A Philosophical Dictionary, Volume 03. Voltaire
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CASTING (IN METAL)
There is not an ancient fable, not an old absurdity which some simpleton will not revive, and that in a magisterial tone, if it be but authorized by some classical or theological writer.
Lycophron (if I remember rightly) relates that a horde of robbers who had been justly condemned in Ethiopia by King Actisanes to lose their ears and noses, fled to the cataracts of the Nile and from thence penetrated into the Sandy Desert, where they at length built the temple of Jupiter Ammon.
Lycophron, and after him Theopompus, tells us that these banditti, reduced to extreme want, having neither shoes, nor clothes, nor utensils, nor bread, bethought themselves of raising a statue of gold to an Egyptian god. This statue was ordered one evening and made in the course of the night. A member of the university much attached to Lycophron and the Ethiopian robbers asserts that nothing was more common in the venerable ages of antiquity than to cast a statue of gold in one night, and afterwards throw it into a fire to reduce it to an impalpable powder, in order to be swallowed by a whole people.
But where did these poor devils, without breeches, find so much gold? "What, sir!" says the man of learning, "do you forget that they had stolen enough to buy all Africa and that their daughters' earrings alone were worth nine millions five hundred thousand livres of our currency?"
Be it so. But for casting a statue a little preparation is necessary. M. Le Moine employed nearly two years in casting that of Louis XV. "Oh! but this Jupiter Ammon was at most but three feet high. Go to any pewterer; will he not make you half a dozen plates in a day?"
Sir, a statue of Jupiter is harder to make than pewter plates, and I even doubt whether your thieves had wherewith to make plates so quickly, clever as they might be at pilfering. It is not very likely that they had the necessary apparatus; they had more need to provide themselves with meal. I respect Lycophron much, but this profound Greek and his yet more profound commentators know so little of the arts – they are so learned in all that is useless, and so ignorant in all that concerns the necessaries and conveniences of life, professions, trades, and daily occupations that we will take this opportunity of informing them how a metal figure is cast. This is an operation which they will find neither in Lycophron, nor in Manetho, nor even in St. Thomas's dream.
I omit many other preparations which the encyclopædists, especially M. Diderot, have explained much better than I could do, in the work which must immortalize their glory as well as all the arts. But to form a clear idea of the process of this art the artist must be seen at work. No one can ever learn in a book to weave stockings, nor to polish diamonds, nor to work tapestry. Arts and trades are learned only by example and practice.
CATO
The ingenious La Motte says of Cato, in one of his philosophical rather than poetical odes:
Caton, d'une âme plus égale,
Sous l'heureux vainqueur de Pharsale,
Eût souffert que Rome pliât;
Mais, incapable de se rendre,
Il n'eut pas la force d'attendre
Un pardon qui l'humiliât.
Stern Cato, with more equal soul,
Had bowed to Cæsar's wide control —
With Rome had to the conqueror bowed —
But that his spirit, rough and proud,
Had not the courage to await
A pardoned foe's too humbling fate.
It was, I believe, because Cato's soul was always equal, and retained to the last its love for his country and her laws that he chose rather to perish with her than to crouch to the tyrant. He died as he had lived. Incapable of surrendering! And to whom? To the enemy of Rome – to the man who had forcibly robbed the public treasury in order to make war upon his fellow-citizens and enslave them by means of their own money. A pardoned foe! It seems as if La Motte-Houdart were speaking of some revolted subject who might have obtained his majesty's pardon by letters in chancery.
It seems rather absurd to say that Cato slew himself through weakness. None but a strong mind can thus surmount the most powerful instinct of nature. This strength is sometimes that of frenzy, but a frantic man is not weak.
Suicide is forbidden amongst us by the canon law. But the decretals, which form the jurisprudence of a part of Europe, were unknown to Cato, to Brutus, to Cassius, to the sublime Arria, to the Emperor Otho, to Mark Antony, and the rest of the heroes of true Rome, who preferred a voluntary death to a life which they believed to be ignominious.
We, too, kill ourselves, but it is when we have lost our money, or in the very rare excess of foolish passion for an unworthy object. I have known women kill themselves for the most stupid men imaginable. And sometimes we kill ourselves when we are in bad health, which action is a real weakness.
Disgust with our own existence, weariness of ourselves is a malady which is likewise a cause of suicide. The remedy is a little exercise, music, hunting, the play, or an agreeable woman. The man who, in a fit of melancholy, kills himself to-day, would have wished to live had he waited a week.
I was almost an eye-witness of a suicide which deserves the attention of all cultivators of physical science. A man of a serious profession, of mature age, of regular conduct, without passions, and above indigence, killed himself on Oct. 17, 1769, and left to the town council of the place where he was born, a written apology for his voluntary death, which it was thought proper not to publish lest it should encourage men to quit a life of which so much ill is said. Thus far there is nothing extraordinary; such instances are almost every day to be met with. The astonishing part of the story is this:
His brother and his father had each killed himself at the same age. What secret disposition of organs, what sympathy, what concurrence of physical laws, occasions a father and his two sons to perish by their own hands, and by the same kind of death, precisely when they have attained such a year? Is it a disease which unfolds itself successively in the different members of a family – as we often see fathers and children die of smallpox, consumption, or any other complaint? Three or four generations have become deaf or blind, gouty or scorbutic, at a predetermined period.
Physical organization, of which moral is the offspring, transmits the same character from father to son through a succession of ages. The Appii were always haughty and inflexible, the Catos always severe. The whole line of the Guises were bold, rash, factious; compounded of the most insolent pride, and the most seductive politeness. From Francis de Guise to him who alone and in silence went and put himself at the head of the people of Naples, they were all, in figure, in courage, and in turn of mind, above ordinary men. I have seen whole length portraits of Francis de Guise, of the Balafré, and of his son: they are all six feet high, with the same features, the same courage and boldness in the forehead, the eye, and the attitude.
This continuity, this series of beings alike is still more observable in animals, and if as much care were taken to perpetuate fine races of men as some nations still take to prevent the mixing of the breeds of their horses and hounds the genealogy would be written in the countenance and displayed in the manners. There have been races of crooked and of six-fingered people, as we see red-haired, thick-lipped, long-nosed, and flat-nosed races.
But that nature