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He who cannot reflect upon the position of affairs in Society without melancholy, who has learnt to conceive of it as the continual painful birth of those privileged Culture-men, in whose service everything else must be devoured – he will no longer be deceived by that false glamour, which the moderns have spread over the origin and meaning of the State. For what can the State mean to us, if not the means by which that social-process described just now is to be fused and to be guaranteed in its unimpeded continuance? Be the sociable instinct in individual man as strong as it may, it is only the iron clamp of the State that constrains the large masses upon one another in such a fashion that a chemical decomposition of Society, with its pyramid-like super-structure, is bound to take place. Whence however originates this sudden power of the State, whose aim lies much beyond the insight and beyond the egoism of the individual? How did the slave, the blind mole of Culture, originate? The Greeks in their instinct relating to the law of nations have betrayed it to us, in an instinct, which even in the ripest fulness of their civilisation and humanity never ceased to utter as out of a brazen mouth such words as: "to the victor belongs the vanquished, with wife and child, life and property. Power gives the first right and there is no right, which at bottom is not presumption, usurpation, violence."
Here again we see with what pitiless inflexibility Nature, in order to arrive at Society, forges for herself the cruel tool of the State – namely, that conqueror with the iron hand, who is nothing else than the objectivation of the instinct indicated. By the indefinable greatness and power of such conquerors the spectator feels, that they are only the means of an intention manifesting itself through them and yet hiding itself from them. The weaker forces attach themselves to them with such mysterious speed, and transform themselves so wonderfully, in the sudden swelling of that violent avalanche, under the charm of that creative kernel, into an affinity hitherto not existing, that it seems as if a magic will were emanating from them.
Now when we see how little the vanquished trouble themselves after a short time about the horrible origin of the State, so that history informs us of no class of events worse than the origins of those sudden, violent, bloody and, at least in one point, inexplicable usurpations: when hearts involuntarily go out towards the magic of the growing State with the presentiment of an invisible deep purpose, where the calculating intellect is enabled to see an addition of forces only; when now the State is even contemplated with fervour as the goal and ultimate aim of the sacrifices and duties of the individual: then out of all that speaks the enormous necessity of the State, without which Nature might not succeed in coming, through Society, to her deliverance in semblance, in the mirror of the genius. What discernments does the instinctive pleasure in the State not overcome! One would indeed feel inclined to think that a man who looks into the origin of the State will henceforth seek his salvation at an awful distance from it; and where can one not see the monuments of its origin – devastated lands, destroyed cities, brutalised men, devouring hatred of nations! The State, of ignominiously low birth, for the majority of men a continually flowing source of hardship, at frequently recurring periods the consuming torch of mankind – and yet a word, at which we forget ourselves, a battle cry, which has filled men with enthusiasm for innumerable really heroic deeds, perhaps the highest and most venerable object for the blind and egoistic multitude which only in the tremendous moments of State-life has the strange expression of greatness on its face!
We have, however, to consider the Greeks, with regard to the unique sun-height of their art, as the "political men in themselves," and certainly history knows of no second instance of such an awful unchaining of the political passion, such an unconditional immolation of all other interests in the service of this State-instinct; at the best one might distinguish the men of the Renascence in Italy with a similar title for like reasons and by way of comparison. So overloaded is that passion among the Greeks that it begins ever anew to rage against itself and to strike its teeth into its own flesh. This bloody jealousy of city against city, of party against party, this murderous greed of those little wars, the tiger-like triumph over the corpse of the slain enemy, in short, the incessant renewal of those Trojan scenes of struggle and horror, in the spectacle of which, as a genuine Hellene, Homer stands before us absorbed with delight– whither does this naïve barbarism of the Greek State point? What is its excuse before the tribunal of eternal justice? Proud and calm, the State steps before this tribunal and by the hand it leads the flower of blossoming womanhood: Greek society. For this Helena the State waged those wars – and what grey-bearded judge could here condemn? —
Under this mysterious connection, which we here divine between State and art, political greed and artistic creation, battlefield and work of art, we understand by the State, as already remarked, only the cramp-iron, which compels the Social process; whereas without the State, in the natural bellum omnium contra omnes Society cannot strike root at all on a larger scale and beyond the reach of the family. Now, after States have been established almost everywhere, that bent of the bellum omnium contra omnes concentrates itself from time to time into a terrible gathering of war-clouds and discharges itself as it were in rare but so much the more violent shocks and lightning flashes. But in consequence of the effect of that bellum,– an effect which is turned inwards and compressed, – Society is given time during the intervals to germinate and burst into leaf, in order, as soon as warmer days come, to let the shining blossoms of genius sprout forth.
In face of the political world of the Hellenes, I will not hide those phenomena of the present in which I believe I discern dangerous atrophies of the political sphere equally critical for art and society. If there should exist men, who as it were through birth are placed outside the national-and State-instincts, who consequently have to esteem the State only in so far as they conceive that it coincides with their own interest, then such men will necessarily imagine as the ultimate political aim the most undisturbed collateral existence of great political communities possible, which they might be permitted to pursue their own purposes without restriction. With this idea in their heads they will promote that policy which will offer the greatest security to these purposes; whereas it is unthinkable, that they, against their intentions, guided perhaps by an unconscious instinct, should sacrifice themselves for the State-tendency, unthinkable because they lack that very instinct. All other citizens of the State are in the dark about what Nature intends with her State-instinct within them, and they follow blindly; only those who stand outside this instinct know what they want from the State and what the State is to grant them. Therefore it is almost unavoidable that such men should gain great influence in the State because they are allowed to consider it as a means, whereas all the others under the sway of those unconscious purposes of the State are themselves only means for the fulfilment of the State-purpose. In order now to attain, through the medium of the State, the highest furtherance of their selfish aims, it is above all necessary, that the State be wholly freed from those awfully incalculable war-convulsions so that it may be used rationally; and thereby they strive with all their might for a condition of things in which war is an impossibility.