Lost Illusions. Honore de Balzac

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the pride of an author who sees himself in his work, and for her misfortune she met no one with whom she could measure herself. Isolation is one of the greatest drawbacks of a country life. We lose the habit of putting ourselves to any inconvenience for the sake of others when there is no one for whom to make the trifling sacrifices of personal effort required by dress and manner. And everything in us shares in the change for the worse; the form and the spirit deteriorate together.

      With no social intercourse to compel self-repression, Mlle. de Negrepelisse's bold ideas passed into her manner and the expression of her face. There was a cavalier air about her, a something that seems at first original, but only suited to women of adventurous life. So this education, and the consequent asperities of character, which would have been softened down in a higher social sphere, could only serve to make her ridiculous at Angouleme so soon as her adorers should cease to worship eccentricities that charm only in youth.

      As for M. de Negrepelisse, he would have given all his daughter's books to save the life of a sick bullock; and so miserly was he, that he would not have given her two farthings over and above the allowance to which she had a right, even if it had been a question of some indispensable trifle for her education.

      In 1802 the Abbe died, before the marriage of his dear child, a marriage which he, doubtless, would never have advised. The old father found his daughter a great care now that the Abbe was gone. The high-spirited girl, with nothing else to do, was sure to break into rebellion against his niggardliness, and he felt quite unequal to the struggle. Like all young women who leave the appointed track of woman's life, Nais had her own opinions about marriage, and had no great inclination thereto. She shrank from submitting herself, body and soul, to the feeble, undignified specimens of mankind whom she had chanced to meet. She wished to rule, marriage meant obedience; and between obedience to coarse caprices and a mind without indulgence for her tastes, and flight with a lover who should please her, she would not have hesitated for a moment.

      M. de Negrepelisse maintained sufficient of the tradition of birth to dread a mesalliance. Like many another parent, he resolved to marry his daughter, not so much on her account as for his own peace of mind. A noble or a country gentleman was the man for him, somebody not too clever, incapable of haggling over the account of the trust; stupid enough and easy enough to allow Nais to have her own way, and disinterested enough to take her without a dowry. But where to look for a son-in-law to suit father and daughter equally well, was the problem. Such a man would be the phoenix of sons-in-law.

      To M. de Negrepelisse pondering over the eligible bachelors of the province with these double requirements in his mind. M. de Bargeton seemed to be the only one who answered to this description. M. de Bargeton, aged forty, considerably shattered by the amorous dissipations of his youth, was generally held to be a man of remarkably feeble intellect; but he had just the exact amount of commonsense required for the management of his fortune, and breeding sufficient to enable him to avoid blunders or blatant follies in society in Angouleme. In the bluntest manner M. de Negrepelisse pointed out the negative virtues of the model husband designed for his daughter, and made her see the way to manage him so as to secure her own happiness. So Nais married the bearer of arms, two hundred years old already, for the Bargeton arms are blazoned thus: the first or, three attires gules; the second, three ox's heads cabossed, two and one, sable; the third, barry of six, azure and argent, in the first, six shells or, three, two, and one. Provided with a chaperon, Nais could steer her fortunes as she chose under the style of the firm, and with the help of such connections as her wit and beauty would obtain for her in Paris. Nais was enchanted by the prospect of such liberty. M. de Bargeton was of the opinion that he was making a brilliant marriage, for he expected that in no long while M. de Negrepelisse would leave him the estates which he was rounding out so lovingly; but to an unprejudiced spectator it certainly seemed as though the duty of writing the bridegroom's epitaph might devolve upon his father-in-law.

