Underwoods. Роберт Стивенсон
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III – THE CANOE SPEAKS
On the great streams the ships may go
About men’s business to and fro.
But I, the egg-shell pinnace, sleep
On crystal waters ankle-deep:
I, whose diminutive design,
Of sweeter cedar, pithier pine,
Is fashioned on so frail a mould,
A hand may launch, a hand withhold:
I, rather, with the leaping trout
Wind, among lilies, in and out;
I, the unnamed, inviolate,
Green, rustic rivers, navigate;
My dipping paddle scarcely shakes
The berry in the bramble-brakes;
Still forth on my green way I wend
Beside the cottage garden-end;
And by the nested angler fare,
And take the lovers unaware.
By willow wood and water-wheel
Speedily fleets my touching keel;
By all retired and shady spots
Where prosper dim forget-me-nots;
By meadows where at afternoon
The growing maidens troop in June
To loose their girdles on the grass.
Ah! speedier than before the glass
The backward toilet goes; and swift
As swallows quiver, robe and shift
And the rough country stockings lie
Around each young divinity.
When, following the recondite brook,
Sudden upon this scene I look,
And light with unfamiliar face
On chaste Diana’s bathing-place,
Loud ring the hills about and all
The shallows are abandoned…
IV
It is the season now to go
About the country high and low,
Among the lilacs hand in hand,
And two by two in fairy land.
The brooding boy, the sighing maid,
Wholly fain and half afraid,
Now meet along the hazel’d brook
To pass and linger, pause and look.
A year ago, and blithely paired,
Their rough-and-tumble play they shared;
They kissed and quarrelled, laughed and cried,
A year ago at Eastertide.
With bursting heart, with fiery face,
She strove against him in the race;
He unabashed her garter saw,
That now would touch her skirts with awe.
Now by the stile ablaze she stops,
And his demurer eyes he drops;
Now they exchange averted sighs
Or stand and marry silent eyes.
And he to her a hero is
And sweeter she than primroses;
Their common silence dearer far
Than nightingale and mavis are.
Now when they sever wedded hands,
Joy trembles in their bosom-strands
And lovely laughter leaps and falls
Upon their lips in madrigals.
V – THE HOUSE BEAUTIFUL
A naked house, a naked moor,
A shivering pool before the door,
A garden bare of flowers and fruit
And poplars at the garden foot:
Such is the place that I live in,
Bleak without and bare within.
Yet shall your ragged moor receive
The incomparable pomp of eve,
And the cold glories of the dawn
Behind your shivering trees be drawn;
And when the wind from place to place
Doth the unmoored cloud-galleons chase,
Your garden gloom and gleam again,
With leaping sun, with glancing rain.
Here shall the wizard moon ascend
The heavens, in the crimson end
Of day’s declining splendour; here
The army of the stars appear.
The neighbour hollows dry or wet,
Spring shall with tender flowers beset;
And oft the morning muser see
Larks rising from the broomy lea,
And every fairy wheel and thread
Of cobweb dew-bediamonded.
When daisies go, shall winter time
Silver the simple grass with rime;
Autumnal frosts enchant the pool
And make the cart-ruts beautiful;
And when snow-bright the moor expands,
How shall your children clap their hands!
To make this earth our hermitage,
A cheerful and a changeful page,
God’s bright and intricate device
Of days and seasons doth suffice.
VI – A VISIT FROM THE SEA
Far from the loud sea beaches
Where he goes fishing and crying,
Here in the inland garden
Why is the sea-gull flying?
Here are no fish to dive for;
Here is the corn and lea;
Here are the green trees rustling.
Hie away home to sea!
Fresh is the river water
And quiet among the rushes;
This is no home for the sea-gull
But for the rooks and thrushes.
Pity the bird that has wandered!
Pity the sailor ashore!
Hurry him home to the ocean,
Let him come here no more!
High on the sea-cliff ledges
The white gulls are trooping and crying,
Here among the rooks and roses,
Why is the sea-gull flying?
VII – TO A GARDENER
Friend,