains leap.

      Yet, whichever way I turn,

      Still I see the sunset burn

      At the ending of the street,

      Where the chestnut branches meet;

      Where, between the gay bazaars,

      Maidens walk with eyes like stars,

      And the slippered merchants go

      On the pavements to and fro.

      Upland winds blow through my sleep,

      Moonrise glimmers, waters leap,

      Till, awaking, thou dost seem

      Like a city of a dream, —

      Like a city of the air,

      Builded high, aloof and fair, —

      Such as childhood used to know

      On the plains of long ago.

      AMETHYSTS

      Not the green eaves of our young woods alone

      Shelter new violets, by the spring rains kissed;

      In the hard quartz, by some old April sown,

      Blossoms Time's flower, the steadfast amethyst.

      "Here's pansies, they're for thoughts" – weak thoughts though fair;

      June sees their opening, June their swift decay.

      But those stone bourgeons stand for thoughts more rare,

      Whose patient crystals colored day by day.

      Might I so cut my flowers within the rock,

      And prison there their sweet escaping breath;

      Their petals then the winter's frost should mock,

      And only Time's slow chisel work their death.

      If out of those embedded purple blooms

      Were quarried cups to hold the purple wine,

      Greek drinkers thought the glorious, maddening fumes

      Were cooled with radiance of that gem divine.

      Might I so wed the crystal and the grape,

      Passion's red heart and plastic Art's endeavor,

      Delirium should take on immortal shape,

      Dancing and blushing in strong rock forever.

      KATY DID

      In a windy tree-top sitting,

      Singing at the fall of dew,

      Katy watched the bats a-flitting,

      While the twilight's curtains drew

      Closer round her; till she only

      Saw the branches and the sky —

      Rocking late and rocking lonely,

      Anchored on the darkness high.

      And the song that she was singing,

      In the windy tree-tops swinging,

      Was under the tree, under the tree

      The fox is digging a pit for me.

      When the early stars were sparkling

      Overhead, and down below

      Fireflies twinkled, through the darkling

      Thickets she heard footsteps go —

      Voice of her false lover speaking,

      Laughing to his sweetheart new: —

      "Half

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