Mont Oriol or A Romance of Auvergne. Guy de Maupassant

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Mont Oriol or A Romance of Auvergne - Guy de Maupassant

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they went back into the house. It was necessary, it seemed, to drink this wine, to drink a great deal of it, in order to please the two Oriols.

      The lassies had come across to the table where they continued their work as if there had been no visitors. Gontran kept incessantly staring at them, asking himself whether they were twins, so closely did they resemble one another. One of them, however, was plumper and smaller, while the other was more ladylike. Their hair, dark-brown rather than black, drawn over their temples in smooth bands, gleamed with every slight movement of their heads. They had the rather heavy jaw and forehead peculiar to the people of Auvergne, cheek-bones somewhat strongly marked, but charming mouths, ravishing eyes, with brows of rare neatness, and delightfully fresh complexions. One felt, on looking at them, that they had not been brought up in this house, but in a select boarding-school, in the convent to which the daughters of the aristocracy of Auvergne are sent, and that they had acquired there the well-bred manners of cultivated young ladies.

      Meanwhile, Gontran, seized with disgust before this red glass in front of him, pressed Andermatt's foot to induce him to leave. At length he rose, and they both energetically grasped the hands of the two peasants; then they bowed once more ceremoniously, the young girls each responding with a slight nod, without again rising from their seats.

      As soon as they had reached the village, Andermatt began talking again.

      "Hey, my dear boy, what an odd family! How manifest here is the transition from people in good society. A son's services are required to cultivate the vine so as to save the wages of a laborer, – stupid economy, – however, he discharges this function, and is one of the people. As for the girls, they are like girls of the better class – almost quite so already. Let them only make good matches, and they would pass as well as any of the women of our own class, and even much better than most of them. I am as much gratified at seeing these people as a geologist would be at finding an animal of the tertiary period."

      Gontran asked: "Which do you prefer?"

      "Which? How, which? Which what?"

      "Of the lassies?"

      "Oh! upon my honor, I haven't an idea on the subject. I have not looked at them from the standpoint of comparison. But what difference can this make to you? You have no intention to carry off one of them?"

      Gontran began to laugh: "Oh! no, but I am delighted to meet for once fresh women, really fresh, fresh as women never are with us. I like looking at them, just as you like looking at a Teniers. There is nothing pleases me so much as looking at a pretty girl, no matter where, no matter of what class. These are my objects of vertu. I don't collect them, but I admire them – I admire them passionately, artistically, my friend, in the spirit of a convinced and disinterested artist. What would you have? I love this! By the bye, could you lend me five thousand francs?"

      The other stopped, and murmured an "Again!" energetically.

      Gontran replied, with an air of simplicity: "Always!" Then they resumed their walk.

      Andermatt then said: "What the devil do you do with the money?"

      "I spend it."

      "Yes, but you spend it to excess."

      "My dear friend, I like spending money as much as you like making it. Do you understand?"

      "Very fine, but you don't make it."

      "That's true. I know it. One can't have everything. You know how to make it, and, upon my word, you don't at all know how to spend it. Money appears to you no use except to get interest on it. I, on the other hand, don't know how to make it, but I know thoroughly how to spend it. It procures me a thousand things of which you don't know the name. We were cut out for brothers-in-law. We complete one another admirably."

      Andermatt murmured: "What stuff! No, you sha'n't have five thousand francs, but I'll lend you fifteen hundred francs, because – because in a few days I shall, perhaps, have need of you."

      Gontran rejoined: "Then I accept them on account." The other gave him a slap on the shoulder without saying anything by way of answer.

      They reached the park, which was illuminated with lamps hung to the branches of the trees. The orchestra of the Casino was playing in slow time a classical piece that seemed to stagger along, full of breaks and silences, executed by the same four performers, exhausted with constant playing, morning and evening, in this solitude for the benefit of the leaves and the brook, with trying to produce the effect of twenty instruments, and tired also of never being fully paid at the end of the month. Petrus Martel always completed their remuneration, when it fell short, with hampers of wine or pints of liqueurs which the bathers might have left unconsumed.

      Amid the noise of the concert could also be distinguished that of the billiard-table, the clicking of the balls and the voices calling out: "Twenty, twenty-one, twenty-two."

      Andermatt and Gontran went in. M. Aubry-Pasteur and Doctor Honorat, by themselves, were drinking their coffee, at the side facing the musicians. Petrus Martel and Lapalme were playing their game with desperation; and the female attendant woke up to ask:

      "What do these gentlemen wish to take?"

      CHAPTER IV.

      A TEST AND AN AVOWAL

      Père Oriol and his son had remained for a long time chatting after the girls had gone to bed. Stirred up and excited by Andermatt's proposal, they were considering how they could inflame his desire more effectually without compromising their own interests. Like the cautious, practically-minded peasants that they were, they weighed all the chances carefully, understanding very clearly that in a country in which mineral springs gushed out along all the streams, it was not advisable to repel by an exaggerated demand this unexpected enthusiast, the like of whom they might never find again. And at the same time it would not do either to leave entirely in his hands this spring, which might, some day, yield a flood of liquid money, Royat and Chatel-Guyon serving as a precedent for them.

      Therefore, they asked themselves by what course of action they could kindle into frenzy the banker's ardor; they conjured up combinations of imaginary companies covering his offers, a succession of clumsy schemes, the defects of which they felt, without succeeding in inventing more ingenious ones. They slept badly; then, in the morning, the father, having awakened first, thought in his own mind that the spring might have disappeared during the night. It was possible, after all, that it might have gone as it had come, and re-entered the earth, so that it could not be brought back. He got up in a state of unrest, seized with avaricious fear, shook his son, and told him about his alarm; and big Colosse, dragging his legs out of his coarse sheets, dressed himself in order to go out with his father, to make sure about the matter.

      In any case, they would put the field and the spring in proper trim themselves, would carry off the stones, and make it nice and clean, like an animal that they wanted to sell. So they took their picks and their spades, and started for the spot side by side with great, swinging strides.

      They looked at nothing as they walked on, their minds being preoccupied with the business, replying with only a single word to the "Good morning" of the neighbors and friends whom they chanced to meet. When they reached the Riom road they began to get agitated, peering into the distance to see whether they could observe the water bubbling up and glittering in the morning sun. The road was empty, white, and dusty, the river running beside it sheltered by willow-trees. Beneath one of the trees Oriol suddenly noticed two feet, then, having advanced three steps further, he recognized Père Clovis seated at the edge of the road, with his crutches lying beside him on the grass.

      This was an old paralytic, well known in

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