The Hand of Ethelberta: A Comedy in Chapters. Thomas Hardy
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‘Perhaps you remember seeing him at the Christmas dance at Wyndway?’ she inquired. ‘He is a good-natured fellow. Afterwards he sent me that portfolio of sketches you see in the corner. He might possibly do something in the world as a painter if he were obliged to work at the art for his bread, which he is not.’ She added with bitter pleasantry: ‘In bare mercy to his self-respect I must remain unseen here.’
It impressed Christopher to perceive how, under the estrangement which arose from differences of education, surroundings, experience, and talent, the sympathies of close relationship were perceptible in Ethelberta’s bearing towards her brothers and sisters. At a remark upon some simple pleasure wherein she had not participated because absent and occupied by far more comprehensive interests, a gloom as of banishment would cross her face and dim it for awhile, showing that the free habits and enthusiasms of country life had still their charm with her, in the face of the subtler gratifications of abridged bodices, candlelight, and no feelings in particular, which prevailed in town. Perhaps the one condition which could work up into a permanent feeling the passing revival of his fancy for a woman whose chief attribute he had supposed to be sprightliness was added now by the romantic ubiquity of station that attached to her. A discovery which might have grated on the senses of a man wedded to conventionality was a positive pleasure to one whose faith in society had departed with his own social ruin.
The room began to darken, whereupon Christopher arose to leave; and the brothers Sol and Dan offered to accompany him.
14. A TURNPIKE ROAD
‘We be thinking of coming to London ourselves soon,’ said Sol, a carpenter and joiner by trade, as he walked along at Christopher’s left hand. ‘There’s so much more chance for a man up the country. Now, if you was me, how should you set about getting a job, sir?’
‘What can you do?’ said Christopher.
‘Well, I am a very good staircase hand; and I have been called neat at sash-frames; and I can knock together doors and shutters very well; and I can do a little at the cabinet-making. I don’t mind framing a roof, neither, if the rest be busy; and I am always ready to fill up my time at planing floor-boards by the foot.’
‘And I can mix and lay flat tints,’ said Dan, who was a house painter, ‘and pick out mouldings, and grain in every kind of wood you can mention – oak, maple, walnut, satinwood, cherry-tree – ’
‘You can both do too much to stand the least chance of being allowed to do anything in a city, where limitation is all the rule in labour. To have any success, Sol, you must be a man who can thoroughly look at a door to see what ought to be done to it, but as to looking at a window, that’s not your line; or a person who, to the remotest particular, understands turning a screw, but who does not profess any knowledge of how to drive a nail. Dan must know how to paint blue to a marvel, but must be quite in the dark about painting green. If you stick to some such principle of specialty as this, you may get employment in London.’
‘Ha-ha-ha!’ said Dan, striking at a stone in the road with the stout green hazel he carried. ‘A wink is as good as a nod: thank’ee – we’ll mind all that now.’
‘If we do come,’ said Sol, ‘we shall not mix up with Mrs. Petherwin at all.’
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