Harper's New Monthly Magazine, Volume 1, No. 3, August, 1850.. Various

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Harper's New Monthly Magazine, Volume 1, No. 3, August, 1850. - Various

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muttering, "Oh! the grand golden chariot, with its four beautiful white horses! And therein sits a man – surely it is the king! and the lady beside him is the queen. See, she turns – "

      Hyldreda paused, dumb with wonder, for despite the gorgeous show of jeweled attire, she recognized that face. It was the same she had looked at an hour before in the little cracked mirror. The lady in the carriage was the exact counterpart of herself!

      The pageant came and vanished. Little Resa turned round and wiped her eyes – she, innocent child, had seen nothing but a cloud of dust. Her elder sister answered not her questionings, but remained silent, oppressed by a nameless awe. It passed not, even when the chapel was reached, and Hyldreda knelt to pray. Above the sound of the hymn she heard the ravishing music of the leaves in the oak wood, and instead of the priest she seemed to behold the two dazzling forms which had sat side by side in the golden chariot.

      When service was ended, and all went homewards, she lingered under the trees where the vision, or reality, whichever it was, had met her sight, half longing for its reappearance. But her mother whispered something to Esbern, and they hurried Hyldreda away.

      She laid aside her Sunday mantle, the scarlet woof which to spin, weave, and fashion, had cost her a world of pains. How coarse and ugly it seemed! She threw it contemptuously aside, and thought how beautiful looked the purple-robed lady, who was so like herself.

      "And why should I not be as fair as she? I should, if I were only dressed as fine. Heaven might as well have made me a lady, instead of a poor peasant girl."

      These repinings entered the young heart hitherto so pure and happy. They haunted her even when she rejoined her mother, Resa, and Esbern Lynge. She prepared the noonday meal, but her step was heavy and her hand unwilling. The fare seemed coarse, the cottage looked dark and poor. She wondered what sort of a palace home was that owned by the beautiful lady; and whether the king, if king the stranger were, presided at his banquet table as awkwardly as did Esbern Lynge at the mean board here.

      At the twilight, Hyldreda did not steal out as usual to talk with her lover beneath the rose-porch. She went and hid herself out of his sight, under the branches of the great elder-tree, which to her had always a strange charm, perhaps because it was the spot of all others where she was forbidden to stay. However, this day Hyldreda began to feel herself to be no longer a child, but a woman whose will was free.

      She sat under the dreamy darkness of the heavy foliage. Its faint sickly odor overpowered her like a spell. Even the white bunches of elder flowers seemed to grow alive in the twilight, and to change into faces, looking at her whithersoever she turned. She shut her eyes, and tried to summon back the phantom of the golden chariot, and especially of the king-like man who sat inside. Scarce had she seen him clearly, but she felt he looked a king. If wishing could bring to her so glorious a fortune, she would almost like to have, in addition to the splendors of rich dress and grand palaces, such a noble-looking man for her lord and husband.

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      1

      After the death of More, this favorite home of his, where he had so frequently gathered "a choice company of men distinguished by their genius and learning," passed into the rapacious hands of his bad sovereign, and by him was presented to Sir William Pawlet, ultimately Lord High Treasurer and Marquis of Winchester; from his hands it passed into Lord Dacre's, to whom succeeded Lord Burghley; then followed his son, the Earl of Salisbury, as its master; from him it pas

1

After the death of More, this favorite home of his, where he had so frequently gathered "a choice company of men distinguished by their genius and learning," passed into the rapacious hands of his bad sovereign, and by him was presented to Sir William Pawlet, ultimately Lord High Treasurer and Marquis of Winchester; from his hands it passed into Lord Dacre's, to whom succeeded Lord Burghley; then followed his son, the Earl of Salisbury, as its master; from him it passed successively to the Earl of Lincoln, Sir Arthur Gorges, the Earl of Middlesex, Villiers duke of Buckingham, Sir Bulstrode Whitelock, the second Duke of Buckingham, the Earl of Bristol, the Duke of Beaufort, and ultimately to Sir Hans Slonne, who obtained it in 1738, and after keeping it for two years razed it to the ground; an unhappy want of reverence on the part of the great naturalist for the home of so many great men. There is a print of it by J. Knyff, in 1699, which is copied (p. 292); it shows some old features, but it had then been enlarged and altered. Erasmus has well described it as it was in More's lifetime. It had "a chapel, a library, and a gallery, called the New Buildings, a good distance from his main house, wherein his custom was to busy himself in prayer and meditation, whensoever he was at leisure." Heywood, in his II Moro (Florence, 1556), describes "the garden as wonderfully charming, both from the advantages of its site, for from one part almost the whole of the noble city of London was visible, and from the other the beautiful Thames, with green meadows by woody eminences all around, and also for its own beauty, for it was crowned with an almost perpetual verdure." At one side was a small green eminence to command the prospect.

2

The conduct of this great man's house was a model to all, and as near an approach to his own Utopia as might well be. Erasmus says, "I should rather call his house a school or university of Christian religion, for though there is none therein but readeth and studyeth the liberal sciences, their special care is piety and virtue; there is no quarreling or intemperate words heard; none seen idle; which household discipline that worthy gentleman doth not govern, but with all kind and courteous benevolence." The servant-men abode on one side of the house, the women on another, and met at prayer-time, or on church festivals, when More would read and expound to them. He suffered no cards or dice, but gave each one his garden-plot for relaxation, or set them to sing or play music. He had an affection for all who truly served him, and his daughters' nurse is as affectionately remembered in his letters when from home as are they themselves. "Thomas More sendeth greeting to his most dear daughters Margaret, Elizabeth, and Cecily; and to Margaret Giggs, as dear to him as if she were his own," are his words in one letter; and his valued and trustworthy domestics appear in the family pictures of the family by Holbein. They requited his attachment by truest fidelity and love; and his daughter Margaret, in her last passionate interview with her father on his way to the Tower, was succeeded by Margaret Giggs and a maid-servant, who embraced and kissed their condemned master, "of whom, he said after, it was homely but very lovingly done." Of these and other of his servants, Erasmus remarks, "after Sir Thomas More's death, none ever was touched with the least suspicion of any evil fame."

3

Wood and Weaver both affirm that the body of More was first deposited in the Tower Chapel, but was subsequently obtained by his devoted and accomplished daughter, Margaret Roper, and re-interred in Chelsea Church, in the tomb he had finished in 1532, the year in which he had surrendered the chancellorship, and resolved to abide the issue of his conscientious opposition to the king's wishes, as if he felt that the tomb should then be prepared.

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