you are being followed across Europe by people who want this envelope of yours?"
"Oh, yes."
"You expect personal violence from them?"
Halkett nodded and gazed absently down the almost deserted boulevard.
"Then why don't you appeal to the police – if your conscience is clear?" demanded Warner bluntly.
Halkett's quick smile broke out.
"My dear chap," he said, "I'd do so if I were in England. I can't, as matters stand. The French police are no use to me."
"Why don't you go to your consulate?"
"I did. The Consul is away on his vacation. And I didn't like the looks of the vice-consul."
"What?"
"No. I didn't like his name, either."
"What do you mean?"
"His name is Schmidt. I – didn't care for it."
Warner laughed, and Halkett looked up quickly, smiling.
"I'm queer. I admit it. But you ought to have come to some conclusion concerning me by this time. Do you think me a rotter, or a criminal, or a lunatic, or a fugitive from justice? Or will you chance it that I'm all right, and will you stand by me?"
Warner laughed again:
"I'll take a chance on you," he said. "Give me your envelope, you amazing Britisher!"
CHAPTER II
Halkett cast a rapid glance around him; apparently he saw nothing to disturb him. Then he whipped out from his pocket a long, very thin envelope and passed it to Warner, who immediately slipped it into the breast pocket of his coat.
"That's very decent of you," said Halkett in a low voice. His attractive face had grown serious and a trifle pale. "I shan't forget this," he said.
Warner laughed.
"You're a very convincing Englishman," he said. "I can't believe you're not all right."
"I'm right enough. But you are all white. What is your name?"
"I had better write it out for you."
"No. If things go wrong with me, I don't want your name and address discovered in my pockets. Tell it to me; I'll remember."
Warner looked at him rather gravely for a moment, then:
"James Warner is my name. I'm a painter. My present address is La Pêche d'Or at Saïs."
"By any chance," asked Halkett, "are you the military painter, James Warner, whose pictures we know very well in England?"
"I don't know how well my pictures are known in England. I usually paint military subjects."
"I knew you were right!" exclaimed Halkett. "Any man who paints the way you paint must be right! Fancy my actually knowing the man who did 'Lights Out' and 'The Last Salute'!"
Warner laughed, coloring a little.
"Did you really like those pictures?"
"Everybody liked them. I fancy every officer in our army owns a colored print of one or more of your pictures. And to think I should run across you in this God-forsaken French town! And to think it should be you who is willing to stand by me at this pinch! Well – I judged you rightly, you see."
Warner smiled, then his features altered.
"Listen, Halkett," he said, dropping instinctively the last trace of formality with a man who, honest or otherwise, was plainly of his own caste. "I have tried to size you up and I can't. You say you are a writer, but you look to me more like a soldier. Anyway, I've concluded that you're straight. And, that being my conviction, can't I do more for you than carry an envelope about for you?"
"That's very decent of you, Warner. No, thanks, there is nothing else you could do."
"I thought you said you are likely to get into a row?"
"I am. But I don't know when or where. Besides, I wouldn't drag you into anything like that."
"Where are you stopping in Ausone?"
"At the Boule d'Argent. I got in only an hour before I met you."
"Do you still believe you are being followed?"
"I have been followed so far. Maybe I've lost them. I hope so."
Warner said:
"I came into town to buy canvases and colors. That's how I happen to be in Ausone. It's only an hour's drive to Saïs. Why don't you come back with me? Saïs is a pretty hamlet. Few people have ever heard of it. The Golden Peach is an excellent inn. Why don't you run down and lie snug for a while? It's the last place on earth anybody would think of looking for a man who's done – what I suppose you've done."
Halkett, who had been listening with a detached smile, jerked his head around and looked at Warner.
"What do you suppose I've done?" he asked coolly.
"I think you're a British officer who has been abroad after military information – and that you've got it – in this envelope."
Halkett's expressionless face and fixed eyes did not alter. But he said quietly:
"You are about the only American in France who might have been likely to think that. Isn't it the devil's own luck that I should pick you for my friend in need?"
Warner shrugged:
"You need not answer that implied question of mine, Halkett. My theory concerning you suits me. Anyway, I believe you are in trouble. And I think you'd better come back to Saïs with me."
"Thinking what you think, do you still mean to stand by me?"
"Certainly. I don't know what's in your damned envelope, do I? Very well; I don't wish to know. Shall we stroll back to the Boule d'Argent?"
"Right-o! What a devilish decent chap you are, Warner!"
"Oh, no; I'm a gambler by disposition. This business amuses me!"
"Are you stopping at the Boule d'Argent, too?" asked Halkett after a moment.
"I lunched there and left my stack of toiles and my sack of colors there. Also, I have a dogcart and a horse in the stables."
They turned away together, side by side, crossed the boulevard, traversed the deserted square in front of the beautiful old church of Sainte Cassilda, and entered the stony rue d'Auros, which led directly into the market square.
The ancient town of Ausone certainly seemed to be very much en fête, and the rue d'Auros – the main business thoroughfare – was crowded with townspeople, country folk, and soldiers on leave, clustering not only all over the sidewalks, but in the middle of the streets and squares, filling the terraces of the cafés and the courts of the two hotels, the Boule d'Argent and the Hôtel des Voyageurs.
Sunlight
