whose door was so pitilessly shut – how she resembled him! Draped with a mere strip of linen, she was shivering, and amidst the overpowering distress of her abandonment she did not reveal her secret, misfortune, or transgression, whichever it might be. But he, behind her close-pressed hands, endowed her with a face akin to his own: she became his sister, as were all the poor creatures without roof or certainty who weep because they are naked and alone, and wear out their strength in seeking to force the wicked thresholds of men. He could never gaze at her without pitying her, and it stirred him so much that evening to find her ever so unknown, nameless and visageless, yet steeped in the most bitter tears, that he suddenly began to question his companion.
"Tell me," said he, "do you know who painted that old picture? It stirs me to the soul like a masterpiece."
Stupefied by this unexpected question, the secretary raised his head and looked, feeling yet more astonished when he had examined the blackened, forsaken panel in its sorry frame.
"Where did it come from?" resumed Pierre; "why has it been stowed away in this room?"
"Oh!" replied Don Vigilio, with a gesture of indifference, "it's nothing. There are heaps of valueless old paintings everywhere. That one, no doubt, has always been here. But I don't know; I never noticed it before."
Whilst speaking he had at last risen to his feet, and this simple action had brought on such a fit of shivering that he could scarcely take leave, so violently did his teeth chatter with fever. "No, no, don't show me out," he stammered, "keep the lamp here. And to conclude: the best course is for you to leave yourself in the hands of Monsignor Nani, for he, at all events, is a superior man. I told you on your arrival that, whether you would or not, you would end by doing as he desired. And so what's the use of struggling? And mind, not a word of our conversation to-night; it would mean my death."
Then he noiselessly opened the doors, glanced distrustfully into the darkness of the passage, and at last ventured out and disappeared, regaining his own room with such soft steps that not the faintest footfall was heard amidst the tomb-like slumber of the old mansion.
On the morrow, Pierre, again mastered by a desire to fight on to the very end, got Don Vigilio to recommend him to the Pope's confessor, the Franciscan friar with whom the secretary was slightly acquainted. However, this friar proved to be an extremely timid if worthy man, selected precisely on account of his great modesty, simplicity, and absolute lack of influence in order that he might not abuse his position with respect to the Holy Father. And doubtless there was an affectation of humility on the latter's part in taking for confessor a member of the humblest of the regular orders, a friend of the poor, a holy beggar of the roads. At the same time the friar certainly enjoyed a reputation for oratory; and hidden by a veil the Pope at times listened to his sermons; for although as infallible Sovereign Pontiff Leo XIII could not receive lessons from any priest, it was admitted that as a man he might reap profit by listening to good discourse. Nevertheless apart from his natural eloquence, the worthy friar was really a mere washer of souls, a confessor who listens and absolves without even remembering the impurities which he removes in the waters of penitence. And Pierre, finding him really so poor and such a cipher, did not insist on an intervention which he realised would be futile.
All that day the young priest was haunted by the figure of that ingenuous lover of poverty, that delicious St. Francis, as Narcisse Habert was wont to say. Pierre had often wondered how such an apostle, so gentle towards both animate and inanimate creation, and so full of ardent charity for the wretched, could have arisen in a country of egotism and enjoyment like Italy, where the love of beauty alone has remained queen. Doubtless the times have changed; yet what a strong sap of love must have been needed in the old days, during the great sufferings of the middle ages, for such a consoler of the humble to spring from the popular soil and preach the gift of self to others, the renunciation of wealth, the horror of brutal force, the equality and obedience which would ensure the peace of the world. St. Francis trod the roads clad as one of the poorest, a rope girdling his grey gown and his bare feet shod with sandals, and he carried with him neither purse nor staff. And he and his brethren spoke aloud and freely, with sovereign florescence of poetry and boldness of truth, attacking the rich and the powerful, and daring even to denounce the priests of evil life, the debauched, simoniacal, and perjured bishops. A long cry of relief greeted the Franciscans, the people followed them in crowds – they were the friends, the liberators of all the humble ones who suffered. And thus, like revolutionaries, they at first so alarmed Rome, that the popes hesitated to authorise their Order. When they at last gave way it was assuredly with the hope of using this new force for their own profit, by conquering the whole vague mass of the lowly whose covert threats have ever growled through the ages, even in the most despotic times. And thenceforward in the sons of St. Francis the Church possessed an ever victorious army – a wandering army which spread over the roads, in the villages and through the towns, penetrating to the firesides of artisan and peasant, and gaining possession of all simple hearts. How great the democratic power of such an Order which had sprung from the very entrails of the people! And thence its rapid prosperity, its teeming growth in a few years, friaries arising upon all sides, and the third Order3 so invading the secular population as to impregnate and absorb it. And that there was here a genuine growth of the soil, a vigorous vegetation of the plebeian stock was shown by an entire national art arising from it – the precursors of the Renascence in painting and even Dante himself, the soul of Italia's genius.
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