a fact which Cytherea’s idling eyes had discovered with some interest, and she was now engaged in watching the scene that was being enacted about its airy summit. Round the conical stonework rose a cage of scaffolding against the blue sky, and upon this stood five men – four in clothes as white as the new erection close beneath their hands, the fifth in the ordinary dark suit of a gentleman.
The four working-men in white were three masons and a mason’s labourer. The fifth man was the architect, Mr. Graye. He had been giving directions as it seemed, and retiring as far as the narrow footway allowed, stood perfectly still.
The picture thus presented to a spectator in the Town Hall was curious and striking. It was an illuminated miniature, framed in by the dark margin of the window, the keen-edged shadiness of which emphasized by contrast the softness of the objects enclosed.
The height of the spire was about one hundred and twenty feet, and the five men engaged thereon seemed entirely removed from the sphere and experiences of ordinary human beings. They appeared little larger than pigeons, and made their tiny movements with a soft, spirit-like silentness. One idea above all others was conveyed to the mind of a person on the ground by their aspect, namely, concentration of purpose: that they were indifferent to – even unconscious of – the distracted world beneath them, and all that moved upon it. They never looked off the scaffolding.
Then one of them turned; it was Mr. Graye. Again he stood motionless, with attention to the operations of the others. He appeared to be lost in reflection, and had directed his face towards a new stone they were lifting.
‘Why does he stand like that?’ the young lady thought at length – up to that moment as listless and careless as one of the ancient Tarentines, who, on such an afternoon as this, watched from the Theatre the entry into their Harbour of a power that overturned the State.
She moved herself uneasily. ‘I wish he would come down,’ she whispered, still gazing at the skybacked picture. ‘It is so dangerous to be absent-minded up there.’
When she had done murmuring the words her father indecisively laid hold of one of the scaffold-poles, as if to test its strength, then let it go and stepped back. In stepping, his foot slipped. An instant of doubling forward and sideways, and he reeled off into the air, immediately disappearing downwards.
His agonized daughter rose to her feet by a convulsive movement. Her lips parted, and she gasped for breath. She could utter no sound. One by one the people about her, unconscious of what had happened, turned their heads, and inquiry and alarm became visible upon their faces at the sight of the poor child. A moment longer, and she fell to the floor.
The next impression of which Cytherea had any consciousness was of being carried from a strange vehicle across the pavement to the steps of her own house by her brother and an older man. Recollection of what had passed evolved itself an instant later, and just as they entered the door – through which another and sadder burden had been carried but a few instants before – her eyes caught sight of the south-western sky, and, without heeding, saw white sunlight shining in shaft-like lines from a rift in a slaty cloud. Emotions will attach themselves to scenes that are simultaneous – however foreign in essence these scenes may be – as chemical waters will crystallize on twigs and wires. Even after that time any mental agony brought less vividly to Cytherea’s mind the scene from the Town Hall windows than sunlight streaming in shaft-like lines.
4. OCTOBER THE NINETEENTH
When death enters a house, an element of sadness and an element of horror accompany it. Sadness, from the death itself: horror, from the clouds of blackness we designedly labour to introduce.
The funeral had taken place. Depressed, yet resolved in his demeanour, Owen Graye sat before his father’s private escritoire, engaged in turning out and unfolding a heterogeneous collection of papers – forbidding and inharmonious to the eye at all times – most of all to one under the influence of a great grief. Laminae of white paper tied with twine were indiscriminately intermixed with other white papers bounded by black edges – these with blue foolscap wrapped round with crude red tape.
The bulk of these letters, bills, and other documents were submitted to a careful examination, by which the appended particulars were ascertained: —
First, that their father’s income from professional sources had been very small, amounting to not more than half their expenditure; and that his own and his wife’s property, upon which he had relied for the balance, had been sunk and lost in unwise loans to unscrupulous men, who had traded upon their father’s too open-hearted trustfulness.
Second, that finding his mistake, he had endeavoured to regain his standing by the illusory path of speculation. The most notable instance of this was the following. He had been induced, when at Plymouth in the autumn of the previous year, to venture all his spare capital on the bottomry security of an Italian brig which had put into the harbour in distress. The profit was to be considerable, so was the risk. There turned out to be no security whatever. The circumstances of the case tendered it the most unfortunate speculation that a man like himself – ignorant of all such matters – could possibly engage in. The vessel went down, and all Mr. Graye’s money with it.
Third, that these failures had left him burdened with debts he knew not how to meet; so that at the time of his death even the few pounds lying to his account at the bank were his only in name.
Fourth, that the loss of his wife two years earlier had awakened him to a keen sense of his blindness, and of his duty by his children. He had then resolved to reinstate by unflagging zeal in the pursuit of his profession, and by no speculation, at least a portion of the little fortune he had let go.
Cytherea was frequently at her brother’s elbow during these examinations. She often remarked sadly —
‘Poor papa failed to fulfil his good intention for want of time, didn’t he, Owen? And there was an excuse for his past, though he never would claim it. I never forget that original disheartening blow, and how that from it sprang all the ills of his life – everything connected with his gloom, and the lassitude in business we used so often to see about him.’
‘I remember what he said once,’ returned the brother, ‘when I sat up late with him. He said, “Owen, don’t love too blindly: blindly you will love if you love at all, but a little care is still possible to a well-disciplined heart. May that heart be yours as it was not mine,” father said. “Cultivate the art of renunciation.” And I am going to, Cytherea.’
‘And once mamma said that an excellent woman was papa’s ruin, because he did not know the way to give her up when he had lost her. I wonder where she is now, Owen? We were told not to try to find out anything about her. Papa never told us her name, did he?’
‘That was by her own request, I believe. But never mind her; she was not our mother.’
The love affair which had been Ambrose Graye’s disheartening blow was precisely of that nature which lads take little account of, but girls ponder in their hearts.
5. FROM OCTOBER THE NINETEENTH TO JULY THE NINTH
Thus Ambrose Graye’s good intentions with regard to the reintegration of his property had scarcely taken tangible form when his sudden death put them for ever out of his power.
Heavy bills, showing the extent of his obligations, tumbled in immediately upon the heels of the funeral from quarters previously unheard and unthought of. Thus pressed, a bill was filed in Chancery to have the assets, such as they were, administered by the Court.
‘What will become of us now?’ thought Owen continually.
There is in us an unquenchable expectation,
