Twelfth Night; or, What You Will. Уильям Шекспир

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had bestow'd that time in the tongues, that I have in fencing, dancing, and bear-baiting: O, had I but follow'd the arts!

      Sir To. Then hadst thou had an excellent head of hair.

      Sir And. Why, would that have mended my hair?

      Sir To. Past question; for, thou seest, it will not curl by nature.

      Sir And. But it becomes me well enough, does't not?

      Sir To. Excellent; it hangs like flax on a distaff; and I hope to see a housewife take thee between her legs, and spin it off.

      Sir And. 'Faith, I'll home to-morrow, Sir Toby: your niece will not be seen; or, if she be, it's four to one she'll none of me: the duke himself, here hard by, wooes her.

      Sir To. She'll none o' the duke; she'll not match above her degree, neither in estate, years, nor wit; I have heard her swear it. Tut, there's life in't, man.

      Sir And. I'll stay a month longer. I am a fellow o' the strangest mind i' the world; I delight in masques and revels sometimes altogether.

      Sir To. Art thou good at these kick-shaws, knight?

      Sir And. As any man in Illyria, whatsoever he be, under the degree of my betters; and yet I'll not compare with an old man.

      Sir To. What is thy excellence in a galliard, knight?

      Sir And. 'Faith, I can cut a caper.

      Sir To. And I can cut the mutton to't.

      Sir And. And, I think, I have the back-trick, simply as strong as any man in Illyria.

      Sir To. Wherefore are these things hid? wherefore have these gifts a curtain before them? why dost thou not go to church in a galliard, and come home in a coranto? My very walk should be a jig. What dost thou mean? is it a world to hide virtues in? – I did think, by the excellent constitution of thy leg, it was form'd under the star of a galliard.

      Sir And. Ay, 'tis strong, and it does indifferent well in a flame-colour'd stock. Shall we set about some revels?

      Sir To. What shall we do else? were we not born under Taurus?

      Sir And. Taurus? that's sides and heart.

      Sir To. No, sir; it is legs and thighs. Let me see thee caper: – Ha! higher: – Ha, ha! – excellent!

      [Exeunt.

      SCENE IV

      A Room in Duke Orsino's Palace.

      Enter Valentine, and Viola in Man's Attire.

      Val. If the duke continue these favors towards you, Cesario, you are like to be much advanced.

      Vio. You either fear his humour, or my negligence, that you call in question the continuance of his love: Is he inconstant, sir, in his favours?

      Val. No, believe me.

      Vio. I thank you. – Here comes the duke.

      Enter Duke, Curio, and Gentlemen.

      Duke. Who saw Cesario, ho?

      Vio. On your attendance, my lord; here.

      Duke. Stand you awhile aloof. – Cesario,

      Thou know'st no less but all; I have unclasp'd

      To thee the book even of my secret soul:

      Therefore, good youth, address thy gait unto her;

      Be not denied access, stand at her doors,

      And tell them, there thy fixed foot shall grow,

      Till thou have audience.

      Vio. Sure, my noble lord,

      If she be so abandon'd to her sorrow

      As it is spoke, she never will admit me.

      Duke. Be clamorous, and leap all civil bounds,

      Rather than make unprofited return.

      Vio. Say, I do speak with her, my lord. What then?

      Duke. O, then unfold the passion of my love.

      Surprise her with discourse of my dear faith:

      It shall become thee well to act my woes;

      She will attend it better in thy youth,

      Than in a nuncio of more grave aspéct.

      Vio. I think not so, my lord.

      Duke. Dear lad, believe it;

      For they shall yet belie thy happy years,

      That say, thou art a man: Diana's lip

      Is not more smooth and rubious; thy small pipe

      Is as the maiden's organ, shrill and sound:

      I know, thy constellation is right apt

      For this affair: – Go: – prosper well in this,

      And thou shalt live as freely as thy lord,

      To call his fortunes thine.

      [Exeunt Duke, Curio, Valentine, and Gentlemen.

      Vio. I'll do my best,

      To woo his lady: yet, – a barful strife! —

      Whoe'er I woo, myself would be his wife.

      [Exit.

      SCENE V

      A Room in Olivia's House.

      Enter Clown and Maria.

      Mar. Nay, either tell me where thou hast been, or I will not open my lips, so wide as a bristle may enter, in way of thy excuse: my lady will hang thee for thy absence.

      Clo. Let her hang me: he, that is well hang'd in this world, needs to fear no colours.

      Mar. Make that good.

      Clo. He shall see none to fear.

      Mar. A good lenten answer: Yet you will be hang'd, for being so long absent; or, to be turn'd away; is not that as good as a hanging to you?

      Clo. Many a good hanging prevents a bad marriage; and, for turning away, let summer bear it out.

      Mar. Here comes my lady; make your excuse wisely, you were best.

      [Exit Maria.

      Clo. Wit, and't be thy will, put me into good fooling! Those wits, that think they have thee, do very oft prove fools; and I, that am sure I lack thee, may pass for a wise man: For what says Quinapalus? Better a witty fool, than a foolish wit.

      Enter Olivia, Malvolio, and two Servants.

      Bless thee, lady!

      Oli. Take the fool away.

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