The Beckoning Hand, and Other Stories. Allen Grant
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"Prettier?"
"Than I am."
At that moment the curtain rose, and Marie Leroux came forward once more with her imperial diadem, in the very act of defying and bearding the enraged emperor.
It was a great scene. The whole theatre hung upon her words for twenty minutes. The effect was sublime. Even I myself felt my interest aroused at last in the consummate spectacle. I glanced round to observe my neighbour. She sat there, straining her gaze upon the stage, and heaving her bosom with suppressed emotion. In a second, the spell was broken again. Beside that tall, dark southern girl, in her queenly beauty, with her flashing eyes and quivering nostrils, intensely moved by the passion of the play, the mere actress who mouthed and gesticulated before us by the footlights was as sounding brass and a tinkling cymbal. My companion in the stalls was the genuine Faustine: the player on the stage was but a false pretender.
As I looked a cry arose from the wings: a hushed cry at first, a buzz or hum; rising louder and ever louder still, as a red glare burst upon the scene from the background. Then a voice from the side boxes rang out suddenly above the confused murmur and the ranting of the actors "Fire! Fire!"
Almost before I knew what had happened, the mob in the stalls, like the mob in the gallery, was surging and swaying wildly towards the exits, in a general struggle for life of the fierce old selfish barbaric pattern. Dense clouds of smoke rolled from the stage and filled the length and breadth of the auditorium; tongues of flame licked up the pasteboard scenes and hangings, like so much paper; women screamed, and fought, and fainted; men pushed one another aside and hustled and elbowed, in one wild effort to make for the doors at all hazards to the lives of their neighbours. Never before had I so vividly realized how near the savage lies to the surface in our best and highest civilized society. I had to realize it still more vividly and more terribly afterwards.
One person alone I observed calm and erect, resisting quietly all pushes and thrusts, and moving with slow deliberateness to the door, as if wholly unconcerned at the universal noise and hubbub and tumult around her. It was the dark girl from the stalls beside me.
For myself, my one thought of course was for poor Irene and Mrs. Latham. Fortunately, I am a strong and well-built man, and by keeping the two women in front of me, and thrusting hard with my elbows on either side to keep off the crush, I managed to make a tolerably clear road for them down the central row of stalls and out on to the big external staircase. The dark girl, now separated from her father and sister by the rush, was close in front of me. By a careful side movement, I managed to include her also in our party. She looked up to me gratefully with her big eyes, and her mouth broke into a charming smile as she turned and said in perfect English, "I am much obliged to you for your kind assistance." Irene's cheek was pale as death; but through the strange young lady's olive skin the bright blood still burned and glowed amid that frantic panic as calmly as ever.
We had reached the bottom of the steps, and were out into the front, when suddenly the strange lady turned around and gave a little cry of disappointment. "Mes lorgnettes! Mes lorgnettes!" she said. Then glancing round carelessly to me she went on in English: "I have left my opera-glasses inside on the vacant seat. I think, if you will excuse me, I'll go back and fetch them."
"It's impossible," I cried, "my dear madam. Utterly impossible. They'll crush you underfoot. They'll tear you to pieces."
She smiled a strange haughty smile, as if amused at the idea, but merely answered, "I think not," and tried to pass lightly by me.
I held her arm. I didn't know then she was as strong as I was. "Don't go," I said imploringly. "They will certainly kill you. It would be impossible to stem a mob like this one."
She smiled again, and darted back in silence before I could stop her.
Irene and Mrs. Latham were now fairly out of all danger. "Go on, Irene," I said loosing her arm. "Policeman, get these ladies safely out. I must go back and take care of that mad woman."
"Go, go quick," Irene cried. "If you don't go, she'll be killed, Harry."
I rushed back wildly after her, battling as well as I was able against the frantic rush of panic-stricken fugitives, and found my companion struggling still upon the main staircase. I helped her to make her way back into the burning theatre, and she ran lightly through the dense smoke to the stall she had occupied, and took the opera-glasses from the vacant place. Then she turned to me once more with a smile of triumph. "People lose their heads so," she said, "in all these crushes. I came back on purpose to show papa I wasn't going to be frightened into leaving my opera-glasses. I should have been eternally ashamed of myself if I had come away and left them in the theatre."
"Quick," I answered, gasping for breath. "If you don't make haste, we shall be choked to death, or the roof itself will fall in upon us and crush us!"
She looked up where I pointed with a hasty glance, and then made her way back again quickly to the staircase. As we hurried out, the timbers of the stage were beginning to fall in, and the engines were already playing fiercely upon the raging flames. I took her hand and almost dragged her out into the open. When we reached the Strand, we were both wet through, and terribly blackened with smoke and ashes. Pushing our way through the dense crowd, I called a hansom. She jumped in lightly. "Thank you so much," she said, quite carelessly. "Will you kindly tell him where to drive? Twenty-seven, Seymour Crescent."
"I'll see you home, if you'll allow me," I answered. "Under these circumstances, I trust I may be permitted."
"As you like," she said, smiling enchantingly. "You are very good. My name is Césarine Vivian. Papa will be very much obliged to you for your kind assistance."
I drove round to the Lathams' after dropping Miss Vivian at her father's door, to assure myself of Irene's safety, and to let them know of my own return unhurt from my perilous adventure. Irene met me on the doorstep, pale as death still. "Thank heaven," she cried, "Harry, you're safe back again! And that poor girl? What has become of her?"
"I left her," I said, "at Seymour Crescent."
Irene burst into a flood of tears. "Oh, Harry," she cried, "I thought she would have been killed there. It was brave of you, indeed, to help her through with it."
II
Next day, Mr. Vivian called on me at the Oxford and Cambridge, the address on the card I had given his daughter. I was in the club when he called, and I found him a pleasant, good-natured Cornishman, with very little that was strange or romantic in any way about him. He thanked me heartily, but not too effusively, for the care I had taken of Miss Vivian overnight; and he was not so overcome with parental emotion as not to smoke a very good Havana, or to refuse my offer of a brandy and seltzer. We got on very well together, and I soon gathered from what my new acquaintance said that, though he belonged to one of the best families in Cornwall, he had been an English merchant in Haiti, and had made his money chiefly in the coffee trade. He was a widower, I learned incidentally, and his daughters had been brought up for some years in England, though at their mother's request they had also passed part of their lives in convent schools in Paris and Rouen. "Mrs. Vivian was a Haitian, you know," he said casually: "Catholic of course. The girls are Catholics. They're good girls, though they're my own daughters; and Césarine, your friend of last night, is supposed to be clever. I'm no judge myself: I don't know about it. Oh, by the way, Césarine said she hadn't thanked you half enough herself yesterday, and I was to be sure and bring you round this afternoon to a cup of tea with us at Seymour Crescent."
In spite of the impression Mdlle. Césarine had made upon me the night before, I somehow didn't feel at all desirous of meeting her again.