opportunity makes the thief, so, I imagine, does it sometimes inspire the murderer. Given the clear moment, the wish, the fury, can't you picture the effect these bizarre surroundings would exercise on a mind already strung to the madness of crime? For every willful slayer of a fellow human being is mad – mad… Ah, there was the genius of a maniac in the choice of that flint ax to rend Mirabel Armaud's smooth skin – yet she had the right to live – perhaps – "
He stopped; and Winter anew felt that this musing Furneaux of to-day was a different personality from the Furneaux of his intimate knowledge.
And how compellingly strange it was that he should choose to describe Rose de Bercy by the name which she had ceased to bear during many years! Winter dispelled the scent of the joss-sticks by a mighty puff of honest tobacco smoke.
"Oh, come along," he growled, "let us eat – we are both in need of it. The flat is untenanted, of course. Very well, lock the door," he added, addressing the policeman. "Leave the key with the hall-porter, and tell him not to admit anybody, on any pretext whatsoever, until Mr. Furneaux and I come here in the morning."
CHAPTER III
A CHANGE OF ADDRESS
On the morning after the inquest on Rose de Bercy, the most miserable young man in London, in his own estimation, was Mr. Rupert Glendinning Osborne. Though utterly downcast and disconsolate, he was in excellent health, and might have eaten well of the good things on his breakfast table had he not thoughtlessly opened a newspaper while stirring his coffee.
Under other circumstances, he might have laughed at the atrocious photograph which depicted "Mr. Rupert Osborne arriving at the coroner's court." The camera had foreshortened an arm, deprived him of his right leg below the knee, discredited his tailor, and given him the hang-dog aspect of a convicted pickpocket, for he had been "snapped" at the moment of descent from his automobile, when a strong wind was blowing, and he had been annoyed by the presence of a gaping crowd.
The camera had lied, of course. In reality, he was a good-looking man of thirty, not tall or muscular, but of well-knit figure, elegant though by no means effeminate. For a millionaire, and a young one, he was by way of being a phenomenon. He cared little for society; drove his own horses, but was hardly ever seen in the Park; rode boldly to hounds, yet refused to patronize a racing stable. He seldom visited a theater, though he wrote well-informed articles on the modern French stage for the New Review; he preferred a pleasant dinner with a couple of friends to a banquet with hundreds of acquaintances; in a word, he conducted himself as a staid citizen whether in New York, or London, or Paris. Never had a breath of scandal or notoriety attached itself to his name until he was dragged into lurid prominence by the stupefying event of that fatal Tuesday evening.
Those who knew him best had expressed sheer incredulity when they first heard of his contemplated marriage with the French actress. But a man's friends, as a rule, are the worst judges of his probable choice of a partner for life: and Rupert Osborne was drawn to Rose de Bercy because she possessed in superabundance those lively qualities and volatile charms in which he was himself deficient.
There could be no manner of doubt, however, that some part of his quivering nervous system had been seared by statements made about her during the inquest. It was not soothing for a distraught lover to learn that Mademoiselle de Bercy's reminiscences of her youth were singularly inaccurate. She could not well have been born in a patrician château on the Loire, and yet be the daughter of a Jersey potato-grower. Her father, Jean Armaud, was stated to be still living on a small farm near St. Heliers, whereas her own version of the family history was that Monsieur le Comte de Bercy did not survive the crash of the family fortunes in the Panama swindle. Other discrepancies were not lacking between official fact and romantic narrative. They gave Osborne the first glimpse of the abyss into which he had almost plunged. A loyal-hearted fellow, he shrank from the hateful consciousness that the hapless girl's tragic end had rescued him in all likelihood from another tragedy, bitter and long drawn out. But because he had been so foolish as to fall in love with a beautiful adventuress there was no reason why he should be blind and deaf when tardy common sense began to assert itself.
To a man who habitually shrank from the public eye, it was bad enough to be dragged into the fierce light that beats on the witness-box in an inquiry such as this, but it was far worse to feel in his inmost heart that he was now looked upon with suspicion by millions of people in England and America.
He could not shirk the meaning of the recorded evidence. The newspapers, it is true, had carefully avoided the ugly word alibi; but ninety per cent. of their readers could not fail to see that Rupert Osborne had escaped arrest solely by reason of the solid phalanx of testimony as to his movements on the Tuesday evening before and after the hour of the murder; the remaining ten per cent. reviled the police, and protested, with more or less forceful adjectives, that "there was one law for the rich and another for the poor."
At the inquest itself, Osborne was too sorrow-laden and stunned to realize the significance of certain questions which now seemed to leap at him viciously from out the printed page.
"How were you dressed when you visited Miss de Bercy that afternoon?" the coroner had asked him.
"I wore a dark gray morning suit and black silk hat," he had answered.
"You did not change your clothing before going to the Ritz Hotel?"
"No. I drove straight there from Feldisham Mansions."
"Did you dress for dinner?"
"No. My friends and I discussed certain new regulations as to the proposed international polo tournament, and it was nearly eight o'clock before we concluded the business of the meeting, so we arranged to dine in the grill-room and go to a Vaudeville entertainment afterwards."
That statement had puzzled the coroner. He referred to his notes.
"To the Vaudeville?" he queried. "I thought you went to the Empire Theater?" and Osborne explained that Americans spoke of "vaudeville" in the same sense as Englishmen use the word "music-hall" or "variety."
"You were with your friends during the whole time between 6.30 p.m. and midnight?"
"Practically. I left them for a few minutes before dinner, but only to go to the writing-room, where I wrote two short letters."
"At what hour, as nearly as you can recollect?"
"About ten minutes to eight. I glanced at the clock when the letters were posted, as I wished to be sure of catching the American mail."
"Were both letters addressed to correspondents in America?"
"No, one only. The other was to a man about a dog."
A slight titter relieved the gray monotony of the court at this explanation, but the coroner frowned it down, and Rupert added that he was buying a retriever in readiness for the shooting season.
But the coroner's questions suddenly assumed a sinister import when William Campbell, driver of taxicab number X L 4001, stated that on the Tuesday evening, at 7.20, he had taken a gentleman dressed in a dark gray suit and a tall hat from the corner of Berkeley Street (opposite the Ritz Hotel) to the end of the street in Knightsbridge in which Feldisham Mansions were situated, had waited there for him for about fifteen minutes, and had brought him back to Berkeley Street.
"I thought I might know him again, sir, an', as I said yesterday – " the man continued, glancing at Rupert, but he was stopped peremptorily.
"Never mind what you said yesterday," broke in the coroner. "You will have another opportunity of telling the jury what happened subsequently.
