cases where they follow each other in unbroken succession. The Mr. Frederick Lehmann mentioned in the letter written from Sheffield, had married a daughter of Mr. Robert Chambers, and niece of Mrs. Wills. Coming to settle in London a short time after this date, Mr. and Mrs. Lehmann became intimately known to Charles Dickens and his family – more especially to his eldest daughter, to whom they have been, and are, the kindest and truest of friends. The "pretty little boy" mentioned as being under Mrs. Wills's care, was their eldest son.
We give the letter to Mr. Thackeray, not because it is one of very great interest, but because, being the only one we have, we are glad to have the two names associated together in this work.
The "little speech" alluded to in this first letter to Mr. Macready was one made by Charles Dickens at a public dinner, which was given in aid of the Hospital for Sick Children, in Great Ormond Street. He afterwards (early in April) gave a reading from his "Christmas Carol" for this same charity.
The Christmas number of "Household Words," mentioned in a letter to Mr. Wilkie Collins, was called "A House to Let," and contained stories written by Charles Dickens, Mr. Wilkie Collins, and other contributors to "Household Words."
My dear Wilkie,
I am very sorry to receive so bad an account of the foot. But I hope it is all in the past tense now.
I met with an incident the other day, which I think is a good deal in your way, for introduction either into a long or short story. Dr. Sutherland and Dr. Monro went over St. Luke's with me (only last Friday), to show me some distinctly and remarkably developed types of insanity. Among other patients, we passed a deaf and dumb man, now afflicted with incurable madness too, of whom they said that it was only when his madness began to develop itself in strongly-marked mad actions, that it began to be suspected. "Though it had been there, no doubt, some time." This led me to consider, suspiciously, what employment he had been in, and so to ask the question. "Aye," says Dr. Sutherland, "that is the most remarkable thing of all, Mr. Dickens. He was employed in the transmission of electric-telegraph messages; and it is impossible to conceive what delirious despatches that man may have been sending about all over the world!"
Rejoiced to hear such good report of the play.
My dear Yates,
Your quotation is, as I supposed, all wrong. The text is not "which his 'owls was organs." When Mr. Harris went into an empty dog-kennel, to spare his sensitive nature the anguish of overhearing Mrs. Harris's exclamations on the occasion of the birth of her first child (the Princess Royal of the Harris family), "he never took his hands away from his ears, or came out once, till he was showed the baby." On encountering that spectacle, he was (being of a weakly constitution) "took with fits." For this distressing complaint he was medically treated; the doctor "collared him, and laid him on his back upon the airy stones" – please to observe what follows – "and she was told, to ease her mind, his 'owls was organs."
That is to say, Mrs. Harris, lying exhausted on her bed, in the first sweet relief of freedom from pain, merely covered with the counterpane, and not yet "put comfortable," hears a noise apparently proceeding from the back-yard, and says, in a flushed and hysterical manner: "What 'owls are those? Who is a-'owling? Not my ugebond?" Upon which the doctor, looking round one of the bottom posts of the bed, and taking Mrs. Harris's pulse in a reassuring manner, says, with much admirable presence of mind: "Howls, my dear madam? – no, no, no! What are we thinking of? Howls, my dear Mrs. Harris? Ha, ha, ha! Organs, ma'am, organs. Organs in the streets, Mrs. Harris; no howls."
My dear Thackeray,
The wisdom of Parliament, in that expensive act of its greatness which constitutes the Guild, prohibits that corporation from doing anything until it shall have existed in a perfectly useless condition for seven years. This clause (introduced by some private-bill magnate of official might) seemed so ridiculous, that nobody could believe it to have this meaning; but as I felt clear about it when we were on the very verge of granting an excellent literary annuity, I referred the point to counsel, and my construction was confirmed without a doubt.
It is therefore needless to enquire whether an association in the nature of a provident society could address itself to such a case as you confide to me. The prohibition has still two or three years of life in it.
But, assuming the gentleman's title to be considered as an "author" as established, there is no question that it comes within the scope of the Literary Fund. They would habitually "lend" money if they did what I consider to be their duty; as it is they only give money, but they give it in such instances.
I have forwarded the envelope to the Society of Arts, with a request that they will present it to Prince Albert, approaching H.R.H. in the Siamese manner.
My dear Forster,
I beg to report two phenomena:
1. An excellent little play in one act, by Marston, at the Lyceum; title, "A Hard Struggle;" as good as "La Joie fait Peur," though not at all like it.
2. Capital acting in the same play, by Mr. Dillon. Real good acting, in imitation of nobody, and honestly made out by himself!!
I went (at Marston's request) last night, and cried till I sobbed again. I have not seen a word about it from Oxenford. But it is as wholesome and manly a thing altogether as I have seen for many a day. (I would have given a hundred pounds to have played Mr. Dillon's part).
Love to Mrs. Forster.
My dear Marston,
I most heartily and honestly congratulate you on your charming little piece. It moved me more than I could easily tell you, if I were to try. Except "La Joie fait Peur," I have seen nothing nearly so good, and there is a subtlety in the comfortable presentation of the child who is to become a devoted woman for Reuben's sake, which goes a long way beyond Madame de Girardin. I am at a loss to let you know how much I admired it last night, or how heartily I cried over it. A touching idea, most delicately conceived and wrought out by a true artist and poet, in a spirit of noble, manly generosity, that no one should be able to study without great emotion.
It is extremely well acted by all concerned; but Mr. Dillon's performance is really admirable, and deserving of the highest commendation. It is good in these days to see an actor taking such pains, and expressing such natural and vigorous sentiment. There is only one thing I should have liked him to change. I am much mistaken if any man – least of all any such man – would crush a letter written by the hand of the woman he loved. Hold it to his heart unconsciously and look about for it the while, he might; or he might do any other thing with it that expressed a habit of tenderness and affection in association with the idea of her; but he would never crush it under any circumstances. He would as soon crush her heart.
You will see how closely I went with him, by my minding so slight an incident in so fine a performance. There is no one who could approach him in it; and I am bound to add that he surprised me as much as he pleased me.
I think it might be worth while to try the people at the Français with
