love – as, 'Sing all a green willow,' 'Gather ye rosebuds while ye may,' or 'Once I loved a maiden fair.' There was nothing rough or rude in these songs, though I am informed that much wickedness is taught by the ribald songs that are sung in playhouses and coffee-rooms. And when we were not playing or singing, Mr. Boscorel would read us poetry – portions from Shakspeare or Ben Jonson, or out of Milton's 'Paradise Lost'; or from Herrick, who is surely the sweetest poet that ever lived, 'yet marred,' said Mr. Boscorel, 'by his coarseness and corruption.' Now, one day, after we had been thus reading – one winter afternoon, when the sun lay upon the meadows – Humphrey walked home with me, and on the way confessed, with many blushes, that he, too, had been writing verses. And with that he lugged a paper out of his pocket.
'They are for thine own eyes only,' he said. 'Truly, my dear, thou hast the finest eyes in the world. They are for no other eyes than thine,' he repeated. 'Not for Robin, mind, lest he laugh: poetry hath in it something sacred, so that even the writer of bad verses cannot bear to have them laughed at. When thou art a year or two older thou wilt understand that they were written for thy heart as well as for thine eyes. Yet, if thou like the verses, they may be seen by Mr. Boscorel, but in private; and if he laugh at them do not tell me. Yet, again, one would like to know what he said; wherefore, tell me, though his words be like a knife in my side.'
Thus he wavered between wishing to show them to his master in art, and fearing.
In the end, when I showed them to Mr. Boscorel, he said that, for a beginner, they were very well – very well, indeed; that the rhymes were correct, and the metre true; that years and practice would give greater firmness, and that the crafty interlacing of thought and passion, which was the characteristic of Italian verse, could only be learned by much reading of the Italian poets. More he said, speaking upon the slight subject of rhyme and poetry with as much seriousness and earnestness as if he were weighing and comparing texts of Scripture.
Then he gave me back the verses with a sigh.
'Child,' he said, 'to none of us is given what most we desire. For my part, I longed in his infancy that my son should grow up even as Humphrey, as quick to learn; with as true a taste; with as correct an ear; with a hand as skilful. But – you see, I complain not, though Benjamin loves the noisy tavern better than the quiet coffee-house where the wits resort. To him such things as verses, art, and music are foolishness. I say that I complain not; but I would to Heaven that Humphrey were my own, and that his shoulders were straight, poor lad! Thy father hath made him a Puritan: he is such as John Milton in his youth – and as beautiful in face as that stout Republican. I doubt not that we shall have from the hand of Humphrey, if he live and prosper, something fine, the nature of which, whether it is to be in painting, or in music, or in poetry, I know not. Take the verses, and take care that thou lose them not; and, child – remember – the poet is allowed to say what he pleases about a woman's eyes. Be not deceived into thinking – But no – no – there is no fear. Good-night, thou sweet and innocent saint.'
I knew not then what he meant; but these are the verses, and I truly think that they are very moving and religious. For if woman be truly the most beautiful work of the Creator (which all men aver), then it behoves her all the more still to point upwards. I read them with a pleasure and surprise that filled my whole soul, and inflamed my heart with pious joy: —
Around, above, and everywhere
The earth hath many a lovely thing;
The zephyrs soft, the flowers fair,
The babbling brook, the bubbling spring.
The grey of dawn, the azure sky,
The sunset glow, the evening gloom;
The warbling thrush, the skylark high,
The blossoming hedge, the garden's bloom.
The sun in state, the moon in pride,
The twinkling stars in order laid;
The winds that ever race and ride,
The shadows flying o'er the glade.
Oh! many a lovely thing hath earth,
To charm the eye and witch the soul;
Yet one there is of passing worth —
For that one thing I give the whole.
The crowning work, the last thing made,
Creation's masterpiece to be —
Bend o'er yon stream, and, there displayed,
This wondrous thing reflected see.
Behold a face for heaven designed;
See how those eyes thy soul betray —
Love – secret love – there sits enshrined,
And upwards still doth point the way.
When Humphrey went away, he did not, like Benjamin, come blustering and declaring that he would marry me, and that he would break the skull of any other man who dared make love to me – not at all; Humphrey, with tears in his eyes, told me that he was sorry I could not go to Oxford as well; that he was going to lose the sweetest companion in the world; and that he should always love me; and then he kissed me on the forehead, and so departed. Why should he not always love me? I knew very well that he loved me, and that I loved him. Although he was so young, being only seventeen when he was entered at Exeter College, I suppose there never was a young gentleman went to the University of Oxford with so many accomplishments, and so much learning. By my father's testimony he read Greek as if it were his mother tongue, and he wrote and conversed easily in Latin: and you have heard what arts and accomplishments he added to this solid learning. He was elected to a scholarship at his college, that of Exeter, and, after he took his degree as Bachelor of Medicine, he was made a Fellow of All Souls, where Mr. Boscorel himself had also been a Fellow. This election was not only a great distinction for him, but it gave him what a learned young man especially desires – the means of living and of pursuing his studies.
While he was at Oxford he wrote letters to Sir Christopher, to Mr. Boscorel, and to my father (to whom also he sent such new books and pamphlets as he thought would interest him). To me he sent sometimes drawings and sometimes books, but never verses.
Now (to make an end of Humphrey for the present), when he had obtained his fellowship, he asked for and obtained leave of absence and permission to study medicine in those great schools which far surpass, they say, our English schools of medicine. These are that of Montpellier; the yet more famous school of Padua, in Italy; and that of Leyden, whither many Englishmen have resorted for study, notably Mr. Evelyn, whose book called 'Sylva' was in the Rector's library.
He carried on during the whole of this time a correspondence with Mr. Boscorel on the paintings, statues, and architecture to be seen wherever his travels carried him. These letters Mr. Boscorel read aloud, with a map spread before him, discoursing on the history of the place and the chief things to be seen there, before he began to read. Surely there never was a man so much taken up with the fine arts, especially as they were practised by the ancients.
There remains the last of the boys – Robin, Sir Christopher's grandson and heir. I should like this book to be all about Robin – yet one must needs speak of the others. I declare, that from the beginning, there never was a boy more happy, more jolly; never anyone more willing to be always making someone happy. He loved the open air, the wild creatures, the trees, the birds, everything that lives beneath the sky; yet not – like my poor brother Barnaby – a hater of books. He read all the books which told about creatures, or hunting, or country life; and all voyages and travels. A fresh-coloured, wholesome lad, not so grave as Humphrey, nor so rustic as Barnaby, who always seemed to carry with him the scent of woods and fields. He was to Sir Christopher, what Benjamin was to Jacob. Even my father loved him though he was so poor a scholar.
Those who stay at home have homely wits; that is well known: therefore Robin must follow Humphrey
