your studies, your books, and your – daughter.’
‘Oh yes, yes; and I don’t complain of poverty. Canto coram latrone. Well, Mr. Smith, don’t let me detain you any longer in a sick room. Ha! that reminds me of a story I once heard in my younger days.’ Here the vicar began a series of small private laughs, and Stephen looked inquiry. ‘Oh, no, no! it is too bad – too bad to tell!’ continued Mr. Swancourt in undertones of grim mirth. ‘Well, go downstairs; my daughter must do the best she can with you this evening. Ask her to sing to you – she plays and sings very nicely. Good-night; I feel as if I had known you for five or six years. I’ll ring for somebody to show you down.’
‘Never mind,’ said Stephen, ‘I can find the way.’ And he went downstairs, thinking of the delightful freedom of manner in the remoter counties in comparison with the reserve of London.
‘I forgot to tell you that my father was rather deaf,’ said Elfride anxiously, when Stephen entered the little drawing-room.
‘Never mind; I know all about it, and we are great friends,’ the man of business replied enthusiastically. ‘And, Miss Swancourt, will you kindly sing to me?’
To Miss Swancourt this request seemed, what in fact it was, exceptionally point-blank; though she guessed that her father had some hand in framing it, knowing, rather to her cost, of his unceremonious way of utilizing her for the benefit of dull sojourners. At the same time, as Mr. Smith’s manner was too frank to provoke criticism, and his age too little to inspire fear, she was ready – not to say pleased – to accede. Selecting from the canterbury some old family ditties, that in years gone by had been played and sung by her mother, Elfride sat down to the pianoforte, and began, ‘’Twas on the evening of a winter’s day,’ in a pretty contralto voice.
‘Do you like that old thing, Mr. Smith?’ she said at the end.
‘Yes, I do much,’ said Stephen – words he would have uttered, and sincerely, to anything on earth, from glee to requiem, that she might have chosen.
‘You shall have a little one by De Leyre, that was given me by a young French lady who was staying at Endelstow House:
‘“Je l’ai plante, je l’ai vu naitre,
Ce beau rosier ou les oiseaux,” &c.;
and then I shall want to give you my own favourite for the very last, Shelley’s “When the lamp is shattered,” as set to music by my poor mother. I so much like singing to anybody who REALLY cares to hear me.’
Every woman who makes a permanent impression on a man is usually recalled to his mind’s eye as she appeared in one particular scene, which seems ordained to be her special form of manifestation throughout the pages of his memory. As the patron Saint has her attitude and accessories in mediaeval illumination, so the sweetheart may be said to have hers upon the table of her true Love’s fancy, without which she is rarely introduced there except by effort; and this though she may, on further acquaintance, have been observed in many other phases which one would imagine to be far more appropriate to love’s young dream.
Miss Elfride’s image chose the form in which she was beheld during these minutes of singing, for her permanent attitude of visitation to Stephen’s eyes during his sleeping and waking hours in after days. The profile is seen of a young woman in a pale gray silk dress with trimmings of swan’s-down, and opening up from a point in front, like a waistcoat without a shirt; the cool colour contrasting admirably with the warm bloom of her neck and face. The furthermost candle on the piano comes immediately in a line with her head, and half invisible itself, forms the accidentally frizzled hair into a nebulous haze of light, surrounding her crown like an aureola. Her hands are in their place on the keys, her lips parted, and trilling forth, in a tender diminuendo, the closing words of the sad apostrophe:
‘O Love, who bewailest
The frailty of all things here,
Why choose you the frailest
For your cradle, your home, and your bier!’
Her head is forward a little, and her eyes directed keenly upward to the top of the page of music confronting her. Then comes a rapid look into Stephen’s face, and a still more rapid look back again to her business, her face having dropped its sadness, and acquired a certain expression of mischievous archness the while; which lingered there for some time, but was never developed into a positive smile of flirtation.
Stephen suddenly shifted his position from her right hand to her left, where there was just room enough for a small ottoman to stand between the piano and the corner of the room. Into this nook he squeezed himself, and gazed wistfully up into Elfride’s face. So long and so earnestly gazed he, that her cheek deepened to a more and more crimson tint as each line was added to her song. Concluding, and pausing motionless after the last word for a minute or two, she ventured to look at him again. His features wore an expression of unutterable heaviness.
‘You don’t hear many songs, do you, Mr. Smith, to take so much notice of these of mine?’
‘Perhaps it was the means and vehicle of the song that I was noticing: I mean yourself,’ he answered gently.
‘Now, Mr. Smith!’
‘It is perfectly true; I don’t hear much singing. You mistake what I am, I fancy. Because I come as a stranger to a secluded spot, you think I must needs come from a life of bustle, and know the latest movements of the day. But I don’t. My life is as quiet as yours, and more solitary; solitary as death.’
‘The death which comes from a plethora of life? But seriously, I can quite see that you are not the least what I thought you would be before I saw you. You are not critical, or experienced, or – much to mind. That’s why I don’t mind singing airs to you that I only half know.’ Finding that by this confession she had vexed him in a way she did not intend, she added naively, ‘I mean, Mr. Smith, that you are better, not worse, for being only young and not very experienced. You don’t think my life here so very tame and dull, I know.’
‘I do not, indeed,’ he said with fervour. ‘It must be delightfully poetical, and sparkling, and fresh, and – ’
‘There you go, Mr. Smith! Well, men of another kind, when I get them to be honest enough to own the truth, think just the reverse: that my life must be a dreadful bore in its normal state, though pleasant for the exceptional few days they pass here.’
‘I could live here always!’ he said, and with such a tone and look of unconscious revelation that Elfride was startled to find that her harmonies had fired a small Troy, in the shape of Stephen’s heart. She said quickly:
‘But you can’t live here always.’
‘Oh no.’ And he drew himself in with the sensitiveness of a snail.
Elfride’s emotions were sudden as his in kindling, but the least of woman’s lesser infirmities – love of admiration – caused an inflammable disposition on his part, so exactly similar to her own, to appear as meritorious in him as modesty made her own seem culpable in her.
Chapter IV
‘Where heaves the turf in many a mould’ring heap.’
For reasons of his own, Stephen Smith was stirring a short time after dawn the next morning. From the window of his room he could see, first, two bold escarpments sloping down together like the letter V. Towards the bottom, like liquid in a funnel, appeared the sea, gray and small. On the brow of one hill, of rather greater altitude than its neighbour, stood the church which was to be
