The Letters of Robert Louis Stevenson — Volume 2. Роберт Стивенсон
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And this leads me directly to a confession. The photograph which shall accompany this is not chosen as the most like, but the best- looking. Put yourself in my place, and you will call this pardonable. Even as it is, even putting forth a flattered presentment, I am a little pained; and very glad it is a photograph and not myself that has to go; for in this case, if it please you, you can tell yourself it is my image — and if it displeased you, you can lay the blame on the photographer; but in that, there were no help, and the poor author might belie his labours.
KIDNAPPED should soon appear; I am afraid you may not like it, as it is very unlike PRINCE OTTO in every way; but I am myself a great admirer of the two chief characters, Alan and David. VIRGINIBUS PUERISQUE has never been issued in the States. I do not think it is a book that has much charm for publishers in any land; but I am to bring out a new edition in England shortly, a copy of which I must try to remember to send you. I say try to remember, because I have some superficial acquaintance with myself: and I have determined, after a galling discipline, to promise nothing more until the day of my death: at least, in this way, I shall no more break my word, and I must now try being churlish instead of being false.
I do not believe you to be the least like Seraphina. Your photograph has no trace of her, which somewhat relieves me, as I am a good deal afraid of Seraphinas — they do not always go into the woods and see the sunrise, and some are so well-mailed that even that experience would leave them unaffected and unsoftened. The 'hair and eyes of several complexions' was a trait taken from myself; and I do not bind myself to the opinions of Sir John. In this case, perhaps — but no, if the peculiarity is shared by two such pleasant persons as you and I (as you and me — the grammatical nut is hard), it must be a very good thing indeed, and Sir John must be an ass.
The BOOK READER notice was a strange jumble of fact and fancy. I wish you could have seen my father's old assistant and present partner when he heard my father described as an 'inspector of lighthouses,' for we are all very proud of the family achievements, and the name of my house here in Bournemouth is stolen from one of the sea-towers of the Hebrides which are our pyramids and monuments. I was never at Cambridge, again; but neglected a considerable succession of classes at Edinburgh. But to correct that friendly blunderer were to write an autobiography. — And so now, with many thanks, believe me yours sincerely,
Letter: TO R. A. M. STEVENSON
SIR, — Your foolish letter was unduly received. There may be hidden fifths, and if there are, it shows how dam spontaneous the thing was. I could tinker and tic-tac-toe on a piece of paper, but scorned the act with a Threnody, which was poured forth like blood and water on the groaning organ. If your heart (which was what I addressed) remained unmoved, let us refer to the affair no more: crystallised emotion, the statement and the reconciliation of the sorrows of the race and the individual, is obviously no more to you than supping sawdust. Well, well. If ever I write another Threnody! My next op. will probably be a Passepied and fugue in G (or D).
The mind is in my case shrunk to the size and sp. gr. of an aged Spanish filbert. O, I am so jolly silly. I now pickle with some freedom (1) the refrain of MARTINI'S MOUTONS; (2) SUL MARGINE D'UN RIO, arranged for the infant school by the Aged Statesman; (3) the first phrase of Bach's musette (Sweet Englishwoman, No. 3), the rest of the musette being one prolonged cropper, which I take daily for the benefit of my health. All my other works (of which there are many) are either arranged (by R. L. Stevenson) for the manly and melodious forefinger, or else prolonged and melancholy croppers... I find one can get a notion of music very nicely. I have been pickling deeply in the Magic Flute; and have arranged LA DOVE PRENDE, almost to the end, for two melodious forefingers. I am next going to score the really nobler COLOMBA O TORTORELLA for the same instruments.
This day is published The works of Ludwig van Beethoven arranged and wiederdurchgearbeiteted for two melodious forefingers by, Sir, — Your obedient servant,
That's a good idea? There's a person called Lenz who actually does it — beware his den; I lost eighteenpennies on him, and found the bleeding corpses of pieces of music divorced from their keys, despoiled of their graces, and even changed in time; I do not wish to regard music (nor to be regarded) through that bony Lenz. You say you are 'a spumfed idiot'; but how about Lenz? And how about me, sir, me?
I yesterday sent Lloyd by parcel post, at great expense, an empty matchbox and empty cigarette-paper book, a bell from a cat's collar, an iron kitchen spoon, and a piece of coal more than half the superficies of this sheet of paper. They are now (appropriately enough) speeding towards the Silly Isles; I hope he will find them useful. By that, and my telegram with prepaid answer to yourself, you may judge of my spiritual state. The finances have much brightened; and if KIDNAPPED keeps on as it has begun, I may be solvent. — Yours,
(The authour of ane Threnodie).
Op. 2: Scherzo (in G Major) expressive of the Sense of favours to come.
Letter: TO R. A. M. STEVENSON
DEAR BOB, — Herewith another shy; more melancholy than before, but I think not so abjectly idiotic. The musical terms seem to be as good as in Beethoven, and that, after all, is the great affair. Bar the dam bareness of the base, it looks like a piece of real music from a distance. I am proud to say it was not made one hand at a time; the base was of synchronous birth with the treble; they are of the same age, sir, and may God have mercy on their souls! — Yours,
Letter: TO MR. AND MRS. THOMAS STEVENSON
MY DEAR PEOPLE, — It is probably my fault, and not yours, that I did not understand. I think it would be well worth trying the winter in Bournemouth; but I would only take the house by the month — this after mature discussion. My leakage still pursues its course; if I were only well, I have a notion to go north and get in (if I could) at the inn at Kirkmichael, which has always smiled upon me much. If I did well there, we might then meet and do what should most smile at the time.
Meanwhile, of course, I must not move, and am in a rancid box here, feeling the heat a great deal, and pretty tired of things. Alexander did a good thing of me at last; it looks like a mixture of an aztec idol, a lion, an Indian Rajah, and a woman; and certainly represents a mighty comic figure. F. and Lloyd both think it is the best thing that has been done of me up to now.
You should hear Lloyd on the penny whistle, and me on the piano! Dear powers, what a concerto! I now live entirely for the piano, he for the whistle; the neighbours, in a radius of a furlong and a half, are packing up in quest of brighter climes. — Ever yours,
P.S.