risen half-way to the meridian when the head of the sacrificial procession streamed forth from the Temple of Peace, in the wide forum belonging to which its component parts had been collected and arranged. Preceded by banners came the pontiffs of the sacred college, walking under silken canopies to shield their persons from the sun’s burning rays. They were followed by the augurs in saffron and purple togas, wearing on their heads the conical caps with spikes of olive-wood, and carrying the litui – long staffs with golden crooks at the ends1. Then came the tubicini, or trumpeters, sounding loudly on their curved instruments of bronze with shrill notes, and the tubas, straight silver trumpets, hollowing them, with various ensigns and insignia, emerged the chief flamens, wearing the laena and apex, with wreaths of laurel. Now, after a profusion of banners, appeared a chariot drawn by four white steeds, richly adorned with wreaths, bearing along a magnificent statue of Jupiter Tonans2, with thunderbolts in hand, followed by superb statues, larger than life, of Mars, Apollo, Juno, Venus, and Minerva – the goddesses habited in robes either supplied by pious matrons or from the properties of the temples. The car of Juno, adorned with peacocks’ feathers3, that of the Cytherean Venus, with apple in hand, was drawn along, her car bearing imitations of swans and doves, and ornamented with wreaths of myrtle and roses. The car of Minerva followed, the goddess represented by a gigantic statue, a sphinx in the middle of the helmet, supported on either side by griffins, while standing on her car were huge dragons, cocks, and owls, with branches of the olive-tree arranged upon it. All these cars were drawn, not by horses, but by young patricians, who eagerly sought the opportunity to perform so grateful a service to the deities they worshipped. In a long line came other gods and goddesses, not seated in cars, but placed on high platforms, carried by men, some appearing singly and others in groups, representing the various actions for which they were renowned. Between each god or goddess walked youths, swinging censers, emitting as they moved them to and fro sweet odours grateful to their divinities. The bearers of the almost countless images were, like those who drew the chariots, mostly patricians, or young men of wealth of plebeian family, who thus sought an easy mode of exhibiting their piety.
Now came, preceded by lictors with their fasces, the vestal virgins, seated in silver chariots drawn by milk-white steeds, followed closely by another band of flamens, leading a long line of hostia (oxen to be sacrificed), their horns richly gilded, their heads adorned with wreaths, each animal led by a victimarius. So numerous were they, that it appeared as if the line would never end; for Coecus had arranged to offer up a whole hecatomb of victims.
Following the hostia came another band of trumpeters with numerous banners, the ornaments at their summits glittering in the sun; with a band of inferior priests, minor flamens, popos4, and other attendants at the temples, chanting loudly in honour of their gods; while next came large parties of citizens in festive dresses, eager to show their affection for the long-established religion of their ancestors; the whole followed by a body of troops, with their standards unfurled, and other insignia held aloft. The procession, as seen from a distance, had indeed the appearance of some enormous serpent with shining scales, as, emerging from the precincts of the temple, it wound its way along through the narrow streets, past the temples of Venus and Rome, under the colossal statue of Nero, on the outside of which scaffolding had been erected, affording accommodation to thousands of spectators; then turning westward, under the arch of Titus, and between the numerous temples which lined that portion of the Sacra Via, through the Forum Romanum, under the arch of Severus; when, gaining the Capitol, it proceeded direct towards the temple of Jupiter Optimus. Here the head of the vast column, the pontiffs, the flamens, and the augurs, as they arrived, gathered in due order under the porch, – the various statues of the gods being ranged on either side, the vestal virgins taking the post of honour awarded to them, while the people arranged themselves so as to leave an open space round the numerous altars, which stood prepared for the sacrifice of the victims. The animals, as they came up held by the victimarii, were arranged in front of the altars; when the flamens, having strewed their heads with roasted barley-meal, the popos, stripped and girt ready, advanced with huge hammers in their belts; then, at a signal from the chief pontiff, the fires were lighted, and each of the performers having been previously sprinkled with holy-water, the popos, holding up the heads of the animals, gave the fatal blow which brought them to the ground; when, the deadly knives being plunged into the victims’ hearts, they were rapidly and skilfully dismembered. The augurs, with due care, examined the intestines, which, being placed on the altars, were now strewed with barley-meal; and as the fires blazed up, wine was poured forth, and incense thrown upon them; the trumpets the meantime sounding, and the choristers loudly singing hymns in praise of Jupiter and the immortal gods. As the incense rose in thick clouds towards the sky from the multitudes of altars, the pontiff delivered a stirring oration to the people in praise of the gods, exhorting them to continue firm to their worship. As the pontiff ceased, the whole temple became filled with the sweet-scented smoke of the incense, the drums sounded out their loudest notes, and as the people shouted forth their vows to adhere to the ancient faith under which Rome had become great and powerful, many declared that the gods were seen to smile in approval of their piety.
