On The Stage-And Off. Jerome Klapka Jerome
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When I saw him the next day, he told me he had done it. He had arranged an engagement for me with a Surrey-side manager, to whom he would introduce me to-morrow, when the agreement could be signed, and everything settled. I was, accordingly, to be at his office for the purpose at eleven o’clock the following morning – and to bring the money with me. That was his parting injunction.
I did not walk back to my lodgings, I skipped back. I burst open the door, and went up the stairs like a whirlwind; but I was too excited to stop indoors. I went and had dinner at a first-class restaurant, the bill for which considerably lessened my slender means. “Never mind,” I thought, “what are a few shillings, when I shall soon be earning my hundreds of pounds!” I went to the theater, but I don’t know what theater it was, or what was the play, and I don’t think I knew at the time. I did notice the acting a little, but only to fancy how much better I could play each part myself. I wondered how I should like these particular actors and actresses, when I came to know them. I thought I should rather like the leading lady, and, in my imagination, sketched out the details of a most desperate flirtation with her, that would send all the other actors mad with jealousy. Then I went home to bed, and lay awake all night, dreaming.
I got up at seven the next morning, and hurried over my breakfast, so as to be in time for the appointment at eleven. I think I looked at my watch (I wonder where that watch is now!) at least every other minute. I got down to the Strand a little before ten, and wandered up and down a small portion of it, frightened to go a stone’s throw from the office, and yet dreading to go too near it. I bought a new pair of gloves. I remember they were salmon color, and one of them split as I was trying to get it on, so I carried it crumpled up in my hand, and wore the other one. When it got within twenty minutes of the time, I turned into the street where the office was, and loitered about there, with an uncomfortable feeling, that every one living in it knew what I had come about, and was covertly watching me from behind blinds and curtains. It seemed as though eleven o’clock never would come, but Big Ben tolled it out at last, and I walked up the door, trying to look as if I had just strolled!
When I reached the office, no one was there, and the door was locked. My heart sank within me. Had the whole thing been a cruel hoax? Was it to be another disappointment? Had the manager been murdered? Had the theater been burned down? Why were they not here? Something extraordinary must have happened to make them late on such an important occasion as this. I spent half an hour of intense suspense and then they arrived. They hoped they had not kept me waiting, and I replied, “Oh no, not at all,” and murmured something about having only just come myself.
As soon as we all three were inside the little office, I was introduced to the manager, who turned out to be an actor I had often seen on the boards, but who did not look a bit like himself, though he would have done very well for his own son; he was so much shorter and younger than he ought to have been. The clean-shaven face gives actors such a youthful appearance. It was difficult to believe, at first, that the sedate-looking boys I used to meet at rehearsal, were middle-aged men with families, some of them.
Altogether, my future manager did not realize my expectations of him. He was not dressed with that reckless disregard for expense that I had looked for in a man of his position. To tell the truth, he presented a very seedy figure, indeed. I put it down, however, to that contempt for outward appearance, so often manifested by men of great wealth, and called to mind stories of millionaires who had gone about almost in rags; and I remembered, too, how I had once seen the mother of one of our leading burlesque actresses, and how I had been surprised at her extreme dinginess – the mother’s.
They had the agreements all ready, and the manager and I signed in each other’s presence, and exchanged. Then I handed him a ten-pound bank note, and he gave me a receipt for it. Everything was strictly formal. The agreement, especially, was very plain and precise, and there could be no mistake about it. It arranged for me to give my services for the first month gratis, and after that I was to receive a salary according to ability. This seemed to me very fair, indeed. If anything, it was, perhaps, a little reckless on his part, and might press heavily upon him. He told me candidly, however, that he did not think I should be worth more than thirty shillings a week to him for the first two or three months though, of course, it would depend upon myself entirely, and he should be only too pleased if it, proved otherwise. I held a different opinion on the subject, but did not mention it, thinking it would be better to wait and let time prove it. So I merely said I wished for nothing but what was fair and just, and it appearing that this was exactly what he wanted me to have, we parted on the best of terms; but not before all particulars had been arranged. He was going to open for the summer season in three weeks’ time, and the rehearsals were to commence about a fortnight before. For the next week, therefore, I was nothing; after that, I was an Actor!!!1
CHAPTER III. Through the Stage Door
IT was not until about a week before the opening night, that I received a summons to attend at the theater. Eleven o’clock was the time appointed for “the company to assemble on the stage,” and, accordingly, at a few minutes before that hour, I stood in front of the stage-door.
It was a dingy-looking place, up a back street, with a barber’s shop on one side, and a coal shed on the other. A glorious spring sunshine made it look, by contrast, still more uninviting, and I likened it to the entrance to the enchanted palace in the fairy tales, where the gloomier the portal through which the prince passes, the more gorgeous the halls beyond. This was before I had seen the inside.
But it wouldn’t do for me to stop there meditating. It was already two minutes past eleven and the rest of the company would be waiting for me.
I laid my hand upon the latch, and —
A moment, please. Before I throw open that door and let daylight in upon the little world behind, let me offer a word or two of preparatory explanation.
The theatrical world is a big world. From one of the leading London theaters to a traveling booth (I intend no slighting allusion to our talented American cousin) is a wide stretch, and embraces a great variety. My experience was confined to three or four of these varieties, and by no means extended to the whole. My short career was passed among the minor London theaters, and second and third rate traveling companies; and it is of these, and these only, that I shall speak. But of these – of what came under my actual observation, that is – I shall speak freely, endeavoring to record things exactly as I found them – nothing extenuating, nor setting down aught in malice. It may be that, in the course of my comments, I shall think it necessary to make a few more or less sensible and original remarks; to tell actors and actresses what they ought to do, and what they ought not to do; to explain to managers how they ought to manage their own business; and to give good advice generally all round. Therefore, at the outset, I wish to be clearly understood that, when so doing, I have in mind only that part of the theatrical world with which I am acquainted. As regards such theaters as, for example, the Lyceum or the St. James’s, they are managed quite as well, perhaps, as I could manage them myself, and I have no fault to find with them. Even if I had, I should not do so here, for in these reminiscences I intend to talk only about what I understand – an eccentric resolution for an author, I admit; but no matter, I like to be original now and then. With this understanding, we will push back the door and enter.
I found a wheezy little old man inside, boxed up behind a glass partition, toasting a bloater before a small fire. On that morning, I felt kindly disposed toward all living things, and I therefore spoke kindly, even to this poor old buffer. I said:
“Good-morning. It’s a fine day.”
He said, “Shut
1
My friends deny this. They say I never became an actor. I say I did, and I think I ought to know.