dance,Nor an unlaughing mouth, but mine that mourns,
Among those mouths that sing their sweethearts' praise,
Your empty bed." "How should I love," I answered,
"Were it not that when the dawn has lit my bed
And shown my husband sleeping there, I have sighed,
'Your strength and nobleness will pass away.'
Or how should love be worth its pains were it not
That when he has fallen asleep within my arms,
Being wearied out, I love in man the child?
What can they know of love that do not know
She builds her nest upon a narrow ledge
Above a windy precipice?" Then he:
"Seeing that when you come to the death-bed
You must return, whether you would or no,
This human life blotted from memory,
Why must I live some thirty, forty years,
Alone with all this useless happiness?"
Thereon he seized me in his arms, but I
Thrust him away with both my hands and cried,
"Never will I believe there is any change
Can blot out of my memory this life
Sweetened by death, but if I could believe
That were a double hunger in my lips
For what is doubly brief."
And now the shape,
My hands were pressed to, vanished suddenly.
I staggered, but a beech tree stayed my fall,
And clinging to it I could hear the cocks
Crow upon Tara.'
King Eochaid bowed his head
And thanked her for her kindness to his brother,
For that she promised, and for that refused.
Thereon the bellowing of the empounded herds
Rose round the walls, and through the bronze-ringed door
Jostled and shouted those war-wasted men,
And in the midst King Eochaid's brother stood.
He'd heard that din on the horizon's edge
And ridden towards it, being ignorant.
TO A WEALTHY MAN WHO PROMISED A SECOND SUBSCRIPTION TO THE DUBLIN MUNICIPAL GALLERY IF IT WERE PROVED THE PEOPLE WANTED PICTURES
You gave but will not give again
Until enough of Paudeen's pence
By Biddy's halfpennies have lain
To be 'some sort of evidence,'
Before you'll put your guineas down,
That things it were a pride to give
Are what the blind and ignorant town
Imagines best to make it thrive.
What cared Duke Ercole, that bid
His mummers to the market place,
What th' onion-sellers thought or did
So that his Plautus set the pace
For the Italian comedies?
And Guidobaldo, when he made
That grammar school of courtesies
Where wit and beauty learned their trade
Upon Urbino's windy hill,
Had sent no runners to and fro
That he might learn the shepherds' will.
And when they drove out Cosimo,
Indifferent how the rancour ran,
He gave the hours they had set free
To Michelozzo's latest plan
For the San Marco Library,
Whence turbulent Italy should draw
Delight in Art whose end is peace,
In logic and in natural law
By sucking at the dugs of Greece.
Your open hand but shows our loss,
For he knew better how to live.
Let Paudeens play at pitch and toss,
Look up in the sun's eye and give
What the exultant heart calls good
That some new day may breed the best
Because you gave, not what they would
But the right twigs for an eagle's nest!
SEPTEMBER 1913
What need you, being come to sense,
But fumble in a greasy till
And add the halfpence to the pence
And prayer to shivering prayer, until
You have dried the marrow from the bone;
For men were born to pray and save:
Romantic Ireland's dead and gone,
It's with O'Leary in the grave.
Yet they were of a different kind
The names that stilled your childish play,
They have gone about the world like wind,
But little time had they to pray
For whom the hangman's rope was spun,
And what, God help us, could they save:
Romantic Ireland's dead and gone,
It's with O'Leary in the grave.
Was it for this the wild geese spread
The grey wing upon every tide;
For this that all that blood was shed,
For this Edward Fitzgerald died,
And Robert Emmet and Wolfe Tone,
All that delirium of the brave;
Romantic Ireland's dead and gone,
It's with O'Leary in the grave.
Yet could we turn the years again,
And call those exiles as they were,
In all their loneliness and pain
You'd cry 'some woman's yellow hair
Has maddened every mother's son':
They weighed so lightly what they gave,
But let them be, they're dead and gone,
They're with O'Leary in the grave.
TO A FRIEND WHOSE WORK HAS COME TO NOTHING
Now all the truth is out,
Be secret and take defeat
From any brazen throat,
For how can you compete,
Being honour bred, with one
Who, were it proved he lies,
Were neither shamed in his own
Nor in his neighbours' eyes?
Bred to a harder thing
Than Triumph, turn away
And like a laughing string
Whereon mad fingers play
Amid a place
