‘So would you be if you knew her,’ she said; and a blush slowly rose to her cheek, as if the person spoken of had been a lover rather than a friend.
‘But you are not a Baptist any more than I?’ continued Somerset.
‘O no. And I never knew one till I knew Paula. I think they are very nice; though I sometimes wish Paula was not one, but the religion of reasonable persons.’
They walked on, and came opposite to where the telegraph emerged from the trees, leapt over the parapet, and up through the loophole into the interior.
‘That looks strange in such a building,’ said her companion.
‘Miss Power had it put up to know the latest news from town. It costs six pounds a mile. She can work it herself, beautifully: and so can I, but not so well. It was a great delight to learn. Miss Power was so interested at first that she was sending messages from morning till night. And did you hear the new clock?’
‘Is it a new one? – Yes, I heard it.’
‘The old one was quite worn out; so Paula has put it in the cellar, and had this new one made, though it still strikes on the old bell. It tells the seconds, but the old one, which my very great grandfather erected in the eighteenth century, only told the hours. Paula says that time, being so much more valuable now, must of course be cut up into smaller pieces.’
‘She does not appear to be much impressed by the spirit of this ancient pile.’
Miss De Stancy shook her head too slightly to express absolute negation.
‘Do you wish to come through this door?’ she asked. ‘There is a singular chimney-piece in the kitchen, which is considered a unique example of its kind, though I myself don’t know enough about it to have an opinion on the subject.’
When they had looked at the corbelled chimney-piece they returned to the hall, where his eye was caught anew by a large map that he had conned for some time when alone, without being able to divine the locality represented. It was called ‘General Plan of the Town,’ and showed streets and open spaces corresponding with nothing he had seen in the county.
‘Is that town here?’ he asked.
‘It is not anywhere but in Paula’s brain; she has laid it out from her own design. The site is supposed to be near our railway station, just across there, where the land belongs to her. She is going to grant cheap building leases, and develop the manufacture of pottery.’
‘Pottery – how very practical she must be!’
‘O no! no!’ replied Miss De Stancy, in tones showing how supremely ignorant he must be of Miss Power’s nature if he characterized her in those terms. ‘It is GREEK pottery she means – Hellenic pottery she tells me to call it, only I forget. There is beautiful clay at the place, her father told her: he found it in making the railway tunnel. She has visited the British Museum, continental museums, and Greece, and Spain: and hopes to imitate the old fictile work in time, especially the Greek of the best period, four hundred years after Christ, or before Christ – I forget which it was Paula said… O no, she is not practical in the sense you mean, at all.’
‘A mixed young lady, rather.’
Miss De Stancy appeared unable to settle whether this new definition of her dear friend should be accepted as kindly, or disallowed as decidedly sarcastic. ‘You would like her if you knew her,’ she insisted, in half tones of pique; after which she walked on a few steps.
‘I think very highly of her,’ said Somerset.
‘And I! And yet at one time I could never have believed that I should have been her friend. One is prejudiced at first against people who are reported to have such differences in feeling, associations, and habit, as she seemed to have from mine. But it has not stood in the least in the way of our liking each other. I believe the difference makes us the more united.’
‘It says a great deal for the liberality of both,’ answered Somerset warmly. ‘Heaven send us more of the same sort of people! They are not too numerous at present.’
As this remark called for no reply from Miss De Stancy, she took advantage of an opportunity to leave him alone, first repeating her permission to him to wander where he would. He walked about for some time, sketch-book in hand, but was conscious that his interest did not lie much in the architecture. In passing along the corridor of an upper floor he observed an open door, through which was visible a room containing one of the finest Renaissance cabinets he had ever seen. It was impossible, on close examination, to do justice to it in a hasty sketch; it would be necessary to measure every line if he would bring away anything of utility to him as a designer. Deciding to reserve this gem for another opportunity he cast his eyes round the room and blushed a little. Without knowing it he had intruded into the absent Miss Paula’s own particular set of chambers, including a boudoir and sleeping apartment. On the tables of the sitting-room were most of the popular papers and periodicals that he knew, not only English, but from Paris, Italy, and America. Satirical prints, though they did not unduly preponderate, were not wanting. Besides these there were books from a London circulating library, paper-covered light literature in French and choice Italian, and the latest monthly reviews; while between the two windows stood the telegraph apparatus whose wire had been the means of bringing him hither.
These things, ensconced amid so much of the old and hoary, were as if a stray hour from the nineteenth century had wandered like a butterfly into the thirteenth, and lost itself there.
The door between this ante-chamber and the sleeping-room stood open. Without venturing to cross the threshold, for he felt that he would be abusing hospitality to go so far, Somerset looked in for a moment. It was a pretty place, and seemed to have been hastily fitted up. In a corner, overhung by a blue and white canopy of silk, was a little cot, hardly large enough to impress the character of bedroom upon the old place. Upon a counterpane lay a parasol and a silk neckerchief. On the other side of the room was a tall mirror of startling newness, draped like the bedstead, in blue and white. Thrown at random upon the floor was a pair of satin slippers that would have fitted Cinderella. A dressing-gown lay across a settee; and opposite, upon a small easy-chair in the same blue and white livery, were a Bible, the Baptist Magazine, Wardlaw on Infant Baptism, Walford’s County Families, and the Court Journal. On and over the mantelpiece were nicknacks of various descriptions, and photographic portraits of the artistic, scientific, and literary celebrities of the day.
A dressing-room lay beyond; but, becoming conscious that his study of ancient architecture would hardly bear stretching further in that direction, Mr. Somerset retreated to the outside, obliviously passing by the gem of Renaissance that had led him in.
‘She affects blue,’ he was thinking. ‘Then she is fair.’
On looking up, some time later, at the new clock that told the seconds, he found that the hours at his disposal for work had flown without his having transferred a single feature of the building or furniture to his sketch-book. Before leaving he sent in for permission to come again, and then walked across the fields to the inn at Sleeping-Green, reflecting less upon Miss De Stancy (so little force of presence had she possessed) than upon the modern flower in a mediaeval flower-pot whom Miss De Stancy’s information had brought before him, and upon the incongruities that were daily shaping themselves in the world under the great modern fluctuations of classes and creeds.
Somerset was still full of the subject when he arrived at the end of his walk, and he fancied that some loungers at the bar of the inn were discussing the heroine of the chapel-scene just at the moment of his entry. On this account, when the landlord came to clear away the dinner, Somerset was led to inquire of him, by way of opening a conversation, if
