Tales of Mean Streets. Morrison Arthur
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"S'elp me," he said, "the missis is done that – shoved it in unbeknown when I come away! An' she's on'y got a bob for 'erself an' the kids." He broke into a sweat of uneasiness. "I'll 'ave to send it back at the next post-office, that's all."
"Send it back? not you!" Thus with deep scorn the voluble young man at his side. "She'll be all right, you lay your life. A woman allus knows 'ow to look after 'erself. You'll bleed'n' soon want it, an' bad. You do as I tell you, Joey: stick to it. That's right, Dave, ain't it?"
"Matter o' fancy," replied the stolid man. "My missis cleared my pockets out 'fore I got away. Shouldn't wonder at bein' sent after for leavin' 'er chargeable if I don't soon send some more. Women's different."
The march continued, and grew dustier. The cheerful pilgrim in front produced his accordion. At Palmer's Green four went straight ahead to try for work at the Enfield Arms Factory. The others, knowing the thing hopeless, turned off to the left for Potter's Bar.
After a long silence, "Which 'll be nearest, Dave," asked little Joey Clayton, "Newcastle or Middlesborough?"
"Middlesborough," said Dave; "I done it afore."
"Trampin' ain't so rough on a man, is it, after all?" asked Joey wistfully. "You done all right, didn't you?"
"Got through. All depends, though it's rough enough. Matter o' luck. I'ad the bad weather."
"If I don't get a good easy job where we're goin'," remarked the voluble young man, "I'll 'ave a strike there too."
"'Ave a strike there?" exclaimed Joey. "'Ow? Who'd call 'em out?"
"Wy, I would. I think I'm equal to doin' it, ain't I? An' when workin' men stand idle an' 'ungry in the midst o' the wealth an' the lukshry an' the igstravagance they've produced with the sweat of their brow, why, then, feller-workmen, it's time to act. It's time to bring the nigger-drivin' bloated capitalists to their knees."
"'Ear, 'ear," applauded Joey Clayton; tamely, perhaps, for the words were not new. "Good on yer, Newman!" Newman had a habit of practising this sort of thing in snatches whenever he saw the chance. He had learnt the trick in a debating society; and Joey Clayton was always an applausive audience. There was a pause, the accordion started another tune, and Newman tried a different passage of his harangue.
"In the shop they call me Skulky Newman. Why? 'Cos I skulk, o' course" ("'Ear, 'ear," dreamily – from Dave this time). "I ain't ashamed of it, my friends. I'm a miker out an' out, an' I 'ope I shall always remain a miker. The less a worker does the more 'as to be imployed, don't they? An' the more the toilers wrings out o' the capitalists, don't they? Very well then, I mike, an' I do it as a sacred dooty."
"You'll 'ave all the mikin' you want for a week or two," said Dave Burge placidly. "Stow it."
At Potter's Bar the party halted and sat under a hedge to eat hunks of bread and cheese (or hunks of bread and nothing else) and to drink cold tea out of cans. Skulky Newman, who had brought nothing, stood in with his two friends. As they started anew and turned into the Great North Road he said, stretching himself and looking slyly at Joey Clayton, "If I'd got a bob or two I'd stand you two blokes a pint apiece."
Joey looked troubled. "Well, as you ain't, I suppose I ought to," he said uneasily, turning toward the little inn hard by. "Dave," he cried to Burge, who was walking on, "won't you 'ave a drink?" And, "Well, if you are goin' to do the toff, I ain't proud," was the slow reply.
Afterward Joey was inclined to stop at the post-office to send away at least two shillings. But Newman wouldn't. He enlarged on the improvidence of putting out of reach that which might be required on an emergency, he repeated his axiom as to a woman's knack of keeping alive in spite of all things: and Joey determined not to send – for a day or so at any rate.
The road got looser and dustier; the symptoms of the tramp came out stronger and stronger on the gang. The accordion struck up from time to time, but ceased toward the end of the afternoon. The player wearied, and some of the older men, soon tired of walking, were worried by the noise. Joey Clayton, whose cough was aggravated by the dust, was especially tortured, after every fit, to hear the thing drawling and whooping the tune it had drawled and whooped a dozen times before; but he said nothing, scarce knowing what annoyed him.
At Hatfield Station two of the foremost picked up a few coppers by helping with a heavy trap-load of luggage. Up Digswell Hill the party tailed out lengthily, and Newman, who had been letting off a set speech, was fain to save his wind. The night came, clear to see and sweet to smell. Between Welwyn and Codicote the company broke up to roost in such barns as they might possess: all but the master of the accordion, who had stayed at a little public-house at Welwyn, with the notion of earning a pot of beer and a stable-corner (or better) by a tune in the tap-room. Dave Burge lighted on a lone shed of thatched hurdles with loose hay in it, and Newman straightway curled in the snuggest corner on most of the hay. Dave Burge pulled some from under him, and, having helped Joey Clayton to build a nest in the best place left, was soon snoring. But Joey lay awake all night, and sat up and coughed and turned restlessly, being unused to the circumstances and apprehensive of those months in jail which (it is well known) are rancorously dealt forth among all them that sleep in barns.
Luck provided a breakfast next morning at Codicote: for three bicyclists, going north, stood cold beef and bread round at The Anchor. The man with the accordion caught up. He had made his lodging and breakfast and eightpence: this had determined him to stay at Hitchin, and work it for at least a day, and then to diverge into the towns and let the rest go their way. So beyond Hitchin there was no music.
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