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The White Room
CHAPTER I
THE POLICEMAN'S DISCOVERY
"Eleven o'clock and a windy night!" might have been the cry of a mediæval watchman at that hour on the 24th July 19-. Constable Mulligan was more reticent, as it formed no part of his duties to intimate publicly the time or the state of the weather. Nevertheless the bells of the Anglican Church, Troy, London, S.W., chimed the hour through the clamour of a high wind; and those people who were not in bed must have decided to retire. Not that any one appeared to be stirring. The lights were extinguished in all windows within the range of Mulligan's vision, and the flashing of his lantern on the doors and gates in Achilles Avenue showed that they were discreetly closed. Not even a tramp or a cat enlivened the roadway. Mulligan was apparently the sole waking person in a sleeping world.
Troy was a bran-new suburb, built by a jerry-builder, who knew Greek history through the medium of Lempriere's Dictionary. This pseudo-scholar had erected classic villas with classic names in roads, avenues, and streets designated by Hellenic appellations. The rents in this anachronistic suburb were rather high, and the houses were inhabited mostly by stockbrokers, prosperous or not, according to their wits or the state of the money-market. There was also a sprinkling of schoolmasters, professors, and students, attracted by the phraseology of the place, which promised cultured surroundings. The drainage was perfect and the morals were unexceptional So new was the suburb, that not even a slum had been evolved to mar its cleanliness. The police, having little to do in so genteel a neighbourhood, were individually and collectively more for ornament than use. The ten years' history of the locality was one of order, intense respectability, and consequent dulness. Only in a rogues' purlieus is life picturesque and exciting.
Mulligan was a black-haired giant, somewhat dull, but possessed of a dogged sense of duty, eminently useful when taken in conjunction with brute force. He paced his beat in a ruminative frame of mind, thinking, not unpleasantly, of a certain pretty housemaid, with whom he intended to walk out on Sunday. Being as talkative as Bunyan's character of that name, Mulligan would not have been displeased to meet a brother-officer, or even a stray reveller, with whom to converse. But his fellows were in other neighbourhoods, and revellers were unknown in the respectable streets of Troy; so Mulligan, for the sake of hearing his own voice, hummed a little song in a deep bass growl. He passed Hector Villa, Agamemnon Villa, Paris Villa, and Priam Villa, all of which were in darkness, enshrined in leafy gardens. At the gate of Ajax Villa he halted. A light in a first-floor window over the classic porch showed that the inmates had not yet retired. Also a woman was singing. Constable Mulligan, being fond of music, waited to hear the song.
"Kathleen Mavourneen;" thought he, recognising the melody, "and a fine pipe she has who sings it. It's a party they'll be having within, with the tongues clapping and the whisky flowing. Begorra, it's myself that's wishing I had some of that same," and he wiped his mouth with a longing air.
As he stood at the gate, looking up the wide path which ran straightly to the shallow steps of the porch through a short avenue of elms in full leaf, he became aware that some one was coming out of the front door. The constable put it to himself in this way, as he heard the sound of opening and shutting, but no stream of light, as he expected, poured from the hall. With such darkness there could scarcely be a party in progress. Also-as Mulligan's quick ears detected-the door was opened with unusual caution and closed with equal care. The person who had emerged-whether it was a man or a woman the policeman could not guess-hesitated on the steps for a few minutes. Apparently the officer's form bulked blackly against the light of the opposite street-lamp, and the stranger was undecided whether to re-enter the house, or to come down the path. Mulligan was too dense to be suspicious, and merely wondered why the person in question did not fulfil his or her original intention. Meanwhile the song flowed an smoothly, and Mulligan half unconsciously noted that although the words were sung slowly, the piano music between each verse was played hurriedly.
Finally, thinking that the stranger on the steps would not approve of a policeman leaning on the gate, Mulligan turned away with the airy grace of an elephant. Hardly had he taken a few steps when a young man came quickly down the path with a light, springy step. In a pleasant tenor voice he called to the constable. "Anything wrong, officer?" he asked, and the gate clicked behind him as he uttered the words.
Mulligan, halting under a street-lamp, saluted good-humouredly. "No, sir," he declared. "I was just listening to your good lady singing."
"My sister," corrected the man, also pausing under the lamp, but in such a position that the light did not reveal his countenance. "You ought to like that song, constable."
"An' for why, sir?"
"It's Irish, as you are."
"Augh! An' is it me, sir, you'd be calling Irish?"
"The way in which you turn that sentence would stamp your nationality, even if the brogue didn't," retorted the young man, taking out a silver cigarette-case. "You smoke, officer?"
"Mostly a pipe, sir," rejoined Mulligan, accepting the little roll of tobacco. "Is it a light you'll be wanting?"
"Thanks," said the other, and bent down to ignite his cigarette at the match provided by the policeman. But he still kept his face in shadow. Not that Mulligan had any desire or reason to see it. He merely thought that the gentleman was a departing guest, although he could not account for the dark hall, which set aside the idea of a party. Moreover, the stranger was arrayed in a light tweed suit, which was not exactly appropriate for a party. Also he wore a loose overcoat of bluish-black cloth, with a deep velvet collar and velvet cuffs made in the latest fashion. On so warm a night, this garment was quite unnecessary. Still, Mulligan had no reason to be suspicious, and was the last man to be inquisitive. He had the politeness if not the keen wit of the Celt.
After lighting his cigarette the gentleman strolled away towards the ancient village which formed the nucleus of modern Troy. Unwilling to lose the chance of a pleasant conversation, and perhaps a kindly shilling, Mulligan followed, and beside the light active form of his companion looked like a bear lumbering in the company of an antelope. The gentleman did not appear anxious to talk, so Mulligan made the first remark.
"The song's done," said he, as they walked on.
"It isn't a long song," replied the other carelessly. "I dare say she'll start another soon, and you can listen at the gate half the night, if you have a mind to."
"It's a party you'll be having then, sir?"
"Party! No! Can't people sit up till midnight without having the house full of dancers?"
"Augh," grunted Mulligan; "there being no light in the hall, I might have guessed there was no party."
The other man started slightly and laughed uneasily. "My sister asked me to turn out the light when I went," said he. "I did so before I opened the door."
"You'll be going home then, sir?"
"Yes-to the other end of London. Is there a hansom about?"
"Near the station, sir. That'll be half a mile away."
"I know-I know," retorted the other quickly. "I often come here to see my sister." He paused, then added anxiously: "I suppose you know most of the people who live in these villas?"
"None, sir. I've only been on this beat a week."
"You'll get to know them soon, I expect. A quiet place, officer."
"It is that, sir," assented Mulligan, as they turned down a narrow and lonely street. "Never a robbery or an accident or a murder to make things happy."
"Why
