Georgina of the Rainbows. Johnston Annie Fellows

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Georgina of the Rainbows - Johnston Annie Fellows

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arm doth bind the restless wave,

      Oh, hear us when we cry to thee

      For those in peril on the sea."

      As they sang she stole an anxious glance at Barbara several times. Then she made up her mind that Cousin Mehitable was mistaken. If her father were "peculiar," Barby wouldn't have that sweet look on her face when she sang that prayer for him. If he were making her unhappy she wouldn't be singing it at all. She wouldn't care whether he was protected or not "from rock and tempest, fire and foe."

      And yet, after Barby had gone downstairs and the sound of the piano came softly up from below – another bedtime custom, Georgina began thinking again about those whispering voices which she had heard as she sat under the bed, behind the bird-of-paradise valance. More than ever before the music suggested someone waiting for a ship which never came home, or fog bells on a lonely shore.

      Nearly a week went by before Richard made his first visit to the old gray house at the end of town. He came with the Towncrier, carrying his bell, and keeping close to his side for the first few minutes. Then he found the place far more interesting than the bungalow. Georgina took him all over it, from the garret where she played on rainy days to the seat up in the willow, where standing in its highest crotch one could look clear across the Cape to the Atlantic. They made several plans for their treasure-quest while up in the willow. They could see a place off towards Wood End Lighthouse which looked like one of the pirate places Uncle Darcy had described in one of his tales.

      Barby had lemonade and cake waiting for them when they came down, and when she talked to him it wasn't at all in the way the ladies did who came to see his Aunt Letty, as if they were talking merely to be gracious and kind to a strange little boy in whom they had no interest. Barby gave his ear a tweak and said with a smile that made him feel as if they had known each other always:

      "Oh, the good times I've had with boys just your size. I always played with my brother Eddy's friends. Boys make such good chums. I've often thought how much Georgina misses that I had."

      Presently Georgina took him out to the see-saw, where Captain Kidd persisted in riding on Richard's end of the plank.

      "That's exactly the way my Uncle Eddy's terrier used to do back in Kentucky when I visited there one summer," she said, after the plank was adjusted so as to balance them properly. "Only he barked all the time he was riding. But he was fierce because Uncle Eddy fed him gunpowder."

      "What did he do that for?"

      "To keep him from being gun-shy. And Uncle Eddy ate some, too, one time when he was little, because the colored stable boy told him it would make him game."

      "Did it?"

      "I don't know whether that did or not. Something did though, for he's the gamest man I know."

      Richard considered this a moment and then said:

      "I wonder what it would do to Captain Kidd if I fed him some."

      "Let's try it!" exclaimed Georgina, delighted with the suggestion. "There's some hanging up in the old powder-horn over the dining-room mantel. You have to give it to 'em in milk. Wait a minute."

      Jumping from the see-saw after giving fair warning, she ran to one of the side windows.

      "Barby," she called. "I'm going to give Captain Kidd some milk."

      Barbara turned from her conversation with Uncle Darcy to say:

      "Very well, if you can get it yourself. But be careful not to disturb the pans that haven't been skimmed. Tippy wouldn't like it."

      "I know what to get it out of," called Georgina, "out of the blue pitcher."

      Richard watched while she opened the refrigerator door and poured some milk into a saucer.

      "Carry it in and put it on the kitchen table," she bade him, "while I get the powder."

      When he followed her into the dining-room she was upon a chair, reaching for the old powder horn, which hung on a hook under the firearm that had done duty in the battle of Lexington. Richard wanted to get his hands on it, and was glad when she could not pull out the wooden plug which stopped the small end of the horn. She turned it over to him to open. He peered into it, then shook it.

      "There isn't more than a spoonful left in it," he said.

      "Well, gunpowder is so strong you don't need much. You know just a little will make a gun go off. It mightn't be safe to feed him much. Pour some out in your hand and drop it in the milk."

      Richard slowly poured a small mound out into the hollow of his hand, and passed the horn back to her, then went to the kitchen whistling for Captain Kidd. Not all of the powder went into the milk, however. The last bit he swallowed himself, after looking at it long and thoughtfully.

      At the same moment, Georgina, before putting back the plug, paused, looked all around, and poured out a few grains into her own hand. If the Tishbite was going to do anybody any harm, it would be well to be prepared. She had just hastily swallowed it and was hanging the horn back in place, when Richard returned.

      "He lapped up the last drop as if he liked it," he reported. "Now we'll see what happens."

      CHAPTER VIII

      THE TELEGRAM THAT TOOK BARBY AWAY

      THE painting of Richard's portrait interfered with the quest for buried treasure from day to day; but unbeknown either to artist or model, the dreams of that quest helped in the fashioning of the picture. In the preliminary sittings in the studio at home Richard's father found it necessary always to begin with some exhortation such as:

      "Now, Dicky, this has got to be more than just a 'Study of a Boy's Head.' I want to show by the expression of your face that it is an illustration of that poem, 'A boy's will is the wind's will, and the thoughts of youth are long, long thoughts.' Chase that Binney Rogers and his gang out of your mind for a while, can't you, and think of something beside shinny and the hokey-pokey man."

      So far the portrait was satisfactory in that it was a remarkably good likeness of an unusually good-looking boy, but it was of a boy who seemed to be alertly listening for such things as Binney's cat-call, signaling him from the alley. Here by the sea there was no need for such exhortations. No sooner was he seated before the easel in the loft which served as a studio, with its barn-like, double doors thrown open above the water, than the rapt expression which his father coveted, crept into his dark eyes. They grew big and dreamy, following the white sails across the harbor. He was planning the secret expedition he and Georgina intended to undertake, just as soon as the portrait was finished.

      There were many preparations to make for it. They would have to secrete tools and provisions; and in a book from which Georgina read aloud whenever there was opportunity, were descriptions of various rites that it were well to perform. One was to sacrifice a black cock, and sprinkle its blood upon the spot before beginning to dig. Richard did not question why this should be done. The book recommended it as a practice which had been followed by some very famous treasure hunters. If at times a certain wide-awake and calculating gleam suddenly dispelled the dreaminess of expression in which his father was exulting, it was because a black Orpington rooster which daily strayed from a nearby cottage to the beach below the studio window, chose that moment to crow. Richard had marked that black cock for the sacrifice. It was lordly enough to bring success upon any enterprise.

      In the meantime, as soon as his duties as model were over each morning, he was out of the studio with a whoop and up the beach as hard as he could

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