Indian Stories Retold From St. Nicholas. Various
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He passed on while we were trying to make a sketch of him. However, the next day, an interpreter brought him around, and, for a small piece of tobacco, he was glad to pose while the sketch was being finished. We learned his name was "Can-h-des-ka-wan-ji-dan" (One Hoop).
A few moments later, we passed an iron post set firmly into the ground. It marked one of the boundaries of the Indian Reservation. We were now on a tract of land set aside by the United States Government as the living-ground of sixteen hundred "Santee" Sioux Indians. We soon saw more Indians, who, like us, seemed to be moving toward the little village at the Indian agency. Each group had put their belongings into a big bundle, and strapped it upon long poles, which were fastened at one end to the back of a pony. In this bundle the little papooses rode in great comfort, looking like blackbirds peering from a nest. In some cases, an older child would be riding in great glee on the pony's back among the poles. The family baggage seemed about equally distributed between the pony and the squaw who led him. She was preceded by her lord and master, the noble red Indian, who carried no load except his long pipe.
The next thing of interest was what is called a Red River wagon. It was simply a cart with two large wheels, the whole vehicle made of wood. As the axles are never oiled, the Red River carry-all keeps up a most terrible squeaking. This charming music-box was drawn by one ox, and contained an Indian, who was driving with a whip. His wife and children were seated on the bottom of this jolting and shrieking cart.
As we neared the agency buildings, we passed many Indians who had settled for the night. They chose the wooded ravines, near streams, by which to put up their tents, or "tepees," which consisted of long poles covered with patched and smoke-stained canvas, with two openings, one at the top for a "smoke-hole" and the other for a door, through which any one must crawl in order to enter the domestic circle of the gentle savage. We entered several tepees, making ourselves welcome by gifts of tobacco to every member of the family. That night, after reaching the agency and retiring to our beds, we dreamed of smoking great big pipes, with stems a mile long, which were passed to us by horrible-looking black witches. But morning came at last, – and such a morning!
That Fourth of July morning I shall never forget. We were awakened by the most blood-curdling yells that ever pierced the ears of three white boys. It was the Indian war-whoop. I found myself instinctively feeling for my back hair, and regretting the distance to the railroad. We lingered indoors in a rather terrified condition, until we found out that this was simply the beginning of the day's celebration. It was the "sham-fight," but it looked real enough when the Indians came tearing by, their ponies seeming to enter into the excitement as thoroughly as their riders. There were some five hundred, in full frills and war-paint, and all giving those terrible yells.
Their costumes were simple, but gay in color – paint, feathers, and more paint, with an occasional shirt.
For weapons they carried guns, rifles, and long spears. Bows and arrows seemed to be out of style. A few had round shields on their left arms.
Most of the tepees had been collected together and pitched so as to form a large circle, and their wagons were placed outside this circle so as to make a sort of protection for the defending party. The attacking party, brandishing their weapons in the air with increased yells, rushed their excited and panting ponies up the slope toward the tepees, where they were met by a rapid discharge of blank cartridges and powder. Some of the ponies became frightened and unmanageable, several riders were unhorsed, and general confusion prevailed. The intrenched party, in the meantime, rushed out from behind their defenses, climbing on top of their wagons, yelling and dancing around like demons. Added to this, the sight of several riderless ponies flying wildly from the tumult made the sham-fight have a terribly realistic look.
After the excitement was over, the regular games which had been arranged for the day began.
In the foot-races, the costumes were so slight that there was nothing to describe – simply paint in fancy patterns, moccasins, and a girdle of red flannel. But how they could run! I did not suppose anything on two legs could go so fast. The lacrosse costumes were bright and attractive. The leader of one side wore a shirt of soft, tanned buck-skin, bead-work and embroidery on the front, long fringe on the shoulders, bands around the arms, and deep fringe on the bottom of the skirt. The legs were bare to the knee, and from there down to the toes was one mass of fine glittering bead-work. In the game, there were a hundred Indians engaged on each side. The game was long, but exciting, being skilfully played. The grounds extended about a mile in length. The ball was the size of a common baseball, and felt almost as solid as a rock, the center being of lead. The shape of the Indian lacrosse stick is shown in the sketch.
Then came games on horseback. But the most interesting performance of the whole day, and one in which they all manifested an absorbing interest, was the dinner.
At 3 a. m. several oxen had been butchered, and from that time till the dinner was served all the old squaws had their hands full. Fires were made in long lines, poles placed over them, and high black pots, kettles, and zinc pails filled with a combination of things, including beef and water, were suspended there and carefully tended by ancient Indian ladies in picturesque, witch-like costumes, who gently stirred the boiling bouillion with pieces of wood, while other seemingly more ancient and worn-out-looking squaws brought great bundles of wood from the ravines, tied up in blankets and swung over their shoulders. Think of a dinner for sixteen hundred noble chiefs and braves, stalwart head-men, young bucks, old squaws, girls, and children! And such queer-looking children – some dressed in full war costume, some in the most approved dancing dresses.
One little boy, whose name was Sha-ke-to-pa (Four Nails), had five feathers – big ones, too – in his hair. His face was painted; he wore great round ear-rings, and rows of beads and claws around his neck; bands of beads on his little bare brown arms; embroidered leggings and beautiful moccasins, and a long piece of red cloth hanging from his waist. In fact, he was as gaily dressed as a grown-up Indian man, and he had a cunning little war-club, all ornamented and painted. When the dinner was nearly ready, the men began to seat themselves in a long curved line. Behind them, the women and children were gathered. When everything was ready, a chief wearing a long arrangement of feathers hanging from his back hair and several bead pouches across his shoulders, with a long staff in his left hand, walked into the center of the circle. Taking a spoonful of the soup, he held it high in the air, and then, turning slowly around, chanting a song, he poured the contents of the spoon upon the ground. This, an interpreter explained to us, was done to appease the spirits of the air. After this, the old squaws limped nimbly