The Opal Serpent. Hume Fergus
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Paul was silent for a few minutes, looking at the floor. He wondered that he had not guessed all this. Often it had seemed strange to him that so faithful and devoted a couple of retainers as Bart and Deborah Junk should favor his wooing of Sylvia and keep it from their master, seeing that they knew nothing about him. But from the woman's story – which he saw no reason to disbelieve – the two had not rested until they had been convinced of his respectability and of the truth of his story. Thus they had permitted the wooing to continue, and Paul privately applauded them for their tact in so making sure of him without committing themselves to open speech. "All the same," he said aloud, and following his own thoughts, "it's strange that you should wish her to marry me."
Miss Junk made a queer answer. "I'm glad enough to see her marry anyone respectable, let alone a gent, as you truly are, with stone figgers in churches and a handsome face, though rather dark for my liking. Mr. Beecot, twenty year ago, a slip of ten, I come to nuss the baby as was my loving angel upstairs, and her ma had just passed away to jine them as lives overhead playing harps. All these years I've never heard a young step on them stairs, save Miss Sylvia's and Bart's, him having come five years ago, and a brat he was. And would you believe it, Mr. Beecot, I know no more of the old man than you do. He's queer, and he's wrong altogether, and that frightened of being alone in the dark as you could make him a corp with a turnip lantern."
"What is he afraid of?"
"Ah," said Deborah, significantly, "what indeed? It may be police and it may be ghosts, but, ghosts or police, he never ses what he oughter say if he's a respectable man, which I sadly fear he ain't."
"He may have his reasons to – "
Miss Junk tossed her head and snorted again loudly. "Oh, yes – he has his reasons," she admitted, "and Old Bailey ones they are, I dessay. But there's somethin' 'anging over his head. Don't ask me what it is, fur never shall you know, by reason of my being ignorant. But whatever it is, Mr. Beecot, it's something wicked, and shall I see my own pretty in trouble?"
"How do you know there will be trouble?" interrupted Paul, anxiously.
"I've heard him pray," said Miss Junk, mysteriously – "yes, you may look, for there ain't no prayer in the crafty eye of him – but pray he do, and asks to be kept from danger – "
"Danger?"
"Danger's the word, for I won't deceive you, no, not if you paid me better wages than the old man do give and he's as near as the paring of an inion. So I ses to Bart, if there's danger and trouble and Old Baileys about, the sooner Miss Sylvia have some dear man to give her a decent name and pertect her the more happy old Deborah will be. So I looked and looked for what you might call a fairy prince as I've heard tell of in pantomimes, and when you comes she loses her heart to you. So I ses, find out, Bart, what he is, and – "
"Yes, yes, I see. Well, Deborah, you can depend upon my looking after your pretty mistress. If I were only reconciled with my father I would speak to Mr. Norman."
"Don't, sir – don't!" cried the woman, fiercely, and making a clutch at Paul's arm; "he'll turn you out, he will, not being anxious fur anyone to have my flower, though love her as he oughter do, he don't, no," cried Deborah, "nor her ma before her, who died with a starvin' 'eart. But you run away with my sweetest and make her your own, though her pa swears thunderbolts as you may say. Take her from this place of wickedness and police-courts." And Deborah looked round the cellar with a shudder. Suddenly she started and held up her finger, nodding towards a narrow door at the side of the cellar. "Master's footstep," she said in a harsh whisper. "I'd know it in a thousand – just like a thief's, ain't it? – stealing as you might say. Don't tell him you've seen me."
"But Sylvia," cried Paul, catching her dress as she passed him.
"Her you'll see, if I die for it," said Deborah, and whirled up the wooden steps in a silent manner surprising in so noisy a woman. Paul heard the trap-door drop with a stealthy creak.
As a key grated in the lock of the outside door he glanced round the place to which he had penetrated for the first time. It was of the same size as the shop overhead, but the walls were of stone, green with slime and feathery with a kind of ghastly white fungus. Overhead, from the wooden roof, which formed the floor of the shop, hung innumerable spider's webs thick with dust. The floor was of large flags cracked in many places, and between the chinks in moist corners sprouted sparse, colorless grass. In the centre was a deal table, scored with queer marks and splotched with ink. Over this flared two gas-jets, which whistled shrilly. Against the wall, which was below the street, were three green painted safes fast locked: but the opposite wall had in it the narrow door aforesaid, and a wide grated window, the bars of which were rusty, though strong. The atmosphere of the place was cold and musty and suggestive of a charnel house. Certainly a strange place in which to transact business, but everything about Aaron Norman was strange.
And he looked strange himself as he stepped in at the open door. Beyond, Paul could see the shallow flight of damp steps leading to the yard and the passage which gave admission from the street. Norman locked the door and came forward. He was as white as a sheet, and his face was thickly beaded with perspiration. His mouth twitched more than usual, and his hands moved nervously. Twice as he advanced towards Paul, who rose to receive him, did he cast the odd look over his shoulder. Beecot fancifully saw in him a man who had committed some crime and was fearful lest it should be discovered, or lest the avenger should suddenly appear. Deborah's confidential talk had not been without its effects on the young man, and Paul beheld in Aaron a being of mystery. How such a man came to have such a daughter as Sylvia, Paul could not guess.
"Here you are, Mr. Beecot," said Aaron, rubbing his hands as though the cold of the cellar struck to his bones. "Well?"
"I want to pawn a brooch," said Beecot, slipping his hand into his breast pocket.
"Wait," said Norman, throwing up his lean hand. "Let me tell you that I have taken a fancy to you, and I have watched you all the many times you have been here. Didn't you guess?"
"No," said Paul, wondering if he was about to speak of Sylvia, and concluding that he guessed what was in the wind.
"Well then, I have," said the pawnbroker, "and I think it's a pity a young man should pawn anything. Have you no money?" he asked.
Paul reddened. "Very little," he said.
"Little as it may be, live on that and don't pawn," said Aaron. "I speak against my own interests, but I like you, and perhaps I can lend you a few shillings."
"I take money from no one, thank you all the same," said Beecot, throwing back his head, "but if you can lend me something on this brooch," and he pulled out the case from his pocket. "A friend of mine would have bought it, but as it belongs to my mother I prefer to pawn it so that I may get it again when I am rich."
"Well, well," said Aaron, abruptly, and resuming his downcast looks, "I shall do what I can. Let me see it."
He stretched out his hand and took the case. Slowly opening it under the gas, he inspected its contents. Suddenly he gave a cry of alarm, and the case fell to the floor. "The Opal Serpent! – The Opal Serpent!" he cried, growing purple in the face, "keep off! – keep off!" He beat the air with his lean hands. "Oh – the Opal!" and he fell face downward on the slimy floor in a fit or a faint, but certainly unconscious.
CHAPTER III
DULCINEA OF GWYNNE STREET
Near the Temple Station of the Metropolitan Railway is a small garden which