The Black Tulip. Dumas Alexandre
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Boxtel, hidden behind his sycamore, could not see anything, as it was pitch-dark; but the piercing cries of the cats told the whole tale, and his heart overflowing with gall now throbbed with triumphant joy.
Boxtel was so eager to ascertain the extent of the injury, that he remained at his post until morning to feast his eyes on the sad state in which the two cats had left the flower-beds of his neighbour. The mists of the morning chilled his frame, but he did not feel the cold, the hope of revenge keeping his blood at fever heat. The chagrin of his rival was to pay for all the inconvenience which he incurred himself.
At the earliest dawn the door of the white house opened, and Van Baerle made his appearance, approaching the flower-beds with the smile of a man who has passed the night comfortably in his bed, and has had happy dreams.
All at once he perceived furrows and little mounds of earth on the beds which only the evening before had been as smooth as a mirror, all at once he perceived the symmetrical rows of his tulips to be completely disordered, like the pikes of a battalion in the midst of which a shell has fallen.
He ran up to them with blanched cheek.
Boxtel trembled with joy. Fifteen or twenty tulips, torn and crushed, were lying about, some of them bent, others completely broken and already withering, the sap oozing from their bleeding bulbs: how gladly would Van Baerle have redeemed that precious sap with his own blood!
But what were his surprise and his delight! what was the disappointment of his rival! Not one of the four tulips which the latter had meant to destroy was injured at all. They raised proudly their noble heads above the corpses of their slain companions. This was enough to console Van Baerle, and enough to fan the rage of the horticultural murderer, who tore his hair at the sight of the effects of the crime which he had committed in vain.
Van Baerle could not imagine the cause of the mishap, which, fortunately, was of far less consequence than it might have been. On making inquiries, he learned that the whole night had been disturbed by terrible caterwaulings. He besides found traces of the cats, their footmarks and hairs left behind on the battle-field; to guard, therefore, in future against a similar outrage, he gave orders that henceforth one of the under gardeners should sleep in the garden in a sentry-box near the flower-beds.
Boxtel heard him give the order, and saw the sentry-box put up that very day; but he deemed himself lucky in not having been suspected, and, being more than ever incensed against the successful horticulturist, he resolved to bide his time.
Just then the Tulip Society of Haarlem offered a prize for the discovery (we dare not say the manufacture) of a large black tulip without a spot of colour, a thing which had not yet been accomplished, and was considered impossible, as at that time there did not exist a flower of that species approaching even to a dark nut brown. It was, therefore, generally said that the founders of the prize might just as well have offered two millions as a hundred thousand guilders, since no one would be able to gain it.
The tulip-growing world, however, was thrown by it into a state of most active commotion. Some fanciers caught at the idea without believing it practicable, but such is the power of imagination among florists, that although considering the undertaking as certain to fail, all their thoughts were engrossed by that great black tulip, which was looked upon to be as chimerical as the black swan of Horace or the white raven of French tradition.
Van Baerle was one of the tulip-growers who were struck with the idea; Boxtel thought of it in the light of a speculation. Van Baerle, as soon as the idea had once taken root in his clear and ingenious mind, began slowly the necessary planting and cross-breeding to reduce the tulips which he had grown already from red to brown, and from brown to dark brown.
By the next year he had obtained flowers of a perfect nut-brown, and Boxtel espied them in the border, whereas he had himself as yet only succeeded in producing the light brown.
It might perhaps be interesting to explain to the gentle reader the beautiful chain of theories which go to prove that the tulip borrows its colors from the elements; perhaps we should give him pleasure if we were to maintain and establish that nothing is impossible for a florist who avails himself with judgment and discretion and patience of the sun’s heat; the clear water, the juices of the earth, and the cool breezes. But this is not a treatise upon tulips in general; it is the story of one particular tulip which we have undertaken to write, and to that we limit ourselves, however alluring the subject which is so closely allied to ours.
Boxtel, once more worsted by the superiority of his hated rival, was now completely disgusted with tulip-growing, and, being driven half mad, devoted himself entirely to observation.
The house of his rival was quite open to view; a garden exposed to the sun; cabinets with glass walls, shelves, cupboards, boxes, and ticketed pigeon-holes, which could easily be surveyed by the telescope. Boxtel allowed his bulbs to rot in the pits, his seedlings to dry up in their cases, and his tulips to wither in the borders and henceforward occupied himself with nothing else but the doings at Van Baerle’s. He breathed through the stalks of Van Baerle’s tulips, quenched his thirst with the water he sprinkled upon them, and feasted on the fine soft earth which his neighbour scattered upon his cherished bulbs.
But the most curious part of the operations was not performed in the garden.
It might be one o’clock in the morning when Van Baerle went up to his laboratory, into the glazed cabinet whither Boxtel’s telescope had such an easy access; and here, as soon as the lamp illuminated the walls and windows, Boxtel saw the inventive genius of his rival at work.
He beheld him sifting his seeds, and soaking them in liquids which were destined to modify or to deepen their colours. He knew what Cornelius meant when heating certain grains, then moistening them, then combining them with others by a sort of grafting, – a minute and marvellously delicate manipulation, – and when he shut up in darkness those which were expected to furnish the black colour, exposed to the sun or to the lamp those which were to produce red, and placed between the endless reflections of two water-mirrors those intended for white, the pure representation of the limpid element.
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