L'Assommoir. Emile Zola
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"And the gold?" asked Gervaise in a low voice.
Her anxious glances searched the corners and sought amongst all that filth for the resplendence she had dreamt of. But Coupeau burst out laughing.
"Gold?" said he; "why there's some; there's some more, and there's some at your feet!"
He pointed successively to the fine wire at which his sister was working, and to another roll of wire, similar to the ordinary iron wire, hanging against the wall close to the vise; then going down on all fours, he picked up, beneath the wooden screen which covered the tiled floor of the work-room, a piece of waste, a tiny fragment resembling the point of a rusty needle. But Gervaise protested; that couldn't be gold, that blackish piece of metal as ugly as iron! He had to bite into the piece and show her the gleaming notch made by his teeth. Then he continued his explanations: the employers provided the gold wire, already alloyed; the craftsmen first pulled it through the draw-plate to obtain the correct size, being careful to anneal it five or six times to keep it from breaking. It required a steady, strong hand, and plenty of practice. His sister would not let her husband touch the wire-drawing since he was subject to coughing spells. She had strong arms for it; he had seen her draw gold to the fineness of a hair.
Lorilleux, seized with a fit of coughing, almost doubled up on his stool. In the midst of the paroxysm, he spoke, and said in a choking voice, still without looking at Gervaise, as though he was merely mentioning the thing to himself:
"I'm making the herring-bone chain."
Coupeau urged Gervaise to get up. She might draw nearer and see. The chainmaker consented with a grunt. He wound the wire prepared by his wife round a mandrel, a very thin steel rod. Then he sawed gently, cutting the wire the whole length of the mandrel, each turn forming a link, which he soldered. The links were laid on a large piece of charcoal. He wetted them with a drop of borax, taken from the bottom of a broken glass beside him; and he made them red-hot at the lamp beneath the horizontal flame produced by the blow-pipe. Then, when he had soldered about a hundred links he returned once more to his minute work, propping his hands against the edge of the cheville, a small piece of board which the friction of his hands had polished. He bent each link almost double with the pliers, squeezed one end close, inserted it in the last link already in place and then, with the aid of a point opened out again the end he had squeezed; and he did this with a continuous regularity, the links joining each other so rapidly that the chain gradually grew beneath Gervaise's gaze, without her being able to follow, or well understand how it was done.
"That's the herring-bone chain," said Coupeau. "There's also the long link, the cable, the plain ring, and the spiral. But that's the herring-bone. Lorilleux only makes the herring-bone chain."
The latter chuckled with satisfaction. He exclaimed, as he continued squeezing the links, invisible between his black finger-nails.
"Listen to me, Young Cassis! I was making a calculation this morning. I commenced work when I was twelve years old, you know. Well! Can you guess how long a herring-bone chain I must have made up till to-day?"
He raised his pale face, and blinked his red eye-lids.
"Twenty-six thousand feet, do you hear? Two leagues! That's something! A herring-bone chain two leagues long! It's enough to twist round the necks of all the women of the neighborhood. And you know, it's still increasing. I hope to make it long enough to reach from Paris to Versailles."
Gervaise had returned to her seat, disenchanted and thinking everything very ugly. She smiled to be polite to the Lorilleuxs. The complete silence about her marriage bothered her. It was the sole reason for her having come. The Lorilleuxs were treating her as some stranger brought in by Coupeau. When a conversation finally did get started, it concerned the building's tenants. Madame Lorilleux asked her husband if he had heard the people on the fourth floor having a fight. They fought every day. The husband usually came home drunk and the wife had her faults too, yelling in the filthiest language. Then they spoke of the designer on the first floor, an uppity show-off with a mound of debts, always smoking, always arguing loudly with his friends. Monsieur Madinier's cardboard business was barely surviving. He had let two girl workers go yesterday. The business ate up all his money, leaving his children to run around in rags. And that Madame Gaudron was pregnant again; this was almost indecent at her age. The landlord was going to evict the Coquets on the fifth floor. They owed nine months' rent, and besides, they insisted on lighting their stove out on the landing. Last Saturday the old lady on the sixth floor, Mademoiselle Remanjou, had arrived just in time to save the Linguerlot child from being badly burned. Mademoiselle Clemence, one who took in ironing, well, she lived life as she pleased. She was so kind to animals though and had such a good heart that you couldn't say anything against her. It was a pity, a fine girl like her, the company she kept. She'd be walking the streets before long.
"Look, here's one," said Lorilleux to his wife, giving her the piece of chain he had been working on since his lunch. "You can trim it." And he added, with the persistence of a man who does not easily relinquish a joke: "Another four feet and a half. That brings me nearer to Versailles."
Madame Lorilleux, after tempering it again, trimmed it by passing it through the regulating draw-plate. Then she put it in a little copper saucepan with a long handle, full of lye-water, and placed it over the fire of the forge. Gervaise, again pushed forward by Coupeau, had to follow this last operation. When the chain was thoroughly cleansed, it appeared a dull red color. It was finished, and ready to be delivered.
"They're always delivered like that, in their rough state," the zinc-worker explained. "The polishers rub them afterwards with cloths."
Gervaise felt her courage failing her. The heat, more and more intense, was suffocating her. They kept the door shut, because Lorilleux caught cold from the least draught. Then as they still did not speak of the marriage, she wanted to go away and gently pulled Coupeau's jacket. He understood. Besides, he also was beginning to feel ill at ease and vexed at their affectation of silence.
"Well, we're off," said he. "We mustn't keep you from your work."
He moved about for a moment, waiting, hoping for a word or some allusion or other. At length he decided to broach the subject himself.
"I say, Lorilleux, we're counting on you to be my wife's witness."
The chainmaker pretended, with a chuckle, to be greatly surprised; whilst his wife, leaving her draw-plates, placed herself in the middle of the work-room.
"So it's serious then?" murmured he. "That confounded Young Cassis, one never knows whether he is joking or not."
"Ah! yes, madame's the person involved," said the wife in her turn, as she stared rudely at Gervaise. "Mon Dieu! We've no advice to give you, we haven't. It's a funny idea to go and get married, all the same. Anyhow, it's your own wish. When it doesn't succeed, one's only got oneself to blame, that's all. And it doesn't often succeed, not often, not often."
She uttered these last words slower and slower, and shaking her head, she looked from the young woman's face to her hands, and then to her feet as though she had wished to undress her and see the very pores of her skin. She must have found her better than she expected.
"My brother is perfectly free," she continued more stiffly. "No doubt the family might have wished – one always makes projects. But things take such funny turns. For myself, I don't want to have any unpleasantness. Had he brought us the lowest of the low, I should merely have said: 'Marry her and go to blazes!' He was not badly off though, here with us. He's fat enough; one can very well see he didn't fast much; and he always found his soup hot right on time. I say, Lorilleux, don't you think madame's like Therese – you know who I mean, that woman who used to live opposite, and who died of consumption?"
"Yes,