Harper's New Monthly Magazine, Vol. 1. No 1, June 1850. Various

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Harper's New Monthly Magazine, Vol. 1. No 1, June 1850 - Various

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this speech, to which the dwarf responded by a mock benediction, which he bestowed with all the ceremonious observance of an archbishop. Shouts of the wildest laughter followed this ribaldry, and in a kind of triumph they carried him up the steps, and deposited him on the scaffold.

      Ascending one of the chairs, the little wretch proceeded to address the mob, which he did with all the ease and composure of a practiced public speaker. Not a murmur was heard in that tumultuous assemblage, as he, with a most admirable imitation of Hebert, then the popular idol, assured them that France was, at that instant, the envy of surrounding nations; and that, bating certain little weaknesses on the score of humanity – certain traits of softness and over-mercy – her citizens realized all that ever had been said of angels. From thence he passed on to a mimicry of Marat, of Danton, and of Robespierre – tearing off his cravat, baring his breast, and performing all the oft-exhibited antics of the latter, as he vociferated, in a wild scream, the well-known peroration of a speech he had lately made – "If we look to a glorious morrow of freedom, the sun of our slavery must set in blood!"

      However amused by the dwarf's exhibition, a feeling of impatience began to manifest itself among the mob, who felt that, by any longer delay, it was possible time would be given for fresh troops to arrive, and the glorious opportunity of popular sovereignty be lost in the very hour of victory.

      "To work – to work, Master Gougon!" shouted hundreds of rude voices; "we can not spend our day in listening to oratory."

      "You forget, my dear friends," said he blandly, "that this is to me a new walk in life I have much to learn, ere I can acquit myself worthily to the republic."

      "We have no leisure for preparatory studies, Gougon," cried a fellow below the scaffold.

      "Let me, then, just begin with monsieur," said the dwarf, pointing to the last speaker; and a shout of laughter closed the sentence.

      A brief and angry dispute now arose as to what was to be done, and it is more than doubtful how the debate might have ended, when Gougon, with a readiness all his own, concluded the discussion by saying,

      "I have it, messieurs, I have it. There is a lady here, who, however respectable her family and connections, will leave few to mourn her loss. She is, in a manner, public property, and if not born on the soil, at least a naturalized Frenchwoman. We have done a great deal for her, and in her name, for some time back, and I am not aware of any singular benefit she has rendered us. With your permission, then, I'll begin with her."

      "Name, name – name her," was cried by thousands.

      "La voila," said he, archly, as he pointed with his thumb to the wooden effigy of Liberty above his head.

      The absurdity of the suggestion was more than enough for its success. A dozen hands were speedily at work, and down came the Goddess of Liberty! The other details of an execution were hurried over with all the speed of practiced address, and the figure was placed beneath the drop. Down fell the ax, and Gougon, lifting up the wooden head, paraded it about the scaffold, crying,

      "Behold! an enemy of France. Long live the republic, one and 'indivisible.'"

      Loud and wild were the shouts of laughter from this brutal mockery; and for a time it almost seemed as if the ribaldry had turned the mob from the sterner passions of their vengeance. This hope, if one there ever cherished it, was short-lived; and again the cry arose for blood. It was too plain, that no momentary diversion, no passing distraction, could withdraw them from that lust for cruelty, that had now grown into a passion.

      And now a bustle and movement of those around the stairs showed that something was in preparation; and in the next moment the old marquise was led forward between two men.

      "Where is the order for this woman's execution?" asked the dwarf, mimicking the style and air of the commissary.

      "We give it: it is from us," shouted the mob, with one savage roar.

      Gougon removed his cap, and bowed a token of obedience.

      "Let us proceed in order, messieurs," said he, gravely; "I see no priest here."

      "Shrive her yourself, Gougon; few know the mummeries better!" cried a voice.

      "Is there not one here can remember a prayer, or even a verse of the offices," said Gougon, with a well-affected horror in his voice.

      "Yes, yes, I do," cried I, my zeal overcoming all sense of the mockery in which the words were spoken; "I know them all by heart, and can repeat them from 'lux beatissima' down to 'hora mortis;'" and as if to gain credence for my self-laudation, I began at once to recite in the sing-song tone of the seminary,

      "Salve, mater salvatoris,

      Fons salutis, vas honoris:

      Scala cœli porta et via

      Salve semper, O, Maria!"

      It is possible I should have gone on to the very end, if the uproarious laughter which rung around had not stopped me.

      "There's a brave youth!" cried Gougon, pointing toward me, with mock admiration. "If it ever come to pass – as what may not in these strange times? – that we turn to priest-craft again, thou shalt be the first archbishop of Paris. Who taught thee that famous canticle?"

      "The Père Michel," replied I, in no way conscious of the ridicule bestowed upon me; "the Père Michel of St. Blois."

      The old lady lifted up her head at these words, and her dark eyes rested steadily upon me; and then, with a sign of her hand, she motioned to me to come over to her.

      "Yes; let him come," said Gougon, as if answering the half-reluctant glances of the crowd. And now I was assisted to descend, and passed along over the heads of the people till I was placed upon the scaffold. Never can I forget the terror of that moment, as I stood within a few feet of the terrible guillotine, and saw beside me the horrid basket, splashed with recent blood.

      "Look not at these things, child," said the old lady, as she took my hand and drew me toward her, "but listen to me, and mark my words well."

      "I will, I will," cried I, as the hot tears rolled down my cheeks.

      "Tell the Père – you will see him to-night – tell him that I have changed my mind, and resolved upon another course, and that he is not to leave Paris. Let them remain. The torrent runs too rapidly to last. This can not endure much longer. We shall be among the last victims! You hear me, child?"

      "I do, I do," cried I, sobbing. "Why is not the Père Michel with you now?"

      "Because he is suing for my pardon; asking for mercy, where its very name is a derision. Kneel down beside me, and repeat the 'angelus.'"

      I took off my cap, and knelt down at her feet, reciting, in a voice broken by emotion, the words of the prayer. She repeated each syllable after me, in a tone full and unshaken, and then stooping, she took up the lily which lay in my cap. She pressed it passionately to her lips; two or three times passionately. "Give it to her; tell her I kissed it at my last moment. Tell her – "

      "This 'shrift' is beyond endurance. Away, holy father," cried Gougon, as he pushed me rudely back, and seized the marquise by the wrist. A faint cry escaped her. I heard no more; for, jostled and pushed about by the crowd, I was driven to the very rails of the scaffold. Stepping beneath these, I mingled with the mob beneath; and burning with eagerness to escape a scene, to have witnessed which would almost have made my heart break, I forced my way into the dense mass, and, by squeezing and creeping, succeeded at last in penetrating to the verge of the Place. A terrible shout, and a rocking

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