The Boss of Taroomba. Hornung Ernest William

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things come out after the rain."

      "You'll be glad to hear, gentlemen, that I've finished my job," said he, airily.

      "Thank God," growled Gilroy.

      "I know it's been a great infliction – "

      "Oh, no, not at all," said Sanderson, winking desperately. "We liked it. It's just what we do like. You bet!"

      The wiry bay horse had been caught by this time, and Sam Rowntree was saddling it, by degrees, for the animal was obviously fresh and touchy. Engelhardt watched the performance with a bitter feeling of envy for all Australian men, and of contempt for himself because they contemned him. The fault was his, not theirs. He was of a different order from these rough, light-hearted men – of an altogether inferior order, as it seemed to his self-criticising mind. But that was no excuse for his not getting on with them, and as a rider puts his horse at a fence again and again, so Engelhardt spurred himself on to one more effort to do so.

      "That's your horse, Mr. Gilroy?"

      "Yes."

      "I saw the 'G' on the left shoulder."

      "You mean the near shoulder; a horse hasn't a left."

      "No? I'm not well up in horses. What's his name?"

      "Hard Times."

      "That's good! I like his looks, too – not that I know anything about horses."

      Here Sanderson whispered something to Gilroy, who said carelessly to Engelhardt:

      "Can you ride?"

      "I can ride my own moke."

      "Like a turn on Hard Times?"

      "Yes! I should."

      This was said in a manner that was all the more decided for the moments of deliberation which preceded it. The piano-tuner was paler even than usual, but all at once his jaw had grown hard and strong, and there was a keen light in his eyes. The others looked at him, unable to determine whether it was a good rider they were dealing with or a born fool.

      "Fetch him out of the yard, Sam," said Gilroy to the groom. "This gentleman here is going to draw first blood."

      Sam Rowntree stared.

      "You'd better not, mister," said he, looking doubtfully at the musician. "He's fresh off the grass – hasn't had the saddle on him for two months."

      "Get away, Sam. The gentleman means to take some of the cussedness out of him. Isn't that it, Engelhardt?"

      "I mean to try," said Engelhardt, quietly.

      A lanky middle-aged bushman, who had loafed across from the men's hut, here spat into the sand without removing the pipe from his teeth, and put in his word.

      "Becod, then ye're a brave man! He bucks like beggary. He's bucked me as high as a blessed house!"

      "We'll see how high he can buck me," said Engelhardt.

      Gilroy was losing interest in the proceedings. The little fool could ride after all; instead of being scored off, he was going to score. The manager thrust his hands deep in his cross pockets, and watched sullenly, with his yellow eyelashes drooping over his blue eyes. Suddenly he strode forward, crying:

      "What the blazes are you up to, you idiot?"

      Engelhardt had shown signs of mounting on the off-side, but was smiling as though he had done it on purpose.

      "He's all right," said the long stockman with the pipe. "He knows a thing or two, my word."

      But his style of mounting in the end hardly tallied with this theory. The piano-tuner scrambled into the saddle, and kicked about awkwardly before finding his stirrups; and the next thing he did was to job the horse's mouth with the wanton recklessness of pure innocence. The watchers held their breath. As for Hard Times, he seemed to know that he was bestridden by an unworthy foeman, to appreciate the humor of the situation, and to make up his evil mind to treat it humorously as it deserved. Away he went, along the broad road between homestead and yards, at the sweetest and most guileless canter. The rider was sitting awkwardly enough, but evidently as tight as he knew how. And he needed all the grip within the power of his loins and knees. Half-way to the house, without a single premonitory symptom, the wiry bay leapt clean into the air, with all its legs gathered up under its body, its head tucked between its knees, and its back arched like a bent bow. Down it came, with a thud, then up again like a ball, again and again, and yet again.

      At the first buck Engelhardt stuck nobly; he evidently had been prepared for the worst. The second displayed a triangle of blue sky between his legs and the saddle; he had lost his stirrups and the reins, but was clinging to the mane with all ten fingers, and to the saddle with knees and shins.

      "Sit tight!" roared Gilroy. "Stick to him!" yelled Sanderson. "Slide off as he comes down!" shouted the groom.

      But if Engelhardt heard them he did not understand. He only knew that for the first time in his life he was on a buck-jumper, and that he meant to stay there as long as the Lord would let him. A wild exhilaration swamped every other sensation. The blue sky fell before him like a curtain at each buck; at the fifth his body was seen against it like a burst balloon; and after that, Hard Times was left to the more difficult but less exciting task of bucking himself out of an empty saddle.

      They carried Engelhardt toward the house. But Naomi came running out and met them half-way, and Tom Chester was at her back. From the veranda the two had seen it happen. And in all that was done during the next minutes Naomi was prime mover.

      "You call yourselves men. Men indeed! There's more manhood lying here than ever there was or will be in the two of you put together!"

      "Hear, hear!"

      The voices were those of Miss Pryse and Tom Chester. They were the first that Engelhardt heard when his senses came back to him. But the first thing that was said to him when he opened his eyes was said by Gilroy:

      "Why the devil didn't you tell us you couldn't ride?"

      He did not answer, but Tom Chester said coolly before them all:

      "He can ride a jolly sight better than you can, Gilroy. You sit five bucks and I'll give you five notes."

      There was bad blood in the air. The piano-tuner could not help it. His head was all wrong, and his right arm felt red-hot from wrist to elbow; he discovered that it was bare, and in the hands of Miss Pryse. He felt ashamed, it was such a thin arm. But Miss Pryse smiled at him kindly, and he smiled faintly back at her; he just saw Tom Chester tearing the yellow backs off a novel, and handing them to the kneeling girl; then once more he closed his eyes.

      "He's off again," said Naomi. "Thank God I can set a joint. There's nothing to watch, all of you! Sam, you may as well turn out this gentleman's horse again. If anybody thought of getting rid of him to-night, they've gone the wrong way about it, for now he shall stay here till he's able to go on tuning pianos."

      And as she spoke Naomi looked up, and sent her manager to the rightabout with a single stare of contempt and defiance.

      CHAPTER IV

      THE TREASURE IN THE STORE

      When Engelhardt regained consciousness he found himself spread out on

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