me, wae’s me,The acorn’s not yet
Fallen from the tree
That’s to grow the wood,
That’s to make the cradle,
That’s to rock the bairn,
That’s to grow to a man,
That’s to lay me.”
At Guilsland, in Cumberland, is another Cauld Lad; he is deadly white, and appears ever shivering with cold, and his teeth chattering.
An allied apparition is that of the Radiant Boy. Lord Castlereagh is said to have seen one, a spectre, which the owner of the castle where he saw it admitted had been visible to many others. Dr. Kerner mentions a very similar story, wherein an advocate and his wife were awakened by a noise and a light, and saw a beautiful child enveloped in a sort of glory. I have heard of a similar appearance in a Lincolnshire house. A story was told me, second-hand, the other day, of a house where such a child was seen, which always disappeared at the hearth, and sometimes, instead of the child, little white hands were observed held up appealingly above the hearthstone. The stone was taken up, quite recently, and some bones found under it, which were submitted to an eminent comparative anatomist, who pronounced them to be those of a child.
Mrs. Crowe, in her “Night Side of Nature,” gives an account of such an apparition from an eye-witness, dated 1824. “Soon after we went to bed, we fell asleep: it might be between one and two in the morning when I awoke. I observed that the fire was totally extinguished; but, although that was the case, and we had no light, I saw a glimmer in the centre of the room, which suddenly increased to a bright flame. I looked out, apprehending that something had caught fire, when, to my amazement, I beheld a beautiful boy standing by my bedside, in which position he remained some minutes, fixing his eyes upon me with a mild and benevolent expression. He then glided gently away towards the side of the chimney, where it is obvious there is no possible egress, and entirely disappeared. I found myself in total darkness, and all remained quiet until the usual hour of rising. I declare this to be a true account of what I saw at C – Castle, upon my word as a clergyman.”
When we consider that the hearth is the centre and sacred spot of a house, and that the chimney above it is the highest portion built, and the most difficult to rear, it is by no means improbable that the victim was buried under the hearthstone or jamb of the chimney. The case already mentioned of a child’s bones having been found in this position is by no means an isolated one.
It would be impossible to give a tithe of the stories of White Ladies and Black Ladies and Brown Ladies who haunt old houses and castles.
The latest instance of a human being having been immured alive, of which a record remains and which is well authenticated, is that of Geronimo of Oran, in the wall of the fort near the gate Bab-el-oved, of Algiers, in 1569. The fort is composed of blocks of pise, a concrete made of stones, lime, and sand, mixed in certain proportions, trodden down and rammed hard into a mould, and exposed to dry in the sun. When thoroughly baked and solid it is turned out of the mould, and is then ready for use. Geronimo was a Christian, who had served in a Spanish regiment; he was taken by pirates and made over to the Dey of Algiers. When the fort was in construction, Geronimo was put into one of the moulds, and the concrete rammed round him (18th Sept., 1569), and then the block was put into the walls. Don Diego de Haedo, the contemporary author of the “Topography of Algiers,” says, “On examining with attention the blocks of pise which form the walls of the fort, a block will be observed in the north wall of which the surface has sunk in, and looks as if it had been disturbed; for the body in decaying left a hollow in the block, which has caused the sinkage.”
On December 27, 1853, the block was extracted. The old fort was demolished to make room for the modern “Fort des vingt-quatre-heures,” under the direction of Captain Susoni, when a petard which had been placed beneath two or three courses of pise near the ground, exploded, and exposed a cavity containing a human skeleton, the whole of which was visible, from the neck to the knees, in a perfect state of preservation. The remains, the cast of the head, and the broken block of pise, are now in the Cathedral of Algiers.
The walls of Scutari are said also to contain the body of a victim; in this case of a woman, who was built in, but an opening was left through which her infant might be passed in to be suckled by her as long as life remained in the poor creature, after which the hole was closed.
At Arta also, in the vilajet of Janina, a woman was walled into the foundation of the bridge. The gravelly soil gave way, and it was decided that the only means by which the substructure could be solidified was by a human life. One of the mason’s wives brought her husband a bowl with his dinner, when he dropped his ring into the hole dug for the pier, and asked her to search for it. When she descended into the pit, the masons threw in lime and stones upon her, and buried her.
The following story is told of several churches in Europe. The masons could not get the walls to stand, and they resolved among themselves to bury under them the first woman or child that came to their works. They took oath to this effect. The first to arrive was the wife of the master-mason, who came with the dinner. The men at once fell on her and walled her into the foundations. One version of the story is less gruesome. The masons had provided meat for their work, and the wife of the master had dealt so carelessly with the provision, that it ran out before the building was much advanced. She accordingly put the remaining bones into a cauldron, and made a soup of vegetables. When she brought it to the mason, he flew into a rage, and built the cauldron and bones into the wall, as a perpetual caution to improvident wives. This is the story told of the church of Notre Dame at Bruges, where the cauldron and bones are supposed to be still seen in the wall. At Tuckebrande are two basins built into the wall, and various legends not agreeing with one another are told to account for their presence. Perhaps these cauldrons contained the blood of victims of some sort immured to secure the stability of the edifice.3
A very curious usage prevails in Roumania and Transylvania to the present day, which is a reminiscence of the old interment in the foundations of a house. When masons are engaged on the erection of a new dwelling, they endeavour to catch the shadow of a stranger passing by and wall it in, and throw in stones and mortar whilst his shadow rests on the walls. If no one goes by to cast his shade on the stones, the masons go in quest of a woman or child, who does not belong to the place, and, unperceived by the person, apply a reed to the shadow, and this reed is then immured; and it is believed that when this is done, the woman or child thus measured will languish and die, but luck attaches to the house. In this we see the survival of the old confusion between soul and shade. The Manes are the shadows of the dead. In some places it is said that a man who has sold his soul to the devil is shadowless, because soul and shadow are one. But there are other instances of substitution hardly less curious. In Holland have been found immured in foundations curious objects like ninepins, but which are really rude imitations of babes in their swaddling-bands. When it became unlawful to bury a child, an image representing it was laid in the wall in its place. Another usage was to immure an egg. The egg had in it life, but undeveloped life, so that by walling it in the principle of sacrificing a life was maintained without any shock to human feelings. Another form of substitution was that of a candle. From an early period the candle was burnt in place of the sacrifice of a human victim. At Heliopolis, till the reign of Amasis, three men were daily sacrificed; but when Amasis expelled the Hyksos kings, he abolished these human offerings, and ordered that in their place three candles should be burned daily on the altar. In Italy, wax figures, sometimes figures of straw, were burnt in the place of the former bloody sacrifices.
In the classic tale, at the birth of Meleager, the three fates were present; Atropos foretold that he would live as long as the brand then burning on the hearth remained unconsumed; thereupon his mother, Althæa, snatched it from the fire, and concealed it in a chest. When, in after years, Meleager slew one of his mother’s brothers, she, in a paroxysm of rage and vengeance, drew forth the brand, and burnt it, whereupon Meleager died.
In
These cauldrons walled into the sides of the churches are probably the old sacrificial cauldrons of the Teutons and Norse. When heathenism was abandoned, the instrument of the old Pagan rites was planted in the church wall in token of the abolition of heathenism.
