shrieked Arne, seizing the axe, but remained standing as though nailed to the spot, for at that moment the father drew himself up, gave a piercing cry, clutched at his breast, and fell over. "Jesus Christ!" said he, and lay quite still.
Arne knew not where he stood or what he stood over; he waited, as it were, for the room to burst asunder, and for a strong light to break in somewhere. The mother began to draw her breath heavily, as though she were rolling off some great weight. She finally half rose, and saw the father lying stretched out on the floor, the son standing beside him with an axe.
"Merciful Lord, what have you done?" she shrieked, and started up out of bed, threw her skirt about her, and came nearer; then Arne felt as if his tongue were unloosed.
"He fell down himself," said he.
"Arne, Arne, I do not believe you," cried the mother, in a loud, rebuking tone. "Now Jesus be with you!" and she flung herself over the corpse, with piteous lamentation.
Now the boy came out of his stupor, and dropping down on his knees, exclaimed, "As surely as I look for mercy from God, he fell as he stood there."
"Then our Lord himself has been here," said she, quietly; and, sitting on the floor, she fixed her eyes on the corpse.
Nils lay precisely as he fell, stiff, with open eyes and mouth. His hands had drawn near together, as though he had tried to clasp them, but had been unable to do so.
"Take hold of your father, you are so strong, and help me lay him on the bed."
And they took hold of him and laid him on the bed. Margit closed his eyes and mouth, stretched him out and folded his hands.
Mother and son stood and looked at him. All they had experienced until then neither seemed so long nor contained so much as this moment. If the devil himself had been there, the Lord had been there also; the encounter had been short. All the past was now settled.
It was a little after midnight, and they had to be there with the dead man until day dawned. Arne crossed the floor, and made a great fire on the hearth, the mother sat down by it. And now, as she sat there, it rushed through her mind how many evil days she had had with Nils; and then she thanked God, in a loud, fervent prayer, for what He had done. "But I have truly had some good days also," said she, and wept as though she regretted her recent thankfulness; and it ended in her taking the greatest blame on herself who had acted contrary to God's commandment, out of love for the departed one, had been disobedient to her mother, and therefore had been punished through this sinful love.
Arne sat down directly opposite her. The mother's eyes were fixed on the bed.
"Arne, you must remember that it was for your sake I bore it all," and she wept, yearning for a loving word in order to gain a support against her own self-accusations, and comfort for all coming time. The boy trembled and could not answer. "You must never leave me," sobbed she.
Then it came suddenly to his mind what she had been, in all this time of sorrow, and how boundless would be her desolation should he, as a reward for her great fidelity, forsake her now.
"Never, never!" he whispered, longing to go to her, yet unable to do so.
They kept their seats, but their tears flowed freely together. She prayed aloud, now for the dead man, now for herself and her boy; and thus, amid prayers and tears, the time passed. Finally she said: —
"Arne, you have such a fine voice, you must sit over by the bed and sing for your father."
And it seemed as though strength was forthwith given him to do so. He got up, and went to fetch a hymn-book, then lit a torch, and with the torch in one hand, the hymn-book in the other, he sat down at the head of the bed and, in a clear voice, sang Kingo's one hundred and twenty-seventh hymn: —
"Turn from us, gracious Lord, thy dire displeasure!
Let not thy bloody rod, beyond all measure,
Chasten thy children, laden with sore oppressions,
For our transgressions."9
CHAPTER V
Arne became habitually silent and shy. He tended cattle and made songs. He passed his nineteenth birthday, and still he kept on tending cattle. He borrowed books from the priest and read; but he took interest in nothing else.
The priest sent word to him one day that he had better become a school-master, "because the parish ought to derive benefit from your talents and knowledge." Arne made no reply to this; but the next day, while driving the sheep before him, he made the following song: —
"Oh, my pet lamb, lift your head,
Though the stoniest path you tread,
Over the mountains lonely,
Still your bells follow only.
"Oh, my pet lamb, walk with care,
Lest you spoil all your wool beware,
Mother must soon be sewing
Skins for the summer's going.
"Oh, my pet lamb, try to grow
Fat and fine wheresoe'er you go!
Know you not, little sweeting,
A spring lamb is dainty eating!"10
One day in his twentieth year Arne chanced to overhear a conversation between his mother and the wife of the former gard owner; they were disputing about the horse they owned in common.
"I must wait to hear what Arne says," remarked the mother.
"That lazy fellow!" was the reply. "He would like, I dare say, to have the horse go ranging about the woods as he does himself."
The mother was now silent, although before she had been arguing her own case well.
Arne turned as red as fire. It had not occurred to him before that his mother might have to listen to taunting words for his sake, and yet perhaps she had often been obliged to do so. Why had she not told him of this?
He considered the matter well, and now it struck him that his mother scarcely ever talked with him. But neither did he talk with her. With whom did he talk, after all?
Often on Sunday, when he sat quietly at home, he felt a desire to read sermons to his mother, whose eyes were poor; she had wept too much in her day. But he did not have the courage to do so. Many times he had wanted to offer to read aloud to her from his own books, when all was still in the house, and he thought the time must hang heavily on her hands. But his courage failed him for this too.
"It cannot matter much. I must give up tending the herds, and move down to mother."
He let several days pass, and became firm in his resolve. Then he drove the cattle far around in the wood, and made the following song: —
"The vale is full of trouble, but here sweet Peace may reign;
Within this quiet forest no bailiffs may distrain;
None fight, as in the vale, in the Blessed Church's name,
Yet if a church were here, it would no doubt be just the same.
"How peaceful is the forest: – true, the hawk is far from kind,
I fear he now is striving the plumpest sparrow to find;
I fear yon eagle's coming to rob the kid of
Auber Forestier's translation.
Adapted to the metre of the original from the translation of Augusta Plesner and S. Rugeley-Powers.
