Hard Times. Чарльз Диккенс

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style="font-size:15px;">      ‘Oh!’ cried Bitzer. ‘Oh! An’t you one of the rest! An’t you a horse-rider! I never looked at her, sir. I asked her if she would know how to define a horse to-morrow, and offered to tell her again, and she ran away, and I ran after her, sir, that she might know how to answer when she was asked. You wouldn’t have thought of saying such mischief if you hadn’t been a horse-rider?’

      ‘Her calling seems to be pretty well known among ’em,’ observed Mr. Bounderby. ‘You’d have had the whole school peeping in a row, in a week.’

      ‘Truly, I think so,’ returned his friend. ‘Bitzer, turn you about and take yourself home. Jupe, stay here a moment. Let me hear of your running in this manner any more, boy, and you will hear of me through the master of the school. You understand what I mean. Go along.’

      The boy stopped in his rapid blinking, knuckled his forehead again, glanced at Sissy, turned about, and retreated.

      ‘Now, girl,’ said Mr. Gradgrind, ‘take this gentleman and me to your father’s; we are going there. What have you got in that bottle you are carrying?’

      ‘Gin,’ said Mr. Bounderby.

      ‘Dear, no, sir! It’s the nine oils.’

      ‘The what?’ cried Mr. Bounderby.

      ‘The nine oils, sir, to rub father with.’

      ‘Then,’ said Mr. Bounderby, with a loud short laugh, ‘what the devil do you rub your father with nine oils for?’

      ‘It’s what our people aways use, sir, when they get any hurts in the ring,’ replied the girl, looking over her shoulder, to assure herself that her pursuer was gone. ‘They bruise themselves very bad sometimes.’

      ‘Serve ’em right,’ said Mr. Bounderby, ‘for being idle.’ She glanced up at his face, with mingled astonishment and dread.

      ‘By George!’ said Mr. Bounderby, ‘when I was four or five years younger than you, I had worse bruises upon me than ten oils, twenty oils, forty oils, would have rubbed off. I didn’t get ’em by posture-making, but by being banged about. There was no rope-dancing for me; I danced on the bare ground and was larruped with the rope.’

      Mr. Gradgrind, though hard enough, was by no means so rough a man as Mr. Bounderby. His character was not unkind, all things considered; it might have been a very kind one indeed, if he had only made some round mistake in the arithmetic that balanced it, years ago. He said, in what he meant for a reassuring tone, as they turned down a narrow road, ‘And this is Pod’s End; is it, Jupe?’

      ‘This is it, sir, and – if you wouldn’t mind, sir – this is the house.’

      She stopped, at twilight, at the door of a mean little public-house, with dim red lights in it. As haggard and as shabby, as if, for want of custom, it had itself taken to drinking, and had gone the way all drunkards go, and was very near the end of it.

      ‘It’s only crossing the bar, sir, and up the stairs, if you wouldn’t mind, and waiting there for a moment till I get a candle. If you should hear a dog, sir, it’s only Merrylegs, and he only barks.’

      ‘Merrylegs and nine oils, eh!’ said Mr. Bounderby, entering last with his metallic laugh. ‘Pretty well this, for a self-made man!’

      CHAPTER VI

      SLEARY’S HORSEMANSHIP

      The name of the public-house was the Pegasus’s Arms. The Pegasus’s legs might have been more to the purpose; but, underneath the winged horse upon the sign-board, the Pegasus’s Arms was inscribed in Roman letters. Beneath that inscription again, in a flowing scroll, the painter had touched off the lines:

      Good malt makes good beer,

      Walk in, and they’ll draw it here;

      Good wine makes good brandy,

      Give us a call, and you’ll find it handy.

      Framed and glazed upon the wall behind the dingy little bar, was another Pegasus – a theatrical one – with real gauze let in for his wings, golden stars stuck on all over him, and his ethereal harness made of red silk.

      As it had grown too dusky without, to see the sign, and as it had not grown light enough within to see the picture, Mr. Gradgrind and Mr. Bounderby received no offence from these idealities. They followed the girl up some steep corner-stairs without meeting any one, and stopped in the dark while she went on for a candle. They expected every moment to hear Merrylegs give tongue, but the highly trained performing dog had not barked when the girl and the candle appeared together.

      ‘Father is not in our room, sir,’ she said, with a face of great surprise. ‘If you wouldn’t mind walking in, I’ll find him directly.’ They walked in; and Sissy, having set two chairs for them, sped away with a quick light step. It was a mean, shabbily furnished room, with a bed in it. The white night-cap, embellished with two peacock’s feathers and a pigtail bolt upright, in which Signor Jupe had that very afternoon enlivened the varied performances with his chaste Shaksperean quips and retorts, hung upon a nail; but no other portion of his wardrobe, or other token of himself or his pursuits, was to be seen anywhere. As to Merrylegs, that respectable ancestor of the highly trained animal who went aboard the ark, might have been accidentally shut out of it, for any sign of a dog that was manifest to eye or ear in the Pegasus’s Arms.

      They heard the doors of rooms above, opening and shutting as Sissy went from one to another in quest of her father; and presently they heard voices expressing surprise. She came bounding down again in a great hurry, opened a battered and mangy old hair trunk, found it empty, and looked round with her hands clasped and her face full of terror.

      ‘Father must have gone down to the Booth, sir. I don’t know why he should go there, but he must be there; I’ll bring him in a minute!’ She was gone directly, without her bonnet; with her long, dark, childish hair streaming behind her.

      ‘What does she mean!’ said Mr. Gradgrind. ‘Back in a minute? It’s more than a mile off.’

      Before Mr. Bounderby could reply, a young man appeared at the door, and introducing himself with the words, ‘By your leaves, gentlemen!’ walked in with his hands in his pockets. His face, close-shaven, thin, and sallow, was shaded by a great quantity of dark hair, brushed into a roll all round his head, and parted up the centre. His legs were very robust, but shorter than legs of good proportions should have been. His chest and back were as much too broad, as his legs were too short. He was dressed in a Newmarket coat and tight-fitting trousers; wore a shawl round his neck; smelt of lamp-oil, straw, orange-peel, horses’ provender, and sawdust; and looked a most remarkable sort of Centaur, compounded of the stable and the play-house. Where the one began, and the other ended, nobody could have told with any precision. This gentleman was mentioned in the bills of the day as Mr. E. W. B. Childers, so justly celebrated for his daring vaulting act as the Wild Huntsman of the North American Prairies; in which popular performance, a diminutive boy with an old face, who now accompanied him, assisted as his infant son: being carried upside down over his father’s shoulder, by one foot, and held by the crown of his head, heels upwards, in the palm of his father’s hand, according to the violent paternal manner in which wild huntsmen may be observed to fondle their offspring. Made up with curls, wreaths, wings, white bismuth, and carmine, this hopeful young person soared into so pleasing a Cupid as to constitute the chief delight of the maternal part of the spectators; but in private, where his characteristics were a precocious cutaway coat and an extremely gruff voice, he became of the Turf, turfy.

      ‘By your

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