and his face as beaming as usual. Perhaps his imperturbable character was never more strikingly developed, for he preserved his usual equable smile notwithstanding that his body was dangling in a most uncomfortable position, all loose and limp and shapeless, while his long peaked cap, unequally balanced against his exceedingly slight legs, threatened every instant to bring him toppling down.
In part scattered upon the ground at the feet of the two men, and in part jumbled together in a long flat box, were the other persons of the Drama. The hero’s wife and one child, the hobby-horse, the doctor, the foreign gentleman who not being familiar with the language is unable in the representation to express his ideas otherwise than by the utterance of the word ‘Shallabalah’ three distinct times, the radical neighbour who will by no means admit that a tin bell is an organ, the executioner, and the devil, were all here. Their owners had evidently come to that spot to make some needful repairs in the stage arrangements, for one of them was engaged in binding together a small gallows with thread, while the other was intent upon fixing a new black wig, with the aid of a small hammer and some tacks, upon the head of the radical neighbour, who had been beaten bald.
They raised their eyes when the old man and his young companion were close upon them, and pausing in their work, returned their looks of curiosity. One of them, the actual exhibitor no doubt, was a little merry-faced man with a twinkling eye and a red nose, who seemed to have unconsciously imbibed something of his hero’s character. The other – that was he who took the money – had rather a careful and cautious look, which was perhaps inseparable from his occupation also.
The merry man was the first to greet the strangers with a nod; and following the old man’s eyes, he observed that perhaps that was the first time he had ever seen a Punch off the stage. (Punch, it may be remarked, seemed to be pointing with the tip of his cap to a most flourishing epitaph, and to be chuckling over it with all his heart.)
‘Why do you come here to do this?’ said the old man, sitting down beside them, and looking at the figures with extreme delight.
‘Why you see,’ rejoined the little man, ‘we’re putting up for to-night at the public-house yonder, and it wouldn’t do to let ‘em see the present company undergoing repair.’
‘No!’ cried the old man, making signs to Nell to listen, ‘why not, eh? why not?’
‘Because it would destroy all the delusion, and take away all the interest, wouldn’t it?’ replied the little man. ‘Would you care a ha’penny for the Lord Chancellor if you know’d him in private and without his wig? – certainly not.’
‘Good!’ said the old man, venturing to touch one of the puppets, and drawing away his hand with a shrill laugh. ‘Are you going to show ‘em to-night? are you?’
‘That is the intention, governor,’ replied the other, ‘and unless I’m much mistaken, Tommy Codlin is a calculating at this minute what we’ve lost through your coming upon us. Cheer up, Tommy, it can’t be much.’
The little man accompanied these latter words with a wink, expressive of the estimate he had formed of the travellers’ finances.
To this Mr Codlin, who had a surly, grumbling manner, replied, as he twitched Punch off the tombstone and flung him into the box, ‘I don’t care if we haven’t lost a farden, but you’re too free. If you stood in front of the curtain and see the public’s faces as I do, you’d know human natur’ better.’
‘Ah! it’s been the spoiling of you, Tommy, your taking to that branch,’ rejoined his companion. ‘When you played the ghost in the reg’lar drama in the fairs, you believed in everything – except ghosts. But now you’re a universal mistruster. I never see a man so changed.’
‘Never mind,’ said Mr Codlin, with the air of a discontented philosopher. ‘I know better now, and p’raps I’m sorry for it.’
Turning over the figures in the box like one who knew and despised them, Mr Codlin drew one forth and held it up for the inspection of his friend:
‘Look here; here’s all this judy’s clothes falling to pieces again. You haven’t got a needle and thread I suppose?’
The little man shook his head, and scratched it ruefully as he contemplated this severe indisposition of a principal performer. Seeing that they were at a loss, the child said timidly:
‘I have a needle, Sir, in my basket, and thread too. Will you let me try to mend it for you? I think I could do it neater than you could.’
Even Mr Codlin had nothing to urge against a proposal so seasonable. Nelly, kneeling down beside the box, was soon busily engaged in her task, and accomplishing it to a miracle.
While she was thus engaged, the merry little man looked at her with an interest which did not appear to be diminished when he glanced at her helpless companion. When she had finished her work he thanked her, and inquired whither they were travelling.
‘N – no further to-night, I think,’ said the child, looking towards her grandfather.
‘If you’re wanting a place to stop at,’ the man remarked, ‘I should advise you to take up at the same house with us. That’s it. The long, low, white house there. It’s very cheap.’
The old man, notwithstanding his fatigue, would have remained in the churchyard all night if his new acquaintances had remained there too. As he yielded to this suggestion a ready and rapturous assent, they all rose and walked away together; he keeping close to the box of puppets in which he was quite absorbed, the merry little man carrying it slung over his arm by a strap attached to it for the purpose, Nelly having hold of her grandfather’s hand, and Mr Codlin sauntering slowly behind, casting up at the church tower and neighbouring trees such looks as he was accustomed in town-practice to direct to drawing-room and nursery windows, when seeking for a profitable spot on which to plant the show.
The public-house was kept by a fat old landlord and landlady who made no objection to receiving their new guests, but praised Nelly’s beauty and were at once prepossessed in her behalf. There was no other company in the kitchen but the two showmen, and the child felt very thankful that they had fallen upon such good quarters. The landlady was very much astonished to learn that they had come all the way from London, and appeared to have no little curiosity touching their farther destination. The child parried her inquiries as well as she could, and with no great trouble, for finding that they appeared to give her pain, the old lady desisted.
‘These two gentlemen have ordered supper in an hour’s time,’ she said, taking her into the bar; ‘and your best plan will be to sup with them. Meanwhile you shall have a little taste of something that’ll do you good, for I’m sure you must want it after all you’ve gone through to-day. Now, don’t look after the old gentleman, because when you’ve drank that, he shall have some too.’
As nothing could induce the child to leave him alone, however, or to touch anything in which he was not the first and greatest sharer, the old lady was obliged to help him first. When they had been thus refreshed, the whole house hurried away into an empty stable where the show stood, and where, by the light of a few flaring candles stuck round a hoop which hung by a line from the ceiling, it was to be forthwith exhibited.
And now Mr Thomas Codlin, the misanthrope, after blowing away at the Pan’s pipes until he was intensely wretched, took his station on one side of the checked drapery which concealed the mover of the figures, and putting his hands in his pockets prepared to reply to all questions and remarks of Punch, and to make a dismal feint of being his most intimate private friend, of believing in him to the fullest and most unlimited extent, of knowing that he enjoyed day and night a merry and glorious existence in that temple, and that he was