When the procession first emerged from the temple, close to where Gaius walked was seen a powerful Numidian slave, holding by the hand a young and handsome boy. Every now and then Gaius glanced at the latter, apparently to observe what so imposing a scene was producing on his mind. The boy appeared to pay but little attention to the pageant; but though he did not struggle, he walked as one who felt himself a captive, and his eye ranged eagerly over the countenances of the spectators, especially on those who stood far back in the crowd, as if he were searching for some one with whom he desired to speak. He made but short replies to the slave, who seemed to take pleasure in telling him the names of the temples, and describing the attributes of those gods to whom they were dedicated. At length, when the temple of Jupiter, on the Capitoline Hill, was reached, and Gaius stood, with others of the pontiffs, on the steps, the Numidian led the boy to a position behind his master, where he could see all that was going forward. The victims had been slain, and their entrails were still burning, when, at a sign from Gaius, the Numidian brought forward the lad.
“This must have been an interesting sight for you, my dear Jovinian,” said Gaius to his nephew; “let me see that you appreciate it. Come, you shall have the privilege of taking part in the sacrifice. A flamen will give you some incense: cast it on the altar; the act is a simple one, and will prove a grateful offering to the Immortals.”
“I would obey you, uncle, in all the things of life,” answered Jovinian firmly; “but understand that the God we Christians adore is a spirit, and desires to be worshipped from the heart in spirit and in truth, and that the offering of incense, even to Him, is offensive as it is vain; much more so is it when burnt in honour of those who are no gods, but the foolish imaginings of ignorant men; and I will not do what is displeasing to Him, and would bitterly grieve the heart of my beloved mother, could she see me.”
“Boy! boy! how dare you use language such as this to me, a Roman pontiff!” exclaimed Gaius, becoming angry; then, after a moment, resuming his calm demeanour, he continued, “What folly is this, that you should object to so trifling an act as that I wish you to perform!”
“No act, however trifling, if offensive to the true God, can be performed without sin,” answered Jovinian. “I am told that thousands submitted to be torn to pieces, or crucified, or to be slain by gladiators, in yonder Flavian amphitheatre, rather than act as you would have me do.”
“Remember, Jovinian, that I have the power to compel you to do as I desire,” said Gaius; “it is not for my own pleasure, but to satisfy the scruples of my principal, and to prove that you are a true child of ancient Rome.”
“Uncle, I will not do this sinful thing,” answered the boy, in a tone of determination in which Gaius had never before heard him speak. “You may order the Numidian to flog me, you may refuse me food, or have me put to death with any tortures you can devise, but I tell you I possess a strength beyond my own. It is that
Ever since borne by the bishops of the Roman Church.
One day to appear in the edifice dedicated to Saint Peter, to act the part of the apostle; the ignorant multitude being taught by the modern flamens devoutly to kiss its toe.
Still used in the papal processions.
The popes were priests appointed to put the victims to death.
