Some Persons Unknown. Hornung Ernest William
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The good editor breathed more freely when he had got this letter off his mind, and had addressed it to Evan Evans, Esq., 17, Cardigan Mansions, Kensington, W., and closed the envelope with his own hand and tongue. It was his last act at the office that day. As he tossed the letter into one basket, and the rejected manuscript into another, the clock on the chimney-piece struck the half-hour after four. And at half-past four in the afternoon, summer and winter, seed-time and harvest, with the annual exception of a hateful holiday at some such place as Saltburn, the editor of the Mayfair Magazine returned to his club to play whist for an hour and a half precisely, with three kindred spirits as methodical and as enthusiastic as himself.
But this was the exceptional day which proved every rule of Wolff Mason's most ruly life by causing him to break each of them in turn. He played his cards towards evening as amateurishly as he had chosen his phrases in the forenoon. Now what is about to be written down may never be believed. But at five-thirty-three, by the card-room clock, Wolff Mason, who was more eminent among the few as a whist-player than as a writer of novels, put the last trump on his partner's thirteenth card. One has it on unimpeachable authority. A few minutes later the rubber came to an end, and, instead of playing out time, as the custom was with this sporting quartette, the novelist complained of a slight faintness (which explained everything) and left the club twenty minutes before six for the first time for many years.
One of the other three saw him into his hansom. He said that the air entirely revived him. It might have done so, if there had ever been anything the matter with him. He ailed nothing, however, beyond extreme and cumulative mortification; and the four winds of heaven, chasing each other round his temples as he drove westward, could not have blown that cobweb out of his respected head.
He could no longer feel surprised at anything that he might do, or say, or think. Somewhere in the neighbourhood of the park he managed to think upon Evan Evans's latest story, now on its way back to that uneven contributor, and it seemed only natural that the shrewdest, most experienced magazine-editor in London should question the wisdom of his late decision in a way that would have made him laugh on any other occasion. He did not laugh now. The optimist of letters was in an incredibly pessimistic mood, in which the story he had refused seemed to him an ideal one for the magazine. He thought of his valued and most promising contributor, Evan Evans, of the manuscript now on its way back to him, of the possible effect of the rejection of so good a story upon a sensitive young man with a knowledge of other markets. Then he thought of this contributor's address, which was quite close to his own, and of the twenty minutes which he had in hand owing to his premature departure from the club. A word on the spur to the cab-man, a sharp turn to the left, some easy driving along a quiet street, and the hansom pulled up before the respectable portals of Cardigan Mansions, Nos. 11-22, whereof the stout attendant in uniform came forward and threw back the panels.
In another minute Wolff Mason was pressing the electric bell outside No. 17 on the second floor, and reflecting, with a qualm, that he was about to intrude upon a rejected contributor whom he had never seen – a truly startling reversal of a far too common editorial experience of his own. An elderly servant opened the door.
"Is Mr. Evans at home?"
"Mr. Hevans, sir?"
The servant looked as vacant as a woman need.
"Mr. Evan Evans," said the editor, distinctly, and with a smile as it struck him that there was no occasion in the world for him to leave his name. But a light had broken over the crass face of the elderly door-opener.
"Oh, I know, sir! He is in. Will you step this way?"
There was no drawing back now. Mr. Mason stepped boldly across the threshold, and the door closed behind him. In the very narrow passage the servant squeezed by him, and paused with her fingers on the handle of a door upon the right-hand side.
"What name shall I say, sir?"
"Mr. Wolff Mason."
A moment later the novelist-editor found himself standing in a more charming study than he himself owned to that day. It was all books and pictures, and weapons and pretty curtains, and comfortable chairs and handy tables. A good fire was burning, and on the right of it was a desk so placed that the writer looked out into the room as he sat at his work. The writer was sitting there now. He was a very young man, with a pipe in his mouth and a pen in his hand, and as he leant forward with the utmost eagerness, and the light of his writing-lamp fell full upon his youthful face, Wolff Mason had not the slightest difficulty in recognising Ida's presumptuous suitor of Saltburn-by-the-Sea.
"How do you do, Mr. Mason?" the young fellow said, coming forward with his hand frankly outstretched; but the other hesitated before taking it in his.
"Am I speaking to Mr. Evan Evans?"
"That is the name I – write stories under."
"Exactly. Your other name is not my concern. I don't seek to know it, Mr. Evans."
The editor was smiling grimly, but his gloved hand was now extended. Now, however, that of the young man went coolly into his trousers' pocket as he looked his visitor steadily in the face. They were grey flannel trousers, with yellow slippers at one end of them and a Norfolk jacket at the other. The editor's smile had turned to a look of interest.
"I called to see you about a little story, Mr. Evans."
"You have done me a very great honour, sir. Won't you sit down? Do you find it warm? Shall I open the window?"
"Not at all, not at all. I won't detain you a moment, and I won't sit down in one of your chairs, because they look comfortable, and I am stiff – though you wouldn't think it from my breaking in upon you like this, would you?"
Having shown very plainly that it was not his intention to recognise any former acquaintance, and seeing his young host take the cue from him in a way that struck him as at once manly and gentlemanly, Mr. Wolff Mason was now behaving in his own most charming fashion, which was very charming indeed to a young unknown beginner from a favourite old author whose name had been a household word for a quarter of a century at least. The beginner felt that if he had gauged the character of Wolff Mason correctly, when they first met at the sea-side, he would never have concealed the identity of Jack Overman with Evan Evans. But all thought of the old man's hardness upon a young one perished in an overwhelming sense of the great editor's kindness towards his utterly unknown contributor.
"I'll stand here, if I may, with my back to your fire. I looked in about the very clever little story you sent me yesterday."
The young author's face brightened till it quivered, but his words were all unworthy.
"How awfully kind of you!"
"Not at all, my dear sir. I was passing close to you, on my way home, and I was bothering about your story. I admire your work, but I don't altogether admire this story. My dear fellow, it ends too sadly altogether!"
"No other ending was possible," the young man declared. "So I felt, and one must write as one feels."
"Must one?" said the veteran, smiling blandly into the boyish earnest face. "Surely all things are possible to him who writes – unless, to be sure, he takes himself seriously!"
This, however, was not very seriously said, for Wolff Mason had turned round and was peering at the photographs on and over the mantel-piece. Suddenly he pushed up his spectacles and thrust his head close to a framed portrait, with a piece of stamp-paper stuck upon the glass to hide the face, but with the name