The Marriage Contract. Honore de Balzac
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Had Paul the coolness, firmness, and judgment required for this struggle, which an able husband ought not to let the wife suspect? Did Natalie love Paul? Like most young girls, Natalie mistook for love the first emotions of instinct and the pleasure she felt in Paul’s external appearance; but she knew nothing of the things of marriage nor the demands of a home. To her, the Comte de Manerville, a rising diplomatist, to whom the courts of Europe were known, and one of the most elegant young men in Paris, could not seem, what perhaps he was, an ordinary man, without moral force, timid, though brave in some ways, energetic perhaps in adversity, but helpless against the vexations and annoyances that hinder happiness. Would she, in after years, have sufficient tact and insight to distinguish Paul’s noble qualities in the midst of his minor defects? Would she not magnify the latter and forget the former, after the manner of young wives who know nothing of life? There comes a time when wives will pardon defects in the husband who spares her annoyances, considering annoyances in the same category as misfortunes. What conciliating power, what wise experience would uphold and enlighten the home of this young pair? Paul and his wife would doubtless think they loved when they had really not advanced beyond the endearments and compliments of the honeymoon. Would Paul in that early period yield to the tyranny of his wife, instead of establishing his empire? Could Paul say, “No?” All was peril to a man so weak where even a strong man ran some risks.
The subject of this Study is not the transition of a bachelor into a married man, – a picture which, if broadly composed, would not lack the attraction which the inner struggles of our nature and feelings give to the commonest situations in life. The events and the ideas which led to the marriage of Paul with Natalie Evangelista are an introduction to our real subject, which is to sketch the great comedy that precedes, in France, all conjugal pairing. This Scene, until now singularly neglected by our dramatic authors, although it offers novel resources to their wit, controlled Paul’s future life and was now awaited by Madame Evangelista with feelings of terror. We mean the discussion which takes place on the subject of the marriage contract in all families, whether noble or bourgeois, for human passions are as keenly excited by small interests as by large ones. These comedies, played before a notary, all resemble, more or less, the one we shall now relate, the interest of which will be far less in the pages of this book than in the memories of married persons.
CHAPTER III. THE MARRIAGE CONTRACT – FIRST DAY
At the beginning of the winter of 1822, Paul de Manerville made a formal request, through his great-aunt, the Baronne de Maulincour, for the hand of Mademoiselle Natalie Evangelista. Though the baroness never stayed more than two months in Medoc, she remained on this occasion till the last of October, in order to assist her nephew through the affair and play the part of a mother to him. After conveying the first suggestions to Madame Evangelista the experienced old woman returned to inform Paul of the results of the overture.
“My child,” she said, “the affair is won. In talking of property, I found that Madame Evangelista gives nothing of her own to her daughter. Mademoiselle Natalie’s dowry is her patrimony. Marry her, my dear boy. Men who have a name and an estate to transmit, a family to continue, must, sooner or later, end in marriage. I wish I could see my dear Auguste taking that course. You can now carry on the marriage without me; I have nothing to give you but my blessing, and women as old as I are out of place at a wedding. I leave for Paris to-morrow. When you present your wife in society I shall be able to see her and assist her far more to the purpose than now. If you had had no house in Paris I would gladly have arranged the second floor of mine for you.”
“Dear aunt,” said Paul, “I thank you heartily. But what do you mean when you say that the mother gives nothing of her own, and that the daughter’s dowry is her patrimony?”
“The mother, my dear boy, is a sly cat, who takes advantage of her daughter’s beauty to impose conditions and allow you only that which she cannot prevent you from having; namely, the daughter’s fortune from her father. We old people know the importance of inquiring closely, What has he? What has she? I advise you therefore to give particular instructions to your notary. The marriage contract, my dear child, is the most sacred of all duties. If your father and your mother had not made their bed properly you might now be sleeping without sheets. You will have children, they are the commonest result of marriage, and you must think of them. Consult Maitre Mathias our old notary.”
Madame de Maulincour departed, having plunged Paul into a state of extreme perplexity. His mother-in-law a sly cat! Must he struggle for his interests in the marriage contract? Was it necessary to defend them? Who was likely to attack them?
He followed the advice of his aunt and confided the drawing-up of the marriage contract to Maitre Mathias. But these threatened discussions oppressed him, and he went to see Madame Evangelista and announce his intentions in a state of rather lively agitation. Like all timid men, he shrank from allowing the distrust his aunt had put into his mind to be seen; in fact, he considered it insulting. To avoid even a slight jar with a person so imposing to his mind as his future mother-in-law, he proceeded to state his intentions with the circumlocution natural to persons who dare not face a difficulty.
“Madame,” he said, choosing a moment when Natalie was absent from the room, “you know, of course, what a family notary is. Mine is a worthy old man, to whom it would be a sincere grief if he were not entrusted with the drawing of my marriage contract.”
“Why, of course!” said Madame Evangelista, interrupting him, “but are not marriage contracts always made by agreement of the notaries of both families?”
The time that Paul took to reply to this question was occupied by Madame Evangelista in asking herself, “What is he thinking of?” for women possess in an eminent degree the art of reading thoughts from the play of countenance. She divined the instigations of the great-aunt in the embarrassed glance and the agitated tone of voice which betrayed an inward struggle in Paul’s mind.
“At last,” she thought to herself, “the fatal day has come; the crisis begins – how will it end? My notary is Monsieur Solonet,” she said, after a pause. “Yours, I think you said, is Monsieur Mathias; I will invite them to dinner to-morrow, and they can come to an understanding then. It is their business to conciliate our interests without our interference; just as good cooks are expected to furnish good food without instructions.”
“Yes, you are right,” said Paul, letting a faint sigh of relief escape from him.
By a singular transposition of parts, Paul, innocent of all wrong-doing, trembled, while Madame Evangelista, though a prey to the utmost anxiety, was outwardly calm.
The widow owed her daughter one-third of the fortune left by Monsieur Evangelista, – namely, nearly twelve hundred thousand francs, – and she knew herself unable to pay it, even by taking the whole of her property to do so. She would therefore be placed at the mercy of a son-in-law. Though she might be able to control Paul if left to himself, would he, when enlightened by his notary, agree to release her from rendering her account as guardian of her daughter’s patrimony? If Paul withdrew his proposals all Bordeaux would know the reason and Natalie’s future marriage would be made impossible. This mother, who desired the happiness of her daughter, this woman, who from infancy had lived honorably, was aware that on the morrow she must become dishonest. Like those great warriors who fain would blot from their lives the moment when they had felt a secret cowardice, she ardently desired to cut this inevitable day from the record of hers. Most assuredly some hairs on her head must have whitened during the night, when, face to face with facts, she bitterly regretted her extravagance as she felt the hard necessities of the situation.
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