      By this time Mme. de Bargeton was thirty-six years old and her husband fifty-eight. The disparity in age was the more startling since M. de Bargeton looked like a man of seventy, whereas his wife looked scarcely half her age. She could still wear rose-color, and her hair hanging loose upon her shoulders. Although their income did not exceed twelve thousand francs, they ranked among the half-dozen largest fortunes in the old city, merchants and officials excepted; for M. and Mme. de Bargeton were obliged to live in Angouleme until such time as Mme. de Bargeton's inheritance should fall in and they could go to Paris. Meanwhile they were bound to be attentive to old M. de Negrepelisse (who kept them waiting so long that his son-in-law in fact predeceased him), and Nais' brilliant intellectual gifts, and the wealth that lay like undiscovered ore in her nature, profited her nothing, underwent the transforming operation of Time and changed to absurdities. For our absurdities spring, in fact, for the most part, from the good in us, from some faculty or quality abnormally developed. Pride, untempered by intercourse with the great world becomes stiff and starched by contact with petty things; in a loftier moral atmosphere it would have grown to noble magnanimity. Enthusiasm, that virtue within a virtue, forming the saint, inspiring the devotion hidden from all eyes and glowing out upon the world in verse, turns to exaggeration, with the trifles of a narrow existence for its object. Far away from the centres of light shed by great minds, where the air is quick with thought, knowledge stands still, taste is corrupted like stagnant water, and passion dwindles, frittered away upon the infinitely small objects which it strives to exalt. Herein lies the secret of the avarice and tittle-tattle that poison provincial life. The contagion of narrow-mindedness and meanness affects the noblest natures; and in such ways as these, men born to be great, and women who would have been charming if they had fallen under the forming influence of greater minds, are balked of their lives.

      Here was Mme. de Bargeton, for instance, smiting the lyre for every trifle, and publishing her emotions indiscriminately to her circle. As a matter of fact, when sensations appeal to an audience of one, it is better to keep them to ourselves. A sunset certainly is a glorious poem; but if a woman describes it, in high-sounding words, for the benefit of matter-of-fact people, is she not ridiculous? There are pleasures which can only be felt to the full when two souls meet, poet and poet, heart and heart. She had a trick of using high-sounding phrases, interlarded with exaggerated expressions, the kind of stuff ingeniously nicknamed tartines by the French journalist, who furnishes a daily supply of the commodity for a public that daily performs the difficult feat of swallowing it. She squandered superlatives recklessly in her talk, and the smallest things took giant proportions. It was at this period of her career that she began to type-ize, individualize, synthesize, dramatize, superiorize, analyze, poetize, angelize, neologize, tragedify, prosify, and colossify – you must violate the laws of language to find words to express the new-fangled whimsies in which even women here and there indulge. The heat of her language communicated itself to the brain, and the dithyrambs on her lips were spoken out of the abundance of her heart. She palpitated, swooned, and went into ecstasies over anything and everything, over the devotion of a sister of Charity, and the execution of the brothers Fauchet, over M. d'Arlincourt's Ipsiboe, Lewis' Anaconda, or the escape of La Valette, or the presence of mind of a lady friend who put burglars to flight by imitating a man's voice. Everything was heroic, extraordinary, strange, wonderful, and divine. She would work herself into a state of excitement, indignation, or depression; she soared to heaven, and sank again, gazed at the sky, or looked to earth; her eyes were always filled with tears. She wore herself out with chronic admiration, and wasted her strength on curious dislikes. Her mind ran on the Pasha of Janina; she would have liked to try conclusions with him in his seraglio, and had a great notion of being sewn in a sack and thrown into the water. She envied that blue-stocking of the desert, Lady Hester Stanhope; she longed to be a sister of Saint Camilla and tend the sick and die of yellow fever in a hospital at Barcelona; 'twas a high, a noble destiny! In short, she thirsted for any draught but the clear spring water of her own life, flowing hidden among green pastures. She adored Byron and Jean-Jacques Rousseau, or anybody else with a picturesque or dramatic career. Her tears were ready to flow for every misfortune; she sang paeans for every victory. She sympathized with the fallen Napoleon, and with Mehemet Ali, massacring the foreign usurpers of Egypt. In short, any kind of genius was accommodated with an aureole, and she was fully persuaded that gifted immortals lived on incense and light.

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