inherited those clothes with the land, from his father. Isn't it an absurd costume, Gran'pa Jim? And in these days of advanced civilization, too! Of course old Hezekiah Cragg is not strong mentally or he would refuse to make a laughingstock of himself in that way."
Colonel Hathaway stared across the river for a time without answering. Then he said:
"I do not think the natives here laugh at him, although I remember they called him 'Old Swallowtail' when I was directed to him as the only resident real estate agent. I found the old man quite shrewd in driving a bargain and thoroughly posted on all the affairs of the community. However, he is not a gossip, but inclined to be taciturn. There is a fathomless look in his eyes and he is cold and unresponsive. Country life breeds strange characteristics in some people. The whimsical dress and mannerisms of old Mr. Cragg would not be tolerated in the cities, while here they seem regarded with unconcern because they have become familiar. I was rather, pleased with his personality because he is the Cragg of Cragg's Crossing. How much of the original plot of land he still owns I don't know."
"Why, he lives in that hovel!" said the girl.
"So it seems, although he may have been merely calling there."
"He fits the place," she declared. "It's old and worn and neglected, just as he and his clothes are. I'd be sorry, indeed, to discover that Mr. Cragg lives anywhere else."
The Colonel, his finger between the leaves of the book he held, to mark the place where he was reading, nodded somewhat absently and started to turn away. Then he paused to ask anxiously:
"Does this place please you, my dear?"
"Ever so much, Gran'pa Jim!" she replied with enthusiasm, leaning from her seat inside the pavilion to press a kiss upon his bare gray head. "I've a sense of separation from all the world, yet it seems good to be hidden away in this forgotten nook. Perhaps I wouldn't like it for always, you know, but for a summer it is simply delightful. We can rest – and rest – and rest! – and be as cozy as can be."
Again the old gentleman nodded, smiling at the girl this time. They were good chums, these two, and what pleased one usually pleased the other.
Colonel Hathaway had endured a sad experience recently and his handsome old face still bore the marks of past mental suffering. His only daughter, Beatrice Burrows, who was the mother of Mary Louise, had been indirectly responsible for the Colonel's troubles, but her death had lifted the burden; her little orphaned girl, to whom no blame could be attached, was very dear to "Gran'pa Jim's" heart. Indeed, she was all he now had to love and care for and he continually planned to promote her happiness and to educate her to become a noble woman. Fortunately he had saved considerable money from the remains of an immense estate he had once possessed and so was able to do anything for his grandchild that he desired. In New York and elsewhere Colonel James Hathaway had a host of influential friends, but he was shy of meeting them since his late unpleasant experiences.
Mary Louise, for her part, was devotedly attached to her grandfather and preferred his society to that of any other person. As the erect form of the old gentleman sauntered away through the trees she looked after him affectionately and wagged her little head with hearty approval.
"This is just the place for Gran'pa Jim," she mused. "There's no one to bother him with questions or sympathy and he can live as quietly as he likes and read those stuffy old books – the very name 'classics' makes me shudder – to his heart's content. He'll grow stronger and happier here, I'm sure."
Then she turned anew to revel in the constantly shifting view of river and woodland that extended panoramically from her seat in the pavilion. As her eyes fell on the old cottage opposite she was surprised to see a dishpan sail through the open window, to fall with a clatter of broken dishes on the hard ground of the yard. A couple of dish-towels followed, and then a broom and a scrubbing-brush – all tossed out in an angry, energetic way that scattered them in every direction. Then on the porch appeared the form of a small girl, poorly dressed in a shabby gingham gown, who danced up and down for a moment as if mad with rage and then, observing the washtub, gave it a kick which sent it rolling off the porch to join the other utensils on the ground.
Next, the small girl looked around her as if seeking more inanimate things upon which to vent her anger, but finding none she dashed into the cottage and soon reappeared with a much-worn straw hat which she jammed on her flaxen head and then, with a determined air, walked down the plank and marched up the path toward the bridge – the same direction that old Cragg had taken a short time before.
Mary Louise gave a gasp of amazement. The scene had been dramatic and exciting while it lasted and it needed no explanation whatever. The child had plainly rebelled at enforced drudgery and was going – where?
Mary Louise sprang lightly from her seat and ran through the grounds to their entrance. When she got to the road she sped along until she came to the bridge, reaching one end of it just as the other girl started to cross from the opposite end. Then she stopped and in a moment the two met.
"Where are you going?" asked Mary Louise, laying a hand on the child's arm as she attempted to pass her.
"None o' yer business," was the curt reply.
"Oh, it is, indeed," said Mary Louise, panting a little from her run. "I saw you throw things, a minute ago, so I guess you mean to run away."
The girl turned and stared at her.
"I don't know ye," said she. "Never saw ye before. Where'd ye come from anyway?"
"Why, my grandfather and I have taken the Kenton house for the summer, so we're to be your neighbors. Of course, you know, we must get acquainted."
"Ye kin be neighbors to my Gran'dad, if ye like, but not to me. Not by a ginger cookie! I've done wi' this place fer good an' all, I hev, and if ye ever see me here ag'in my name ain't Ingua Scammel!"
"Here; let's sit down on the bridge and talk it over," proposed Mary Louise. "There's plenty of time for you to run away, if you think you'd better. Is Mr. Cragg your grandfather, then?"
"Yes, Ol' Swallertail is. 'Ol' Humbug' is what I calls him."
"Not to his face, do you?"
"I ain't so foolish. He's got a grip on him like a lobster, an' when he's mad at me he grips my arm an' twists it till I holler. When Gran'dad's aroun' you bet I hev to knuckle down, er I gits the worst of it."
"So he's cruel, is he?"
"Uh-huh. Thet is, he's cruel when I riles him, as I got a habit o' doin'. When things runs smooth, Gran'dad ain't so bad; but I ain't goin' to stand that slave life no longer, I ain't. I've quit fer good."
"Wherever you go," said Mary Louise gently, "you will have to work for someone. Someone, perhaps, who treats you worse than your grandfather does. No one else is obliged to care for you in any way, so perhaps you're not making a wise change."
"I ain't, eh?"
"Perhaps not. Have you any other relatives to go to?"
"No."
"Or any money?"
"Not a red cent."
"Then you'll have to hire out as a servant. You're not big enough or strong enough to do much, so you'll search a long time before you find work, and that means being hungry and without shelter. I know more of the world than you do, Ingua – what an odd name you have! – and I honestly think you are making a mistake to run away from your own grandfather."
The
