Macaria. Evans Augusta Jane
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Electra's love of drawing had early displayed itself; first, in strange, weird figures on her slate, then in her copy-book, on every slip of paper which she could lay her hands upon; and, finally, for want of more suitable material, she scrawled all over the walls of the little bedroom, to the great horror of her aunt, who spread a coat of whitewash over the child's frescos, and begged her to be guilty of no such conduct in future, as Mr. Clark might, with great justice, sue for damages. In utter humiliation, Electra retreated to the garden, and here, after a shower had left the sandy walks white and smooth, she would sharpen a bit of pine, and draw figures and faces of all conceivable and inconceivable shapes. Chancing to find her thus engaged one Sunday afternoon, Russell supplied her with a package of drawing-paper, and pencils. So long as these lasted she was perfectly happy, but unluckily their straitened circumstances admitted of no such expenditure, and before many weeks she was again without materials. She would not tell Russell that she had exhausted his package, and passed sleepless nights trying to devise some method by which she could aid herself. It was positive torture for her to sit in school and see the drawing-master go round, giving lessons on this side and that, skipping over her every time, because her aunt could not afford the extra three dollars. Amid all these yearnings and aspirations she turned constantly to Russell, with a worshipping love that knew no bounds. She loved her meek affectionate aunt as well as most natures love their mothers, and did all in her power to lighten her labours, but her affection for Russell bordered on adoration. In a character so exacting and passionate as hers there is necessarily much of jealousy, and thus it came to pass that, on the day of Irene's visit to the cottage, the horrible suspicion took possession of her that he loved Irene better than herself. True, she was very young, but childish hearts feel as keenly as those of matured years; and Electra endured more agony during that day than in all her past life. Had Irene been other than she was, in every respect, she would probably have hated her cordially; as matters stood, she buried the suspicion deep in her own heart, and kept as much out of everybody's way as possible. Days and weeks passed very wearily; she busied herself with her text-books, and when the lessons had been recited, drew all over the margins – here a hand, there an entire arm, now and then a face, sad-eyed as Fate.
Mrs. Aubrey's eyes became so blurred that finally she could not leave the house without having some one to guide her, and, as cold weather had now arrived, preparations were made for her journey. Mr. Hill, who was going to New Orleans, kindly offered to take charge of her, and the day of departure was fixed. Electra packed the little trunk, saw it deposited on the top of the stage in the dawn of an October morning, saw her aunt comfortably seated beside Mr. Hill, and in another moment all had vanished. In the afternoon of that day, on returning from school, Electra went to the bureau, and, unlocking a drawer, took out a small paper box. It contained a miniature of her father, set in a handsome gold frame. She knew it had been her mother's most valued trinket; her aunt had carefully kept it for her, and as often as the temptation assailed her she had resisted; but now the longing for money triumphed over every other feeling. Having touched the spring, she took a knife and cautiously removed the bit of ivory beneath the glass, then deposited the two last in the box, put the gold frame in her pocket, and went out to a jewellery store. As several persons had preceded her, she leaned against the counter, and, while waiting, watched with some curiosity the movements of one of the goldsmiths, who, with a glass over one eye, was engaged in repairing watches. Some had been taken from the cases, others were untouched; and as her eyes passed swiftly over the latter, they were suddenly riveted to a massive gold one lying somewhat apart. A half-smothered exclamation caused the workman to turn round and look at her, but in an instant she calmed herself; and thinking it a mere outbreak of impatience, he resumed his employment. Just then one of the proprietors approached, and said politely, "I am sorry we have kept you waiting, miss. What can I do for you?"
"What is this worth?"
She laid the locket down on the counter, and looked up with eyes that sparkled very joyously he thought. He examined it a moment, and said rather dryly —
"Well, how do I know, in the first place, that it belongs to you? Jewellers have to be very particular about what they buy."
She crimsoned, and drew herself proudly away from the counter, then smiled and held out her hand for the locket.
"It is mine; it held my father's miniature, but I took it out because I want a paint-box, and thought I could sell this case for enough to buy one. It was my mother's once; here are her initials on the back, H. G. – Harriet Grey. But of course you don't know whether I am telling the truth; I will bring my cousin with me, he can prove it. Sir, are you so particular about everything you buy?"
"We try to be."
Again her eyes sparkled; she bowed, and left the store.
Once in the street, she hurried to Mr. Campbell's office, ran up the steps, and rapped loudly at the door.
"Come in!" thundered the lawyer.
She stopped on the threshold, glanced round, and said timidly —
"I want to see Russell, if you please."
"Russell is at the post-office. Have you any particular spite at my door, that you belabour it in that style? or do you suppose I am as deaf as a gatepost?"
"I beg your pardon; I did not mean to startle you, sir. I was not thinking of either you or your door."
She sprang down the steps to wait on the sidewalk for her cousin, and met him at the entrance.
"Oh, Russell! I have found your watch."
A ray of light